Development
 | This section is empty. You can help by adding to it. (August 2021) |
| "Aayega Aanewala" | |
|---|---|
| Song by Lata Mangeshkar | |
| from the album Mahal | |
| Language | Hindi |
| Released | 19 October 1949 |
| Genre | Filmi |
| Length | 6:52 [1] |
| Label | Saregama |
| Songwriter(s) | Nakshab Jaaravchi |
| Producer(s) | Bombay Talkies |
| Music video | |
| "Aayega Aanewala" on YouTube | |
"Aayega Aanewala" (English: He'll come, who has to come) is one of the most well known songs from Indian cinema. It was prominent in the film Mahal being sung by Lata Mangeshkar. [2] [3] Khemchand Prakash composed the music, while Nakshab Jaaravchi wrote the lyrics. It has been described as "one most effective song picturization of yesteryears". [4] [5]
| | This section is empty. You can help by adding to it. (August 2021) |
| | This section is empty. You can help by adding to it. (December 2021) |
| | This section is empty. You can help by adding to it. (August 2021) |
Hindi cinema, popularly known as Bollywood and formerly as Bombay cinema, refers to the film industry based in Mumbai, engaged in production of motion pictures in Hindi language. The popular term Bollywood is a portmanteau of "Bombay" and "Hollywood". The industry is a part of the larger Indian cinema, which also includes South Indian cinema and other smaller film industries.
Lata Mangeshkar was an Indian playback singer and occasional music composer. She is considered to be one of the greatest and most influential singers of the Indian subcontinent. Her voice was one of the unifying elements of the people of India, Pakistan, Bangladesh and Nepal. Her contribution to the Indian music industry in a career spanning eight decades gained her honorific titles such as the "Queen of Melody", "Nightingale of India", and "Voice of the Millennium".
Mother India is a 1957 Indian epic drama film, directed by Mehboob Khan and starring Nargis, Sunil Dutt, Rajendra Kumar and Raaj Kumar. A remake of Khan's earlier film Aurat (1940), it is the story of a poverty-stricken village woman named Radha (Nargis), who in the absence of her husband, struggles to raise her sons and survive against a cunning money-lender amidst many troubles.
Ashok Kumar, was an Indian actor who attained iconic status in Indian cinema. He was considered the first big star of Hindi cinema as well as the first lead actor to play an anti-hero. He also became the first star to reinvent himself, enjoying a long and hugely successful career as a character actor. He was a member of the cinematic Ganguly family. He was honoured in 1988 with the Dadasaheb Phalke Award, the highest national award for cinema artists, by the Government of India. He also received the Padma Bhushan in 1999 for his contributions to Indian cinema.
In Indian cinema, an item number or special song is a musical number inserted into a film that may or may not have any relevance to the plot. The term is commonly used within Indian films and to a lesser extent within Pakistani films to describe a catchy, upbeat, often provocative dance sequence for a song performed in a movie. The main aim of an item number is to entertain movie-goers and to lend support to the marketability of the film by being featured in trailers. They are favoured by filmmakers as they afford the opportunity to pick potential hit songs from the stocks, since they do not add to the continuity of the plot. It is thus a vehicle for commercial success that ensures repeat viewing.
Hum Aapke Hain Koun..! also known by the initialism HAHK, is a 1994 Indian Hindi-language musical romantic drama film written and directed by Sooraj Barjatya and produced by Rajshri Productions. The film stars Madhuri Dixit and Salman Khan and celebrates Indian wedding traditions by means of a story of a married couple and the relationship between their families; a story about sacrificing one's love for one's family. The basic plot is based on studio's earlier film Nadiya Ke Paar (1982), which was based on Keshav Prasad Mishra's Hindi novel Kohbar Ki Shart. The film features music by Raamlaxman who also composed a 14-song soundtrack, an unusually large number of songs for that period.
Alam Ara is a 1931 Indian Hindustani-language historical fantasy film directed and produced by Ardeshir Irani. It revolves around a king and his two wives, Navbahaar and Dilbahaar, who are childless; soon, a fakir tells the king that the former wife will give birth to a boy, later named Qamar, but the child will die following his 18th birthday if Navbahaar cannot find the necklace he asks for. Meanwhile, the king finds out that Dilbahaar falls for the senapati Adil, leading the king to arrest him and evicts his pregnant wife, who later gives birth to Alam Ara (Zubeida).
Aandhi (transl. 'Storm') is a 1975 Indian political drama film starring Sanjeev Kumar and Suchitra Sen, and directed by Gulzar. At the time it was alleged that the film was based on the life of the then-Prime Minister Indira Gandhi and her relationship with her estranged husband, but in reality, only the look was inspired by the politician Tarkeshwari Sinha and Indira Gandhi. The story is based on a chance meeting of an estranged couple after several years, when wife Aarti Devi, now a leading politician happens to stay in the hotel run by her husband during an election campaign. The movie is noted for its songs composed by Rahul Dev Burman, written by Gulzar and sung by Kishore Kumar and Lata Mangeshkar.
Madhumati is a 1958 Indian Hindi-language paranormal romance film directed and produced by Bimal Roy, and written by Ritwik Ghatak and Rajinder Singh Bedi. The film stars Vyjayanthimala and Dilip Kumar in lead roles, with Pran and Johnny Walker in supporting roles. The plot focuses on Anand, a modern man who falls in love with a tribal woman named Madhumati. But they face challenges in their relationship finally leading to a paranormal consequence. The film was ranked 11th in the Outlook Magazine's 25 leading Indian directors' poll for selecting Bollywood's greatest films in 2003.
Hindi film songs, more formally known as Hindi Geet or filmi songs and informally known as Bollywood music, are songs featured in Hindi films. Derived from the song-and-dance routines common in Indian films, Bollywood songs, along with dance, are a characteristic motif of Hindi cinema which gives it enduring popular appeal, cultural value and context. Hindi film songs form a predominant component of Indian pop music, and derive their inspiration from both classical and modern sources. Hindi film songs are now firmly embedded in North India's popular culture and routinely encountered in North India in marketplaces, shops, during bus and train journeys and numerous other situations. Though Hindi films routinely contain many songs and some dance routines, they are not musicals in the Western theatrical sense; the music-song-dance aspect is an integral feature of the genre akin to plot, dialogue and other parameters.
Shailendra was a popular Indian Hindi-Urdu Poet, lyricist and film producer. Noted for his association with the filmmaker Raj Kapoor, singer Mukesh, and the composers Shankar–Jaikishan, he wrote lyrics for several successful Hindi film songs in the 1950s and the 1960s.
Mahal (transl. "Mansion") is a 1949 Indian Hindi-language supernatural horror film produced by Savak Vacha and Ashok Kumar under the banner of Bombay Talkies, and directed by Kamal Amrohi as his directorial debut. The film centres on a screenplay written by Amrohi, while its music is composed by Khemchand Prakash. Cited as Bollywood's first horror film, it revolves around an aristocrat who moves into an ancient mansion, where he gets visions of a mysterious lady (Madhubala) claiming to be his lover in their previous lives.
Anmol Rattan is 1950 Bollywood drama film directed by M. Sadiq. The film was produced by Jaimani Dewan for his Dewan Productions banner, with music composed by Vinod. The film starred Karan Dewan, who was known as a "jubilee star" with most of his films becoming box-office successes. He was the younger brother of producer Jaimani Dewan. Karan's co-stars were Meena Shorey, Nirmala, Gope, Madan Puri and Gulab.
Gulzar is an Indian Urdu poet, lyricist, author, screenwriter, and film director known for his works in Hindi cinema. He is regarded as one of greatest Urdu poets of this era. He started his career with music director S.D. Burman as a lyricist in the 1963 film Bandini and worked with many music directors including R. D. Burman, Salil Chowdhury, Vishal Bhardwaj and A. R. Rahman. Gulzar also writes poetry, dialogues and scripts. He directed films such as Aandhi and Mausam during the 1970s and the TV series Mirza Ghalib in the 1980s. He also directed Kirdaar in 1993.
Bhakta Surdas is a 1942 Indian Hindi language film devotional film. It was the third highest grossing Indian film of 1942. This was K. L. Saigal's first film after his move to Bombay from Calcutta. The film was directed by Chaturbhuj Doshi for Ranjit Studios. It had music by Gyan Dutt with lyrics by D. N. Madhok. Khursheed, after acting in several less popular films, finally became a big success with this film. The cast included K. L. Saigal, Khursheed, Monica Desai, Nagendra, M. Saigal and N. Desai.
Miss Mary is a 1957 Indian comedy film directed by L.V. Prasad. The movie is an AVM production, written by Hargobind Duggal, and directed by L. V. Prasad. The original Missamma was directed in Telugu in 1955 and was remade as Missiamma in Tamil with Savitri playing the title role in both films. It was remade in Hindi as Miss Mary in 1957 with Meena Kumari in the title role, keeping Jamuna as the constant factor in all these films. L. V. Prasad directed all three versions. The music was by Hemant Kumar with the lyrics and dialogue written by Rajendra Krishan. The songs were sung by Kishore Kumar, Lata Mangeshkar, Asha Bhosle, Geeta Dutt and Mohammed Rafi. The film's script was adapted by Chakrapani from two Indian Bengali-language novels: Rabindranath Maitra's Manmoyee Girls School and Sharadindu Bandyopadhyay'sDetective.
"Baharon Phool Barsao" or "Baharon Phool Barsao, Mera Mehboob Aaya Hain" is an Indian Hindi song from the Bollywood film Suraj (1966). The lyrics were written by Hasrat Jaipuri, the music was composed by Shankar Jaikishan and the song was sung by Mohammed Rafi. The music of the song was composed in Dadra tala.
"Aanewala Pal" is an Indian Hindi song from the Bollywood film Gol Maal. The lyrics of the song was written by Gulzar. Kishore Kumar was the playback singer of this song. This song was one of the hit songs sung by Kishore Kumar.
{{cite web}}: CS1 maint: numeric names: authors list (link)