Tiger in the Snow | |
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Artist | Katsushika Hokusai |
Year | 1849 |
Type | Hanging scroll, ink and paint on silk |
Dimensions | 39 cm× 50 cm(15.375 in× 19.625 in) |
Location | Private collection |
Tiger in the Snow is a hanging scroll ( kakemono ) painted by Japanese ukiyo-e artist Hokusai in 1849. It is one of the last works he produced in his long and prolific career.
Towards the end of his life, Hokusai began to draw many large cats. Between 1842 and 1843 Hokusai painted a shishi lion every day as a talisman against bad luck in a practice he called nisshin joma, or "daily exorcisms". [1] In his final, years tigers became a subject matter to which he returned several times.
In the painting the ground is invisible and the tiger seems to float through the snow-filled air. The snow-covered bamboo fronds echo the claws of the tiger. [2] His fur is rendered with wavy lines, a sinuous effect more in keeping with a snake or dragon. The tiger's expression has been variously described as a smile or a snarl, the tiger himself appears joyful, amused, [2] and "royally pleased with himself". [3]
The signed inscription reads: "Month of the Tiger, Year of the Cock, old Manji, the old man mad about painting, at the age of ninety". The work, possibly his last painting, was done just a few months before his death aged eighty-nine by Western reckoning. [2] It shows that even in his old age, Hokusai's powers remained undiminished. [3] Narazaki Muneshige wrote of this painting, "While the artist's body was emaciated and bones wearied by age, in his thoughts he was a charging tiger". The seal reading Hyaku, or "One Hundred", is another sign of Hokusai's preoccupation with longevity. [4]
The painting was sold by Christie's auction house for US$772,500 in October 1998. [4] It is held by a private American collector. [2]
Ukiyo-e is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. The term ukiyo-e translates as 'picture[s] of the floating world'.
Katsushika Hokusai, known simply as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. He is best known for the woodblock print series Thirty-Six Views of Mount Fuji, which includes the iconic print The Great Wave off Kanagawa. Hokusai was instrumental in developing ukiyo-e from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. His works are thought to have had a significant influence on Vincent van Gogh and Claude Monet during the wave of Japonisme that spread across Europe in the late 19th century.
Tōshūsai Sharaku was a Japanese ukiyo-e print designer, known for his portraits of kabuki actors. Neither his true name nor the dates of his birth or death are known. His active career as a woodblock artist spanned ten months; his prolific work met disapproval and his output came to an end as suddenly and mysteriously as it had begun. His work has come to be considered some of the greatest in the ukiyo-e genre.
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Katsushika Ōi, also known as Ei (栄) or Ei-jo, was a Japanese Ukiyo-e artist of the early 19th century Edo period. She was a daughter of Hokusai from his second wife. Ōi was an accomplished painter who also worked as a production assistant to her father.
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