Adam Colonia (12 August 1634 – September 1685) was a Dutch Golden Age painter active in London.
The Dutch Golden Age was a period in the history of the Netherlands, roughly spanning the 17th century, in which Dutch trade, science, military, and art were among the most acclaimed in the world. The first section is characterized by the Eighty Years' War, which ended in 1648. The Golden Age continued in peacetime during the Dutch Republic until the end of the century.
Colonia was born in Rotterdam. According to the RKD he was the son of Isaac Colonia, though coming from a painting family and running an art dealership in Rotterdam, may not have been his primary teacher. [1] His work was influenced by Jan Daemen Cool and Egbert van der Poel, either of whom may have been his teacher. [1] He married in Rotterdam in 1661 and travelled to London in 1670, where he stayed until his death. [1] He is known for Italianate landscapes and religious works. [1]
Rotterdam is the second-largest city and a municipality of the Netherlands. It is located in the province of South Holland, at the mouth of the Nieuwe Maas channel leading into the Rhine–Meuse–Scheldt delta at the North Sea. Its history goes back to 1270, when a dam was constructed in the Rotte, after which people settled around it for safety. In 1340, Rotterdam was granted city rights by the Count of Holland.
Isaac Colonia, was a Dutch Golden Age painter of portraits, still lifes, and landscapes.
Jan Daemen Cool, was a Dutch Golden Age painter.
He sometimes painted landscapes and figures in the manner of Berchem. In the Copenhagen Museum there is a picture by him of 'Noah building the Ark'; and the Lille Museum has 'The Angel appearing to the Shepherds' attributed to him.
The Palais des Beaux-Arts de Lille is a municipal museum dedicated to fine arts, modern art, and antiquities. It is one of the largest art museums in France.
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Michael Bryan was an English art historian, art dealer and connoisseur. He was involved in the purchase and resale of the great French Orleans Collection of art, selling it on to a British syndicate, and owned a fashionable art gallery in Savile Row, London. His book, Biographical and Critical Dictionary of Painters and Engravers, first published in 1813-16, was a standard reference work throughout the 19th century, and was last republished in 1920; however it is now badly outdated.