A Sudden Gust of Wind (after Hokusai) is a color photograph made by Jeff Wall in 1993. The large photograph is a rework version of the woodcut Yejiri Station, Province of Suruga (c. 1832) by Japanese artist Katsushika Hokusai. The picture is displayed in a light box and it has the dimensions of 250 by 397 cm. It belongs to the collection of the Tate Modern, in London. [1] [2]
Wall worked on this photograph for five months. It involved four actors and it was shot in a landscape near Vancouver, British Columbia, when the appropriate weather conditions were in effect. He modified and collaged elements of the picture digitally for the final result. From the left, the characters express different reactions to the gust of wind. The female character of the left is still, in a state of shock, while her head is concealed by her scarf, blown by the wind, which dispersed her sheet of papers into the center of the picture. Two men hold their hats in their heads, facing the strength of the wind, while a third man, in between them, looks to the sky as his trilby flies away. Two thin trees in the foreground bend and release some leaves. The landscape appears to be suburban and presents brown fields and a canal, with small shacks, a row of telegraph poles, concrete pillars and other signs that evoke industrial farming. [1] [3] [4]
The book Time and Photography (2010) states that "What is also clear is the way in which Wall uses carefully constructed composition to play with the relationship between the flattened staging of the tableau of figures in the foreground and the receding landscape of modernity that is always the true subject of Wall's pictures, that lies behind them. Our own gaze, in this moment of non-time, follows that of the central figure up to the lost hat sailing overhead, the clarity of whose reproduction belies the naturalism of the photograph as a whole.". [5]
Jeffrey Wall, OC, RSA is an artist best known for his large-scale back-lit Cibachrome photographs and art history writing. Early in his career, he helped define the Vancouver School and he has published essays on the work of his colleagues and fellow Vancouverites Rodney Graham, Ken Lum, and Ian Wallace. His photographic tableaux often take Vancouver's mixture of natural beauty, urban decay, and postmodern and industrial featurelessness as their backdrop.
Uta Barth is a contemporary German-American photographer whose work addresses themes such as perception, optical illusion and non-place. Her early work emerged in the late 1980s and 1990s, "inverting the notion of background and foreground" in photography and bringing awareness to a viewer's attention to visual information with in the photographic frame. Her work is as much about vision and perception as it is about the failure to see, the faith humans place in the mechanics of perception, and the precarious nature of perceptual habits. Barth's says this about her art practice: “The question for me always is how can I make you aware of your own looking, instead of losing your attention to thoughts about what it is that you are looking at." She has been honored with two National Endowments of the Arts fellowships, was a recipient of the John Simon Guggenheim Fellowship in 2004‑05, and was a 2012 MacArthur Fellow. Barth lives and works in Los Angeles, California.
Compositing is the process or technique of combining visual elements from separate sources into single images, often to create the illusion that all those elements are parts of the same scene. Live-action shooting for compositing is variously called "chroma key", "blue screen", "green screen" and other names. Today, most, though not all, compositing is achieved through digital image manipulation. Pre-digital compositing techniques, however, go back as far as the trick films of Georges Méliès in the late 19th century, and some are still in use.
Henriette Theodora Markovitch, known as Dora Maar, was a French photographer, painter, and poet. A romantic partner of Pablo Picasso, Maar was depicted in a number of Picasso's paintings, including his Portrait of Dora Maar and Dora Maar au Chat.
A Bar at the Folies-Bergère is a painting by Édouard Manet, considered to be his last major work. It was painted in 1882 and exhibited at the Paris Salon of that year. It depicts a scene in the Folies Bergère nightclub in Paris. The painting originally belonged to the composer Emmanuel Chabrier, a close friend of Manet, and hung over his piano. It is now in the Courtauld Gallery in London.
Cynthia Morris Sherman is an American artist whose work consists primarily of photographic self-portraits, depicting herself in many different contexts and as various imagined characters.
Louise Lawler is a U.S. artist and photographer living in Brooklyn, New York. From the late 1970s onwards, Lawler’s work has focused on photographing portraits of other artists’ work, giving special attention to the spaces in which they are placed and methods used to make them. Examples of Lawler's photographs include images of paintings hanging on the walls of a museum, paintings on the walls of an art collector's opulent home, artwork in the process of being installed in a gallery, and sculptures in a gallery being viewed by spectators.
Ann Hamilton is an American visual artist who emerged in the early 1980s known for her large-scale multimedia installations. After receiving her BFA in textile design from the University of Kansas in 1979, she lived in Banff, Alberta, and Montreal, Quebec, Canada before deciding to pursue an MFA in sculpture at Yale in 1983. From 1985 to 1991, she taught on the faculty of the University of California at Santa Barbara. Since 2001, Hamilton has served on the faculty of the Department of Art at the Ohio State University. She was appointed a Distinguished University Professor in 2011.
The Great Wave off Kanagawa is a woodblock print by Japanese ukiyo-e artist Hokusai, created in late 1831 during the Edo period of Japanese history. The print depicts three boats moving through a storm-tossed sea, with a large, cresting wave forming a spiral in the centre and Mount Fuji visible in the background.
The Gate of Calais or O, the Roast Beef of Old England is a 1748 painting by William Hogarth, reproduced as a print from an engraving the next year. Hogarth produced the painting directly after his return from France, where he had been arrested as a spy while sketching in Calais. The scene depicts a side of beef being transported from the harbour to an English tavern in the port, while a group of undernourished, ragged French soldiers and a fat friar look on hungrily. Hogarth painted himself in the left corner with a "soldier's hand upon my shoulder."
The Tornabuoni Chapel is the main chapel in the church of Santa Maria Novella, Florence, Italy. It is famous for the extensive and well-preserved fresco cycle on its walls, one of the most complete in the city, which was created by Domenico Ghirlandaio and his workshop between 1485 and 1490.
The Vancouver School of conceptual or post-conceptual photography is a loose term applied to a grouping of artists from Vancouver starting in the 1980s. Critics and curators began writing about artists reacting to both older conceptual art practices and mass media by countering with "photographs of high intensity and complex content that probed, obliquely or directly, the social force of imagery." No formal "school" exists and the grouping remains both informal and often controversial even amongst the artists themselves, who often resist the term. Artists associated with the term include Vikky Alexander, Roy Arden, Ken Lum, Jeff Wall, Ian Wallace, Stan Douglas and Rodney Graham.
The 2007 Turner Prize for modern British art was awarded on 3 December 2007. It was the 22nd Turner Prize competition. There were four nominees for the 2007 prize and the winner was Mark Wallinger.
Landscape photography shows the spaces within the world, sometimes vast and unending, but other times microscopic. Landscape photographs typically capture the presence of nature but can also focus on human-made features or disturbances of landscapes. Landscape photography is done for a variety of reasons. Perhaps the most common is to recall a personal observation or experience while in the outdoors, especially when traveling. Others pursue it particularly as an outdoor lifestyle, to be involved with nature and the elements, some as an escape from the artificial world.
Bigger Trees Near Warter or ou Peinture en Plein Air pour l'age Post-Photographique is a large landscape painting by British artist David Hockney. Measuring 460 by 1,220 centimetres or 180 by 480 inches, it depicts a coppice near Warter, Pocklington in the East Riding of Yorkshire and is the largest painting Hockney has completed.
Picture for Women is a photographic work by Canadian artist Jeff Wall. Produced in 1979, Picture for Women is a key early work in Wall's career and exemplifies a number of conceptual, material and visual concerns found in his art throughout the 1980s and 1990s. An influential photographic work, Picture for Women is a response to Édouard Manet's Un bar aux Folies Bergère and is a key photograph in the shift from small-scale black and white photographs to large-scale colour that took place in the 1980s in art photography and museum exhibitions. It is the subject of a monographic book written by David Campany and published as part of Afterall Books' One Work series.
Miss Hokusai is a Japanese historical manga series written and illustrated by Hinako Sugiura, telling the story of Katsushika Ōi who worked in the shadow of her father Hokusai. It was adapted into an anime film directed by Keiichi Hara, that was released in 2015.
The Vulture and the Little Girl, also known as The Struggling Girl, is a photograph by Kevin Carter which first appeared in The New York Times on 26 March 1993. It is a photograph of a frail famine-stricken boy, initially believed to be a girl, who had collapsed in the foreground with a hooded vulture eyeing him from nearby. The child was reported to be attempting to reach a United Nations feeding centre about a half mile away in Ayod, Sudan, in March 1993, and to have survived the incident. The picture won the Pulitzer Prize for Feature Photography award in 1994. Carter took his own life four months after winning the prize.
Dead Troops Talk, full title Dead Troops Talk , is a color photograph made by Jeff Wall in 1992. It has the dimensions of 229.2 by 417.2 cm.
The Destroyed Room is a color photograph executed by Jeff Wall in 1978. The photograph was entirely created in a set and depicts a room with several damaged items, while the walls also show signs of destruction. The picture has the dimensions of 159 by 234 cm and is exhibited in a lightbox. It is held in the collection of the National Gallery of Canada, in Ottawa.
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