"A Very Cellular Song" | |
---|---|
Song by the Incredible String Band | |
from the album The Hangman's Beautiful Daughter | |
Released | March 1968 |
Recorded | December 1967 at Sound Techniques, London |
Genre | Psychedelic folk |
Length | 13:09 |
Label | Elektra / WEA |
Songwriter(s) | Mike Heron |
Producer(s) | Joe Boyd |
"A Very Cellular Song" is a song by the Incredible String Band, written by Mike Heron, released on the 1968 album The Hangman's Beautiful Daughter .
The longest number on the album, the song is a 13-minute reflection on life, love, and amoebas, whose complex structure incorporates a Bahamian spiritual ("I Bid You Goodnight", originally recorded by the Pinder Family [1] [2] ). Heron next sings a passage beginning "Who would lose and who would bruise", whose tune is to be reprised later on in the piece. This is followed by an ode to mitosis, sung from the point of view of an amoeba, introduced by Licorice McKechnie saying the words "Amoebas are very small".
The numerous parts of the song are woven together by Heron's harpsichord sections and Williamson's instrumental passages on the gimbri and Jew's harp. Heron later said of the song, "All it was was a trip, and that was the music I was listening to, that and interspersed with Radio 4, bits of plays, people talking to each other, and I happened to be listening to the Pinder Family before I started." [3]
The last part of "A Very Cellular Song", "May the Long Time Sun Shine", is sometimes wrongly referred to as a Sikh hymn or an Irish blessing, but is in fact an original song written by Mike Heron. [4]
Writer Dan Lander described the song as Mike Heron's masterpiece. He wrote: [5]
"Weaving between styles as divergent as Bahamian funerary music, East Indian incantation and ancient Celtic mysticism, 'A Very Cellular Song' represents a high point in the band's creativity and surely influenced a host of others including Led Zeppelin, the Who and Lou Reed. Handclaps, kazoo, harpsichord and pipes intermingle and morph into each other. If this sounds like dissonance and chaos, it is. However, it holds together and in the end conveys a powerful range of human emotion through pain and joy and back again."
The Incredible String Band were a British psychedelic folk band formed by Clive Palmer, Robin Williamson and Mike Heron in Edinburgh in 1966. The band built a considerable following, especially in the British counterculture, notably with their albums The 5000 Spirits or the Layers of the Onion (1967), The Hangman's Beautiful Daughter (1968), and Wee Tam and the Big Huge (1968). They became pioneers in psychedelic folk and, through integrating a wide variety of traditional music forms and instruments, in the development of world music.
Joseph Spence was a Bahamian guitarist and singer. He is well known for his vocalizations and humming while playing the guitar. Several American musicians, including Taj Mahal, the Grateful Dead, Ry Cooder, Catfish Keith, Woody Mann, and Olu Dara, as well as the British guitarist John Renbourn, were influenced by and have recorded variations of his arrangements of gospel and Bahamian songs.
The 5000 Spirits or the Layers of the Onion is the second album by the Scottish psychedelic folk group the Incredible String Band (ISB). It was released in July 1967 on Elektra Records. The album was recorded following the reformation of the band as a duo consisting of Robin Williamson and Mike Heron. Notably, the album was a change in musical direction for the two as they transitioned from their more conventional folk music structures into complex psychedelic compositions influenced by British folk and Indian music.
The Hangman's Beautiful Daughter is the third album by the Scottish psychedelic folk group, the Incredible String Band (ISB), and was released in March 1968 on Elektra Records. It saw the band continuing its development of the elements of psychedelic folk and enlarging on past themes, a process they had begun on their previous album, The 5000 Spirits or the Layers of the Onion. Instrumentally, it was the ISB's most complex and experimental album to date, featuring a wide array of exotic instruments. In addition, the album captured the band utilising multi-tracks and overdubbing.
The Incredible String Band is the debut album by the band of the same name, released in the United Kingdom in September 1966 by record label Elektra. It is the only one of the band's albums to feature the original trio line-up with Clive Palmer, Robin Williamson and Mike Heron.
Christina 'Licorice' McKechnie is a Scottish musician. She was a singer and songwriter in The Incredible String Band between 1968 and 1972. Her whereabouts have been publicly unknown since 1987, when she was last seen hitchhiking across the Arizona desert.
U is a double album, the seventh studio album overall, by the British psychedelic folk group the Incredible String Band (ISB) and was released on Elektra Records in October 1970. The majority of the material featured on the album was taken from the mixed-media production of the same name, which saw the band backed by the dancing troupe the Stone Monkey. The concept of U derived from the ISB's fascination and subsequent conversion to Scientology in 1969.
Be Glad for the Song Has No Ending is the eighth album by the Scottish psychedelic folk group, the Incredible String Band, featuring Mike Heron, Robin Williamson, Licorice McKechnie and Rose Simpson. It is the soundtrack for a film of the same name, and was released on Island Records in March 1971, failing to chart in either the UK or US. It would be the first album from the band on the Island label, and the last to feature Joe Boyd as the producer.
Wee Tam and the Big Huge is the fourth album by the Scottish psychedelic folk group, the Incredible String Band, released in Europe as both a double LP and separate single LPs in November 1968 by Elektra Records. In the US, however, the two discs were released separately as Wee Tam and The Big Huge.
Changing Horses is the fifth album by the Scottish psychedelic folk group, the Incredible String Band (ISB), and was released in November 1969 on Elektra Records. The album saw the group continuing their use of unique instruments while integrating a standard musical structure. In addition, the album is seen as a transitional period in which the ISB shifted in musical textures, including early utilization of electric-based instruments.
I Looked Up is the sixth album by the Incredible String Band. Recorded at a time when the band was busy rehearsing for their ambitious upcoming stage show, U, the album has been described by band member Robin Williamson as a "quickie" album.
Robin Duncan Harry Williamson is a Scottish multi-instrumentalist, singer, songwriter, and storyteller who was a founding member of The Incredible String Band.
Clive Harold Palmer was an English folk musician and banjoist, best known as a founding member of the Incredible String Band.
American Stonehenge is a folk album released in 1978 by Robin Williamson and his Merry Band. This album was produced by Robin Williamson and engineered by Dirk Dalton at Dirk Dalton Recording, Santa Monica, California, in December 1977.
Liquid Acrobat as Regards the Air is the ninth album by the Incredible String Band. It features Mike Heron, Robin Williamson, Licorice McKechnie and Malcolm Le Maistre. The album was the band's first almost entirely electric recording; a new feature that was to define the change in the band's sound throughout their final period through 1974.
The Power of the True Love Knot is an album by Shirley Collins.
Earthspan is the tenth album by The Incredible String Band, released in 1972 on Island Records. It features Mike Heron, Robin Williamson, Licorice McKechnie, and Malcolm Le Maistre.
Journey's Edge is the second solo album by Scottish folk artist Robin Williamson and his Merry Band. The work was released in 1977, and re-released in 2008 by Fledg'ling Records with ten bonus tracks.
Myrrh is a folk album and the solo debut of Robin Williamson, released in 1972. Robin Williamson is noted as being a founding member of The Incredible String Band. Myrrh was subjected to a low budget and placed on the Island label's lowest sub-label, Help. The album was downgraded by poor-quality sound mixing and a single-sleeve cover design.
Ferguslie Park is the second album by the Scottish rock band Stealers Wheel, released in 1973.