In 2009, he became the curator of the Lower Manhattan Cultural Council, and led to the development and programming of LentSpace, a temporary public art park that occupied a disused block in Downtown Manhattan.[3][4] A review in The New York Times described the inaugural installation of sculptures as a "...[play] on the conventions of city park design or on the idea of what deserves to be classified as public art."[5]
From 2007-2008 Kleinman participated in the Whitney Independent Study Program.[6]
In 2012, Kleinman acted as Agent for Public Programming at dOCUMENTA (13).[7]
Recurring themes addressed by his exhibitions and articles include the history of computing, surveillance, the affordances of technology,[29][30][31][32] relations of art and politics,[33][34][35][36] as well as natural disasters and other forms of nonhuman agency.[37][38][39]
His curated exhibitions have garnered multiple best-of-year recognitions, including "Gala Porras-Kim: Precipitation for an Arid Landscape"[40] and "Emilie Louise Gossiaux: Kinship".[41]
↑ Ayas, Kleinman, Saelemakers, D., A., S (2015). Art in the Age of Planetary Computation. Witte de With.{{cite book}}: CS1 maint: multiple names: authors list (link)
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