A World Requiem, Op. 60 is a large-scale symphonic work with soloists and choirs by the British composer John Foulds. Written as a requiem and using forces similar in scale to Gustav Mahler's Eighth Symphony, the work calls for a full symphony orchestra, soloists, massed choirs including children's choirs, offstage instrumentalists and an organ.
Foulds wrote the work between 1919 and 1921, and conceived it as a memorial to the dead of all nations in the wake of the First World War. The text (in English), assembled by his wife Maud MacCarthy, to whom the score is dedicated, is not liturgical, though it uses sections of the Requiem Mass plus several other Biblical passages as well as excerpts from John Bunyan's The Pilgrim's Progress , a poem by the Hindu poet Kabir and a few passages she wrote herself. There are 20 movements arranged in two parts of 10 movements each, though some movements are quite brief.
It was premiered under the auspices of the Royal British Legion on Armistice Night, 11 November 1923 in the Royal Albert Hall by up to 1,250 instrumentalists and singers; the latter were called the Cenotaph Choir. The soloists were Herbert Heyner, Ida Cooper, Olga Haley and William Heseltine. The programme-book for that occasion proclaimed on its cover that the work was 'A Cenotaph in Sound' [1] and it is likely that Foulds wished to present his work as a musical equivalent of the Cenotaph recently erected in Whitehall and designed by his friend Sir Edwin Lutyens. The performance brought Foulds such popular acclaim that after his death Maud MacCarthy was able to publish a book devoted to the positive responses to the work, though critical reaction was mixed. The work was repeated from 1924 to 1926 and constituted the first Festivals of Remembrance.
The vocal score was published by W. Paxton & Co. Ltd., London, whose business was eventually absorbed by the music publishers Novello & Co. During the period when the work was being performed in the 1920s, Foulds introduced various revisions and modifications.
Having lain neglected for eighty years, the BBC in association with the Royal British Legion undertook a revival of the work, performed at the Royal Albert Hall on 11 November 2007. The BBC Symphony Orchestra was joined by soloists Jeanne-Michèle Charbonnet, Catherine Wyn-Rogers, Gerald Finley and Stuart Skelton and the BBC Symphony Chorus was joined by the Crouch End Festival Chorus, Philharmonia Chorus and Trinity Boys Choir and conducted by Leon Botstein. [2]
The concert was broadcast live on BBC Radio 3 (and was streamed online from their site) and was also recorded for later release by Chandos Records. [3] The Chandos recording [4] was issued in January 2008.
The German premiere was held on 2 November 2014 in Wetzlar Cathedral. [5]
The War Requiem, Op. 66, is a large-scale setting of the Requiem composed by Benjamin Britten mostly in 1961 and completed in January 1962. The War Requiem was performed for the consecration of the new Coventry Cathedral, which was built after the original fourteenth-century structure was destroyed in a World War II bombing raid. The traditional Latin texts are interspersed, in telling juxtaposition, with extra-liturgical poems by Wilfred Owen, written during World War I.
The Gramophone Classical Music Awards, launched in 1977, are one of the most significant honours bestowed on recordings in the classical record industry. They are often viewed as equivalent to or surpassing the American Grammy award, and referred to as the Oscars for classical music. They are widely regarded as the most influential and prestigious classical music awards in the world. According to Matthew Owen, national sales manager for Harmonia Mundi USA, "ultimately it is the classical award, especially worldwide."
Great Mass in C minor, K. 427/417a, is the common name of the musical setting of the mass by Wolfgang Amadeus Mozart, which is considered one of his greatest works. He composed it in Vienna in 1782 and 1783, after his marriage, when he moved to Vienna from Salzburg. The large-scale work, a missa solemnis, is scored for two soprano soloists, a tenor and a bass, double chorus and large orchestra. It remained unfinished, missing large portions of the Credo and the complete Agnus Dei.
The BBC Symphony Chorus is a British amateur chorus based in London. It is the dedicated chorus for the BBC Symphony Orchestra, though it performs with other national and international orchestras.
The Glagolitic Mass is a composition for soloists, double chorus, organ and orchestra by Leoš Janáček. The work was completed on 15 October 1926 and premiered by the Brno Arts Society, conducted by Jaroslav Kvapil, in Brno on 5 December 1927. Janáček revised the mass the next year. The Glagolitic Mass is one of the most remarkable and important musical religious works of the twentieth century.
Mass is a musical theatre work composed by Leonard Bernstein with text by Bernstein and additional text and lyrics by Stephen Schwartz. Commissioned by Jacqueline Kennedy, it premiered on September 8, 1971, conducted by Maurice Peress and choreographed by Alvin Ailey. The production used costume designs by Frank Thompson. The performance was part of the opening of the John F. Kennedy Center for the Performing Arts in Washington, D.C. Mass premiered in Europe in 1973, with John Mauceri conducting the Yale Symphony Orchestra in Vienna.
John Herbert Foulds was an English cellist and composer of classical music. He was largely self-taught as a composer, and belongs among the figures of the English Musical Renaissance.
Dona nobis pacem is a cantata written by Ralph Vaughan Williams in 1936 and first performed on 2 October of that year. The work was commissioned to mark the centenary of the Huddersfield Choral Society. Vaughan Williams produced his plea for peace by referring to recent wars during the growing fears of a new one. His texts were taken from the Mass, three poems by Walt Whitman, a political speech, and sections of the Bible. A.V. Butcher has analysed Vaughan Williams' use of the Whitman poems in this composition.
Morning Heroes is a choral symphony by the English composer Arthur Bliss. The work received its first performance at the Norwich Festival on 22 October 1930, with Basil Maine as the speaker/orator. Written in the aftermath of World War I, in which Bliss had performed military service, Bliss inscribed the dedication as follows:
"To the Memory of my brother Francis Kennard Bliss and all other Comrades killed in battle"
Polish Requiem, also A Polish Requiem, is a large-scale requiem mass for soloists, mixed choir and orchestra by the Polish composer Krzysztof Penderecki. The Lacrimosa, dedicated to the trade union leader Lech Wałęsa, was written for the unveiling of a statue at the Gdańsk Shipyard to commemorate those killed in the Polish anti-government riots in 1970. He expanded the work into a requiem, writing other parts to honour different patriotic events over the next four years.
Patrick Arthur Sheldon Hadley was a British composer.
Hymnus Paradisi is a choral work by Herbert Howells for soprano and tenor soloists, mixed chorus, and orchestra. The work was inspired in part by the death from polio of his son Michael in 1935. Howells wrote the work from 1936 to 1938, drawing on material from the then-unpublished Requiem of 1932, but then retained the music privately, without public performance. Howells maintained later in life that Ralph Vaughan Williams convinced him to allow the work to be performed publicly at the Three Choirs Festival. However, his former pupil and biographer Paul Spicer contends that Howells first showed the music to Herbert Sumsion, organist of Gloucester Cathedral, who in turn showed it to Gerald Finzi, and that only after these two expressed their enthusiasm did Howells show the music to Vaughan Williams. The title 'Hymnus Paradisi' was suggested by Sumsion. The work received its successful premiere at the Festival in 1950. The score was published in 1951.
Susan Gritton is an English operatic soprano. She was the 1994 winner of the Kathleen Ferrier Award and has sung leading roles in a wide-ranging repertoire from Handel and Mozart to Britten, Janáček and Strauss.
Maud MacCarthy, was an Irish violinist, singer, theosophist, writer, poet, esoteric teacher and authority on Indian music. She was among the first to begin a campaign to abolish the use of the harmonium in Indian music. She noted that keyed instruments and their rigid notes had caused the decline in vocal skills in Western music.
Antonín Dvořák's Requiem in B♭ minor, Op. 89, B. 165, is a funeral Mass scored for soloists, choir and orchestra. It was composed in 1890 and performed for the first time on 9 October 1891, in Birmingham, England, with the composer conducting.
Leeds Philharmonic Chorus is a leading choir in Europe, regularly performing to professional standards with internationally renowned soloists, orchestras and conductors.
Russian composer Alfred Schnittke wrote his Symphony No. 2, subtitled "St. Florian" and "Invisible Mass" in 1979. It is a choral symphony, written for contralto, countertenor, tenor and bass, plus chorus and orchestra. The symphony was written in homage to 19th century Austrian composer and organist Anton Bruckner, who was closely associated with St. Florian's Priory in the town of Sankt Florian, Upper Austria, and who is buried under the organ there.
Roderick Gregory Coleman Williams OBE is a British baritone and composer.
The Music for the Requiem Mass is any music that accompanies the Requiem, a Mass in the Catholic Church for the deceased. It has inspired a large number of compositions, including settings by Mozart, Berlioz, Donizetti, Verdi, Bruckner, Dvořák, Fauré and Duruflé. Originally, such compositions were meant to be performed in liturgical service, with monophonic chant. Eventually the dramatic character of the text began to appeal to composers to an extent that they made the requiem a genre of its own, and the compositions of composers such as Verdi are essentially concert pieces rather than liturgical works.
Brighton Festival Chorus is a large choir of over 150 amateur singers based in Brighton, UK. One of the country's leading symphony choruses.., and considered "one of the jewels in the city's musical crown", BFC performs in major concert halls throughout Britain and Europe, particularly in Brighton and London.