Acrobatic Tenement | ||||
---|---|---|---|---|
Studio album by | ||||
Released | August 18, 1996 | |||
Recorded | July 1996 | |||
Studio | Commercial Soundworks (Hollywood) | |||
Genre | Post-hardcore, emo | |||
Length | 32:20 | |||
Label | Flipside | |||
Producer | Blaze James, Doug Green | |||
At the Drive-In chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Consequence of Sound | C+ [2] |
Drowned in Sound | 10/10 [3] |
Pitchfork | 6.5/10 [4] |
Acrobatic Tenement is the debut studio album by American post-hardcore band At the Drive-In, released on August 18, 1996, on Flipside. [5] The album was reissued by Fearless Records in 2004, along with the band's subsequent albums In/Casino/Out and Relationship of Command , and was re-released again in 2013.
Only one track from Acrobatic Tenement appeared on the band's 2005 retrospective compilation album This Station Is Non-Operational , with "Initiation" appearing as a live BBC recording.
Acrobatic Tenement was initially released on August 18, 1996, exclusively on compact disc through the Los Angeles–based independent record label/fanzine Flipside , after some of its editors saw the band perform in Los Angeles. [6] The record was recorded at Commercial Soundworks in Hollywood for only $600 (equivalent to $1,166in 2023) after the band concluded a tour of the United States. [3] The album has been noted for its lack of guitar distortion, due to guitarist Jim Ward believing that his distortion-free recorded parts would not be used for the final master. [7]
Reflecting upon the aftermath of recording Acrobatic Tenement, frontman Cedric Bixler recalled in 2013: "Before [the album's release], the band had broken up. We did a U.S. tour and we decided to split up. I always needed Jim to be there, but he'd had a falling out with Omar [Rodríguez-Lopez]. We'd made a bunch of dumb moves at the time—kicked the drummer [Ryan Sawyer] who was on the record out, and then the other guitar player [Adam Amparan]—but then Tony [Hajjar] and Paul [Hinojos] came and played. Omar switched to guitar at the time, because he played bass on that album, so when we played live, it was a lot different." [8]
Much of the album, particularly the track "Ebroglio," was inspired by the life and suicide of Julio Venegas, a friend of the band. Venegas' death later inspired the concept album storyline of De-Loused in the Comatorium , the debut album by Bixler and Rodríguez' subsequent project the Mars Volta. [9]
No. | Title | Length |
---|---|---|
1. | "Star Slight" | 1:18 |
2. | "Schaffino" | 2:49 |
3. | "Ebroglio" | 2:47 |
4. | "Initiation" | 3:26 |
5. | "Communication Drive-In" | 1:44 |
6. | "Skips on the Record" | 3:07 |
7. | "Paid Vacation Time" | 3:33 |
8. | "Ticklish" | 4:35 |
9. | "Blue Tag" | 3:17 |
10. | "Coating of Arms" | 2:46 |
11. | "Porfirio Diaz" | 2:58 |
Total length: | 32:20 |
At the Drive-In was an American post-hardcore band from El Paso, Texas, formed in 1994. The band's most recent line-up consisted of Cedric Bixler-Zavala (vocals), Omar Rodríguez-López, Paul Hinojos (bass), Tony Hajjar (drums) and Keeley Davis.
De-Loused in the Comatorium is the debut studio album by American progressive rock band the Mars Volta, released on June 24, 2003, on Gold Standard Laboratories and Universal Records. Based on a short story written by lead singer Cedric Bixler-Zavala and sound manipulation artist Jeremy Ward, the concept album is an hour-long tale of Cerpin Taxt, a man who enters a week-long coma after overdosing on a mixture of morphine and rat poison. The story of Cerpin Taxt alludes to the death of El Paso, Texas artist—and Bixler-Zavala's friend—Julio Venegas (1972–1996).
The Mars Volta is an American progressive rock band from El Paso, formed in 2001. The band's only constant members are Omar Rodríguez-López and Cedric Bixler-Zavala, whose partnership forms the core of the band. The band's current line-up also includes founding member Eva Gardner (bass), Omar's brother Marcel Rodriguez-Lopez, Leo Genovese and Linda-Philomène Tsoungui (drums).
Omar Alfredo Rodríguez-López is a Puerto Rican guitarist and songwriter. He has formed or played in several bands, including The Mars Volta, At the Drive-In, Antemasque, and Bosnian Rainbows. He was the bassist for the dub band De Facto. He has embarked on a solo career, both in studio and in concert, frequently described as experimental, avant-garde, or progressive. He has also collaborated with numerous artists, such as Damo Suzuki, John Frusciante, El-P, Mon Laferte and Calle 13.
Tremulant is the debut EP release by progressive rock band The Mars Volta, released on April 2, 2002, on Gold Standard Labs. Produced by Alex Newport, the EP marks the only appearance of founding bassist Eva Gardner until the release of The Mars Volta's self-titled album in 2022. A remastered version of the EP was released on April 16, 2014.
In/Casino/Out is the second studio album by American post-hardcore band At the Drive-In, released on August 18, 1998, through Fearless Records. Produced by Alex Newport, it is the band's first full studio album to feature bass guitarist Paul Hinojos and drummer Tony Hajjar, who joined the band in 1996 for the tour in support of their debut album, Acrobatic Tenement.
El Gran Orgo is the third EP by American post-hardcore band At the Drive-In. It was recorded and released in 1997 without the presence of Jim Ward, whose guitar duties were filled by Ben Rodriguez and Omar Rodriguez, the latter of whom had previously played bass on Acrobatic Tenement.
Cedric Bixler-Zavala is an American musician. He is the lead singer and lyricist of the progressive rock band the Mars Volta since its inception in 2001. He was the lead singer and only constant member of the post-hardcore group At the Drive-In, the lead singer of the band Antemasque, and singer and guitarist in the band Zavalaz.
This Station Is Non-Operational is a compilation album by El Paso, Texas-based post-hardcore band At the Drive-In, released May 24, 2005 by Fearless Records, four years after the band went on indefinite hiatus. Its tracks span the band's career from 1997 to 2000, with selections from El Gran Orgo (1997), In/Casino/Out (1998), Vaya (1999), and Relationship of Command (2000), as well as several rare tracks taken from singles and a previously unreleased cover version of The Smiths' "This Night Has Opened My Eyes". The album also includes a DVD with the music videos for "Metronome Arthritis", "One Armed Scissor", and "Invalid Litter Dept.", an electronic press kit, a discography, and multimedia content. It became the band's highest-charting release in the United States. Its title comes from a lyric in the song "One Armed Scissor".
Jeremy Michael Ward was an American musician, best known as the sound technician and vocal operator for The Mars Volta and De Facto.
De Facto is an American dub reggae band which has included Cedric Bixler-Zavala, Omar Rodríguez-López, Isaiah "Ikey" Owens and Jeremy Ward.
Scabdates is the second official live recording from the band The Mars Volta. It was released on November 8, 2005 and features music recorded between May 2004 and May 2005 during the tours in support of De-Loused in the Comatorium and Frances the Mute. In 2011, NME magazine named it one of the 50 greatest live albums of all time. The "And Ghosted Pouts" section of "Take the Veil Cerpin Taxt" was used in the film Get Him to the Greek.
Amputechture is the third studio album by American progressive rock band the Mars Volta, released on September 12, 2006, on Gold Standard Laboratories and Universal Records. Produced by guitarist and songwriter Omar Rodriguez-Lopez, the album marks the final appearance of drummer Jon Theodore, and is the first studio album to feature guitarist and sound manipulator Paul Hinojos, formerly of At the Drive-In and Sparta.
The Bedlam in Goliath is the fourth studio album by American progressive rock band the Mars Volta, released on January 29, 2008, on Gold Standard Laboratories and Universal Motown Records. Produced by guitarist and songwriter Omar Rodríguez-López, the album's creation was fraught with strange occurrences after an experience with a ouija that Rodriguez-Lopez bought as a gift for vocalist Cedric Bixler-Zavala. The album is their first to feature drummer Thomas Pridgen, and the last to include guitarist and sound manipulator Paul Hinojos, wind multi-instrumentalist Adrián Terrazas-González, and keyboardist Isaiah "Ikey" Owens.
Cryptomnesia is the debut studio album by El Grupo Nuevo de Omar Rodriguez Lopez, released on May 5, 2009. The album is the first of three albums recorded by the band, and is Rodriguez-Lopez' eleventh record overall. According to Rodriguez-Lopez, the album was "recorded in the summer of 2006, around the same time I did Old Money. It was a very, very fun record to make. I made that record in five or six days."
The discography of At the Drive-In, an El Paso, Texas-based post-hardcore band active from 1994 to 2018, consists of four studio albums, one compilation album, five EPs, six singles, and three music videos.
El Grupo Nuevo de Omar Rodriguez Lopez is a band consisting of Omar Rodriguez Lopez (guitar), Cedric Bixler-Zavala (vocals), Juan Alderete de la Peña, Jonathan Hischke and Zach Hill (drums).
Noctourniquet is the sixth studio album by American progressive rock band the Mars Volta, released on March 26, 2012 on Warner Bros. Produced by guitarist and songwriter Omar Rodriguez-Lopez, it is the band's only studio album to feature drummer Deantoni Parks, and their first album not to include contributions from guitarist John Frusciante.
Antemasque was an American rock supergroup formed in 2014 by former members of At the Drive-In and The Mars Volta, Omar Rodríguez-López and Cedric Bixler-Zavala. Their first album featured Red Hot Chili Peppers's Flea on bass and Dave Elitch on drums. Both Flea and Elitch had previously played with The Mars Volta. Omar's brother Marfred Rodríguez-López eventually joined as a permanent bassist with Blink-182 member Travis Barker taking over drumming duties.
The Mars Volta is the seventh studio album by American progressive rock band the Mars Volta, released through Clouds Hill on September 16, 2022. Produced by guitarist, songwriter and musical director Omar Rodríguez-López, the album was preceded by the singles "Blacklight Shine", "Graveyard Love" and "Vigil".
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