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Bharatanatyam is an Indian classical dance form that originated in Tamil Nadu, India. It is a classical dance form recognized by the Sangeet Natak Akademi, and expresses South Indian religious themes and spiritual ideas of Hinduism and Jainism.
Pandit Birju Maharaj was an Indian dancer, composer, singer, and exponent of the Lucknow "Kalka-Bindadin" Gharana of Kathak dance in India. He was a descendant of the Maharaj family of Kathak dancers, which includes his two uncles, Shambhu Maharaj and Lachhu Maharaj, and his father and guru, Acchan Maharaj. He also practised Hindustani classical music and was a vocalist. After working along with his uncle, Shambhu Maharaj at Bhartiya Kala Kendra, later the Kathak Kendra, New Delhi, he remained head of the latter, for several years, until his retirement in 1998 when he opened his own dance school, Kalashram, also in Delhi.
Kuchipudi is one of the eight major Indian classical dances. It originates from a village named Kuchipudi in the Indian state of Andhra Pradesh. Kuchipudi is a dance-drama performance, with its roots in the ancient Hindu Sanskrit text of Natya Shastra. It developed as a religious art linked to traveling bards, temples and spiritual beliefs, like all major classical dances of India.
Odishi, also referred to as Orissi in old literature, is a major ancient Indian classical dance that originated in the temples of Odisha – an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism through songs written and composed according to the ragas & talas of Odissi music by ancient poets of the state. Odissi performances have also expressed ideas of other traditions such as those related to Hindu deities Shiva and Surya, as well as Hindu goddesses (Shaktism).
Kathak is one of the eight major forms of Indian classical dance. Its origin is attributed to the traveling bards in ancient northern India known as Kathakar ("storyteller"), who communicated stories from the Hindu epics and mythology through dance, songs and music. Its name derives from the Sanskrit word katha which means "story", and kathakar which means "the one who tells a story", or "to do with stories".
Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, the theory and practice of which can be traced to the Sanskrit text Natya Shastra. The number of Indian classical dance styles ranges from six to eight to twelve, or more, depending on the source and scholar; the main organisation for Indian arts preservation, the Sangeet Natak Academy recognizes eight: Bharatanatyam, Kathak, Kuchipudi, Odissi, Kathakali, Sattriya, Manipuri and Mohiniyattam. Additionally, the Indian Ministry of Culture includes Chhau in its list, recognising nine total styles. Scholars such as Drid Williams add Chhau, Yakshagana and Bhagavata Mela to the list. Each dance tradition originates and comes from a different state and/or region of India; for example, Bharatanatyam is from Tamil Nadu in the south of India, Odissi is from the east coast state of Odisha, and Manipuri is from the northeastern state of Manipur. The music associated with these different dance performances consists many compositions in Hindi, Malayalam, Meitei (Manipuri), Sanskrit, Tamil, Odia, Telugu, and many other Indian-Subcontinent languages; they represent a unity of core ideas and a diversity of styles, costumes, and expression.
Chitresh Das was a classical dancer of the North Indian style of Kathak. Born in Calcutta, Das was a performer, choreographer, composer and educator. He was instrumental in bringing Kathak to the US and is credited with having established Kathak amongst the Indian diaspora in America. In 1979, Das established the Chhandam School of Kathak and the Chitresh Das Dance Company in California. In 2002, he founded Chhandam Nritya Bharati in India. There were ten branches of Chhandam worldwide. Until his death in 2015, Das taught dance as a way of life, a path for attaining self-knowledge and as a service to society.
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Maya Rao was an Indian classical dancer, choreographer and educator, in Kathak dance. She is known for her pioneering work in Kathak choreography, especially in dance ballets, and is credited for bringing Kathak, a North Indian-dance style to South India, when she opened her dance school, Natya Institute of Kathak and Choreography (NIKC) in Malleswaram, Bangalore in 1987. She was also the founder director of her dance company, "Natya and Stem Dance Kampni", an amalgam of NIKC and the STEM Dance Kampni based in Bangalore. After her early training under Guru Sohanlal of Jaipur Gharana, followed by Guru Sunder Prasad also of the Jaipur Gharana, and went to train under Guru Shambhu Maharaj of Lucknow Gharana at National Institute of Kathak Dance in Delhi.
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Mangala Bhatt is a Kathak dance exponent. She is the senior disciple of Kathak maestro Pt. Durga Lal Ji of Jaipur Gharana. She has performed at many festivals in India. She is also the founding director of Aakruti Kathak Kendra.
Shobha Koser is an Indian Kathak dancer, writer and teacher. Koser hails from the Jaipur Gharana. Koser is the recipient of the Sangeet Natak Akademi Award (2019) She taught various actors including Poonam Dhillon.
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References
- 1 2 "Radio Bulgaria: Kathak dancers Vidha and Abhimanyu Lal in Sofia". bnr.bg.
- ↑ "Where words fall short". Tribuneindia News Service.
- 1 2 3 4 M., Athira (2 February 2017). "'We complement each other'". The Hindu.
- 1 2 3 "Each other's shadow". Tribuneindia News Service.
- 1 2 3 "Abhimanyu Lal, Varishtha Kathak Prashikshak". kathakkendra.in.
- 1 2 3 4 "The Elegant Creations - Dancers Artists". www.theelegantcreations.com.
- ↑ "Abhimanyu Lal". meetkalakar.com.
- ↑ "Splendour of the night casts its spell". The New Indian Express.
- 1 2 "Masculine energy and feminine charm in the dancing couple's Kathak at Saptak". Creative Yatra.