![]() First edition cover | |
Author | Joseph Conrad |
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Language | English |
Genre | Short Stories |
Publisher | Methuen and Company |
Publication date | 1908 |
Publication place | United Kingdom |
Media type | Print (hardcover) |
Pages | 310 |
OCLC | 557218 |
A Set of Six is a collection of six works of short fiction by Joseph Conrad, each appearing in literary journals between 1906 and 1908. The works were collected in A Set of Six, published in 1908 by Methuen and Company . [1]
The works in the collection first appeared in literary journals: [2]
“Gaspar Ruiz” ( Pall Mall Magazine , July–October 1906)
“The Brute” ( Daily Chronicle , December 5, 1906)
“An Anarchist” ( Harper’s Magazine , August 1906)
“The Informer” ( Harper’s Magazine , December 1906)
“Il Conde” ( Cassell's Magazine , August 1908)
“The Duel” ( The Pall Mall Magazine , January–May 1908)
Conrad, at the age of 44, embarked on his first major literary project, Nostromo, completed and published in 1904. In composing Nostromo, Conrad sought to present a broader social landscape in his work. The subject of his early writing, involving “moral dramas tested by the unfamiliar menace of a primitive world” were in abeyance during this period. Between October 1902 and November 1905, Conrad wrote no short fiction. [3] [4]
When he returned to writing short stories, Conrad regarded these as “instruments for raising money quickly” rather than serious literary endeavors. [5] In a letter to Sir Algernon Methuen in January 1908, Conrad explained his approach to writing the material in A Set of Six:
All the stories are stories of incident – action – not of analysis. All are dramatic in a measure but by no means of a gloomy sort... they are not studies – they touch no problem. They are just stories in which I’ve tried my best to be simply entertaining. [6] [7]
The stories in A Set of Six contrast with his earlier short fiction in that they are neither autobiographical or based on first-hand experience. Literary critic Laurence Graver notes that a central theme in his earliest stories, namely, the conflict between “egoism and altruism” is largely absent in this collection: “a new emphasis is placed on love and humor, two elements Conrad seemed to think were indispensable in popular fiction.” [8]