A Road with No End

Last updated
A Road with No End
Mochtar Lubis, Djalan Tak Ada Udjung, 1952 (obverse; wiki).jpg
Cover, first edition
Author Mochtar Lubis
Original titleJalan Tak Ada Ujung
TranslatorAnthony Hearle Johns
Cover artistS. Sutiksno (1st edition)
Language Indonesian
Publisher Balai Pustaka
Pustaka Jaya
Yayasan Obor Indonesia
Publication date
1952
Publication place Indonesia
Media typePrint (Hardback & Paperback)
Pages127 (1st edition)
ISBN 979-461-106-9
OCLC 29270708
Preceded byTidak Ada Esok 
Followed byTanah Gersang 

A Road with No End (Indonesian : Jalan Tak Ada Ujung) is an Indonesian novel by Mochtar Lubis first published by Balai Pustaka in 1952. It takes place during the Indonesian war of independence and tells the story of Guru Isa, a schoolteacher who assists the guerrilla freedom fighters yet lives in fear.

Contents

Plot

Guru Isa, a school teacher, lives in constant fear. The Indonesian war for independence is raging, and before that the Japanese occupiers had created terror amongst the populace; his fear is so great that for years he has become unable to have an erection. [1] However, due to his obligations as a school teacher he attends a youth's meeting, where they discuss the revolution. Unable to say no, he is asked to become a courier and deliver letters and weapons within Jakarta.

Not long after, Guru Isa meets a young guerrilla named Hazil. Due to their mutual interest in music, the two become friends and Guru Isa begins to feel more relaxed. As they work together for the revolution, Guru Isa becomes uneasier. Not long after delivering weapons outside of Jakarta, Guru Isa falls ill with malaria.

Hazil assists Guru Isa's wife, Fatimah, with his care. Eventually, Guru Isa is able to leave the house and teach again. However, during this period Fatimah, disappointed by Guru Isa's impotence, begins having an affair with Hazil. Guru Isa learns of this after finding Hazil's smoking pipe under a pillow in the bedroom and becomes furious, but is unable to confront Fatimah or Hazil. Instead, he distances himself further from everyone and becomes even less self-confident.

A while later, Guru Isa and Hazil are tasked with throwing a grenade at a crowd of soldiers dispersing from a movie theatre. Although they succeed in their mission, not long afterwards Hazil is captured. Although Guru Isa initially intends to leave Jakarta, he decides to face the consequences for what he has done. After being captured by the Dutch forces and staying silent through torture, Guru Isa meets with Hazil in the prison and learns that he had confessed "after just a slap to the head". [2] Overcoming his fear and regaining his self-confidence, Guru Isa is able to have an erection again.

Characters

Guru Isa

Guru Isa, the main character, is an elementary school teacher who enjoys music and association football. He is well-liked within the community, and married to Fatimah. However, due to the stress of the Japanese occupation of the Dutch East Indies and the subsequent war for independence, Guru Isa begins to suffer from erectile dysfunction. [1] [3] He becomes easily frightened and avoids conflict whenever possible. He covertly works with Hazil to improve the guerrilla's chances of success, but is eventually caught. As he is tortured, he overcomes his fears and is able to have an erection. [3]

Hazil

Hazil is a young guerrilla and friend of Guru Isa. He is enthusiastic about the war for independence and fights bravely. After frequenting Guru Isa's house, Hazil becomes attracted to Fatimah and they have a brief affair. However, after being captured by the Dutch Hazil's braveness disappears; under torture he tells the Dutch where the remaining guerrillas are. [3]

Reception

A year after its publication by Balai Pustaka in 1952, Jalan Tak Ada Ujung received an award from the Badan Musyawarah Kebudayaan Nasional. [4]

M. Balfas considered Jalan Tak Ada Ujung to be Lubis' best work, writing "compared to other novels by the same author... Jalan Tak Ada Ujung remains his best literary product". [5]

Jalan Tak Ada Ujung was translated as A Road with no End in 1968 by A.H. Johns and into Chinese in 1988. It has been discussed in numerous theses and dissertations, both in and out of Indonesia. [4]

Related Research Articles

<span class="mw-page-title-main">Indonesian literature</span> Literature of Indonesia

Indonesian literature is a term grouping various genres of South-East Asian literature.

<span class="mw-page-title-main">Mochtar Lubis</span> Indonesian journalist and novelist

Mochtar Lubis was an Indonesian journalist and novelist who co-founded Indonesia Raya and monthly literary magazine Horison. His novel Senja di Jakarta was the first Indonesian novel to be translated into English. He was a critic of Sukarno and was imprisoned by him, as well as by Suharto on several later occasions. He held strong anti-leftist views and was seen by critics as aligned with military and pro-US forces that were opposed to Sukarno’s non-aligned policies, a charge that he himself denied.

<i>Harimau! Harimau!</i> 1975 novel by Mochtar Lubis

Harimau! Harimau! is an Indonesian novel written by Mochtar Lubis and originally published in 1975. Written in a Madiun prison as a response to Indonesians following President Sukarno's leadership without question, it tells the story of seven dammar collectors who are attacked by a tiger on their way back to their village and are unable to be saved by their charismatic leader. The book was critically acclaimed, receiving the Best Book award from the Indonesian Department of Education and Culture. It has been translated into English, Dutch and Mandarin.

<i>Senja di Jakarta</i> 1963 Indonesian novel

Senja di Jakarta is an Indonesian novel written by Mochtar Lubis and first published in English by Hutchinson & Co. in 1963, with a translation by Claire Holt. It was later published in Indonesian in 1970.

<i>Azab dan Sengsara</i> 1920 novel by Merari Siregar

Azab dan Sengsara is a 1920 novel written by Merari Siregar and published by Balai Pustaka, Indonesia's major publisher at that time. It tells the story of two lovers, Amiruddin and Mariamin, who are unable to marry and eventually become miserable. It is generally considered the first modern Indonesian novel.

<i>Sitti Nurbaya</i> Book by Marah Roesli

Sitti Nurbaya: Kasih Tak Sampai is an Indonesian novel by Marah Rusli. It was published by Balai Pustaka, the state-owned publisher and literary bureau of the Dutch East Indies, in 1922. The author was influenced by the cultures of the west Sumatran Minangkabau and the Dutch colonials, who had controlled Indonesia in various forms since the 17th century. Another influence may have been a negative experience within the author's family; after he had chosen a Sundanese woman to be his wife, Rusli's family brought him back to Padang and forced him to marry a Minangkabau woman chosen for him.

<span class="mw-page-title-main">Trisnojuwono</span>

Trisnojuwono was an Indonesian author, journalist and former revolutionary and military man born in Yogyakarta, 12 November 1925. He died in Bandung, 29 October 1996. Much of his literary work is based on his experiences as Pemuda during the Indonesian National Revolution and includes many unique eye witness accounts of this chaotic and violent period.

<i>Sengsara Membawa Nikmat</i> 1929 novel by Tulis Sutan Sati

Sengsara Membawa Nikmat is an Indonesian novel written by Tulis Sutan Sati. It was published in 1929 by Balai Pustaka. It tells the story of Midun, the son of a farmer, who experiences many trials before finally living happily with his new wife. It has been noted as one of Sati's most interesting works.

<i>Atheis</i> Book by Achdiat Karta Mihardja

Atheis is a 1949 Indonesian novel written by Achdiat Karta Mihardja and published by Balai Pustaka. The novel, using three narrative voices, details the rise and fall of Hasan, a young Muslim who is raised to be religious but winds up doubting his faith after dealings with his Marxist–Leninist childhood friend and an anarcho-nihilist writer.

Darah Muda is a 1927 novel written by Indonesian writer Djamaluddin Adinegoro and published by Balai Pustaka. It is one of few Indonesian novels from the period in which the protagonists succeed in love.

<i>Dian yang Tak Kunjung Padam</i> 1932 novel by Sutan Takdir Alisjahbana

Dian jang Ta' Koendjoeng Padam is a 1932 novel by Sutan Takdir Alisjahbana. It was published by Balai Pustaka.

Asmara Djaja is a 1928 novel written by Indonesian writer Djamaluddin Adinegoro and published by Balai Pustaka. It is one of few Indonesian novels from the period in which the protagonists succeed in love.

"Soerabaja" is a work of fiction by Indonesian writer Idrus variously described as a novel, novelette, and long short story. It was published in 1946 or 1947.

<i>Di Bawah Lindungan Kabah</i> (novel)

Di Bawah Lindungan Ka'bah is the 1938 debut novel of the Indonesian author Haji Abdul Malik Karim Amrullah (1908–1981). Written while the author worked in Medan as the editor of an Islamic weekly magazine, the novel follows the doomed romance of a young Minang couple from different social backgrounds. Generally praised for its simple yet eloquent diction, the novel has been twice adapted into film, first in 1977 and then in 2011.

<i>Tenggelamnya Kapal van der Wijck</i> Indonesian novel

Tenggelamnja Kapal van der Wijck is an Indonesian serial and later novel by Haji Abdul Malik Karim Amrullah published in 1938. It follows the failed love between Zainuddin, a mixed-race man, and Hayati, a pure Minang woman.

<span class="mw-page-title-main">Sariamin Ismail</span> First Indonesian female author (1909–1995)

Sariamin Ismail was the first female Indonesian novelist to be published in the Dutch East Indies. A teacher by trade, by the 1930s she had begun writing in newspapers; she published her first novel, Kalau Tak Untung, in 1933. She published two novels and several poetry anthologies afterwards, while continuing to teach and – between 1947 and 1949 – serving as a member of the regional representative body in Riau. Her literary works often dealt with star-crossed lovers and the role of fate, while her editorials were staunchly anti-polygamy. She was one of only a handful of Indonesian women authors to be published at all during the colonial period, alongside Fatimah Hasan Delais, Saadah Alim, Soewarsih Djojopoespito and a few others.

<i>Kalau Tak Untung</i> 1933 Indonesian novel

Kalau Ta' Oentoeng is a 1933 novel written by Sariamin Ismail under the pseudonym Selasih. It was the first Indonesian novel written by a woman. Written in a flowing style heavily dependent on letters, the novel tells the story of two childhood friends who fall in love but cannot be together. It was reportedly based on the author's own experiences. Although readings have generally focused on the novel's depiction of an "inexorable fate", feminist and postcolonial analyses have also been done.

<span class="mw-page-title-main">Korrie Layun Rampan</span> Indonesian writer (1953–2015)

Korrie Layun Rampan was an Indonesian novelist, short story writer, poet, literary critic, journalist, and politician.

<span class="mw-page-title-main">Soeman Hs</span> Indonesian author

Soeman Hasibuan better known by his pen name Soeman Hs, was an Indonesian author recognized for pioneering detective fiction and short story writing in the country's literature. Born in Bengkalis, Riau, Dutch East Indies, to a family of farmers, Soeman studied to become a teacher and, under the author Mohammad Kasim, a writer. He began working as a Malay-language teacher after completing normal school in 1923, first in Siak Sri Indrapura, Aceh, then in Pasir Pengaraian, Rokan Hulu, Riau. Around this time he began writing, publishing his first novel, Kasih Tak Terlarai, in 1929. In twelve years he published five novels, one short story collection, and thirty-five short stories and poems.

This City Is a Battlefield is an upcoming Indonesian war drama film written and directed by Mouly Surya. The film is adaptation of Jalan Tak Ada Ujung by Mochtar Lubis and is set in 1946, a year after Indonesia's independence from Dutch and Japanese occupation.

References

  1. 1 2 Lubis 2003 , p. 29
  2. Lubis 2003 , p. 162
  3. 1 2 3 Mahayana, Sofyan & Dian 2007 , pp. 117–120
  4. 1 2 KS 2010 , pp. 157–159
  5. Balfas 1976 , p. 92

Bibliography