Ada Cohen | |
---|---|
Nationality | American |
Education | Brandeis University Harvard University |
Alma mater | Harvard University |
Occupation | Art historian |
Employer | Dartmouth College |
Title | Professor of Art History Israel Evans Professor in Oratory and Belles Lettres |
Ada Cohen is an American art historian. She serves as Professor of Art History and Israel Evans Professor in Oratory and Belles Lettres at Dartmouth College. Her work focuses on ancient Greek art, particularly imagery of Alexander the Great. [1] From 1990-1991, she was a member of the Columbia University Society of Fellows in the Humanities. [2]
Assyria was a major ancient Mesopotamian civilization which existed as a city-state from the 21st century BC to the 14th century BC, then to a territorial state, and eventually an empire from the 14th century BC to the 7th century BC.
The Hanging Gardens of Babylon were one of the Seven Wonders of the Ancient World listed by Hellenic culture. They were described as a remarkable feat of engineering with an ascending series of tiered gardens containing a wide variety of trees, shrubs, and vines, resembling a large green mountain constructed of mud bricks. It was said to have been built in the ancient city of Babylon, near present-day Hillah, Babil province, in Iraq. The Hanging Gardens' name is derived from the Greek word κρεμαστός, which has a broader meaning than the modern English word "hanging" and refers to trees being planted on a raised structure such as a terrace.
Shalmaneser III was king of the Neo-Assyrian Empire from the death of his father Ashurnasirpal II in 859 BC to his own death in 824 BC.
The Alexander Mosaic, also known as the Battle of Issus Mosaic, is a Roman floor mosaic originally from the House of the Faun in Pompeii, Italy.
The djed, also djt is one of the more ancient and commonly found symbols in ancient Egyptian religion. It is a pillar-like symbol in Egyptian hieroglyphs representing stability. It is associated with the creator god Ptah and Osiris, the Egyptian god of the afterlife, the underworld, and the dead. It is commonly understood to represent his spine.
Nimrud is an ancient Assyrian city located in Iraq, 30 kilometres (20 mi) south of the city of Mosul, and 5 kilometres (3 mi) south of the village of Selamiyah, in the Nineveh Plains in Upper Mesopotamia. It was a major Assyrian city between approximately 1350 BC and 610 BC. The city is located in a strategic position 10 kilometres (6 mi) north of the point that the river Tigris meets its tributary the Great Zab. The city covered an area of 360 hectares. The ruins of the city were found within one kilometre (1,100 yd) of the modern-day Assyrian village of Noomanea in Nineveh Governorate, Iraq.
The Black Obelisk of Shalmaneser III is a black limestone Neo-Assyrian sculpture with many scenes in bas-relief and inscriptions. It comes from Nimrud, in northern Iraq, and commemorates the deeds of King Shalmaneser III. It is on display at the British Museum in London, and several other museums have cast replicas.
Ashur-nasir-pal II was the third king of the Neo-Assyrian Empire from 883 to 859 BCE. Ashurnasirpal II succeeded his father, Tukulti-Ninurta II. His son and successor was Shalmaneser III and his queen was Mullissu-mukannišat-Ninua.
Idrieus, or Hidrieus was a ruler of Caria as a Satrap under the Achaemenid Empire. Alongside his sister and wife Ada, he enjoyed the status of king or dynast by virtue of the powerful position he inherited from his predecessors of the House of Hecatomnus.
Balawat is an archaeological site of the ancient Assyrian city of Imgur-Enlil, and modern village in Nineveh Province (Iraq). It lies 25 kilometres (16 mi) southeast from the city of Mosul and 4 kilometres (2.5 mi) to the south of the modern Assyrian town of Bakhdida.
Cyril Alexander Mango was a British scholar of the history, art, and architecture of the Byzantine Empire. He is celebrated as one of the leading Byzantinists of the 20th century.
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BC, when the Greek mainland was taken, and essentially ending in 30 BC with the conquest of Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including Laocoön and His Sons, Venus de Milo, and the Winged Victory of Samothrace. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was very largely a continuation of Hellenistic trends.
John Henry Wright was an American classical scholar born at Urumiah (Rezaieh), Persia. He earned his Bachelors (1873) and Masters (1876) at Dartmouth College, New Hampshire. After junior appointments in 1886 he joined Johns Hopkins as a professor of classical philology. In 1887, he became a professor of Greek at Harvard, where, from 1895 to 1908, he was also Dean of the Graduate School of Arts and Sciences.
Winged genie is the conventional term for a recurring motif in the iconography of Assyrian sculpture. Winged genies are usually bearded male figures sporting birds' wings. The Genii are a reappearing trait in ancient Assyrian art, and are displayed most prominently in palaces or places of royalty. The two most notable places where the genies existed were Ashurnasirpal II’s palace Kalhu and Sargon II’s palace Dur-Sharrukin.
A Roman mosaic is a mosaic made during the Roman period, throughout the Roman Republic and later Empire. Mosaics were used in a variety of private and public buildings, on both floors and walls, though they competed with cheaper frescos for the latter. They were highly influenced by earlier and contemporary Hellenistic Greek mosaics, and often included famous figures from history and mythology, such as Alexander the Great in the Alexander Mosaic.
The Kurkh Monoliths are two Assyrian stelae of c. 852 BC & 879 BC that contain a description of the reigns of Ashurnasirpal II and his son Shalmaneser III. The Monoliths were discovered in 1861 by a British archaeologist John George Taylor, who was the British Consul-General stationed in the Ottoman Eyalet of Kurdistan, at a site called Kurkh, which is now known Üçtepe Höyük, in the district of Bismil, in the province of Diyarbakir of Turkey. Both stelae were donated by Taylor to the British Museum in 1863.
The Balawat Gates are three sets of decorated bronze bands that had adorned the main doors of several buildings at Balawat, dating to the reigns of Ashurnasirpal II and Shalmaneser III. Their extensive use of narrative art depicting the exploits of Assyrian kings has cemented their position as some of the most important surviving works of art of the Neo-Assyrian Empire, comparable to the extensive Assyrian palace reliefs. When the Neo-Assyrian Empire fell in 614-612 BC, Balawat was destroyed. The wooden elements of the gates decomposed, leaving only the bronze bands. The remains of two sets of gates can be found in the British Museum's collection, those from the Temple of Mamu are housed in the Mosul Museum. Small sections of the Shalmaneser bronze door bands are also in the Louvre Museum at the Walters Art Museum in Baltimore and in the Istanbul Archaeology Museums.
The White Obelisk is a large stone monolith found at the ancient Assyrian settlement of Nineveh, northern Iraq. Excavated by the British archaeologist Hormuzd Rassam in 1853, it is one of only two intact obelisks to survive from the Assyrian empire, the other being the Black Obelisk of Shalmaneser III. Both are now preserved in the British Museum. The White Obelisk dates to the beginning of the Neo-Assyrian Empire and has been variously ascribed to the reigns of Ashurnasirpal I, Tiglath-Pileser II or Ashurnasirpal II.
Assyrian sculpture is the sculpture of the ancient Assyrian states, especially the Neo-Assyrian Empire of 911 to 612 BC, which was centered around the city of Assur in Mesopotamia which at its height, ruled over all of Mesopotamia, the Levant and Egypt, as well as portions of Anatolia, Arabia and modern-day Iran and Armenia. It forms a phase of the art of Mesopotamia, differing in particular because of its much greater use of stone and gypsum alabaster for large sculpture.
The Queens' Tombs at Nimrud are a set of four tombs discovered by Muzahim Hussein at the site of what was once the ancient Assyrian city of Nimrud. Once the capital of the Neo-Assyrian Empire, Nimrud was located on the East bank of the Tigris river, in what would be modern day Northern Iraq. Nimrud became the second capital of the Assyrian empire during the ninth century BCE, under Assurnasirpal II. Assurnasirpal II expanded the city and built one of the most significant architectural achievements at Nimrud, the Northwest Palace––bētānu in Assyrian. The palace was the first of many built by Neo-Assyrian rulers, and it became a template for later palaces. During an excavation of the Northwest Palace in 1988, the Queen's Tombs were discovered under the Southern, domestic wing. All four tombs discovered within the palace were built during the ninth and eighth centuries and were primarily constructed of the mudbrick, baked brick, and limestone ––materials commonly used in Mesopotamian architecture. The architecture of the tombs as well as the Northwest Palace within which they are housed provide historical insight into the Assyrian Empire's building techniques. The most notable items found within the queens' tombs included hundreds of pieces of fine jewelry, pottery, clothing, and tablets. These objects crafted by Neo-Assyrian artists would later allow archaeologists to build on their understanding of Neo-Assyrian goldsmithing techniques. Each tomb was built in advance of a queen's death and construction began as early as the 9th century under Assurnasirpal II and continued under Shalmaneser III.