Adam Kleinman is an American curator and writer who has served as the director and chief curator of Kunsthall Trondheim since 2023. [1]
In 2004, Kleinman curated the "Arrivals" program as part of the exhibition Terminal 5, at John F. Kennedy International Airport. [2]
In 2009, he became the curator of the Lower Manhattan Cultural Council, and led to the development and programming of LentSpace, a temporary public art park that occupied a disused block in Downtown Manhattan. [3] [4] A review in The New York Times described the inaugural installation of sculptures as a "...[play] on the conventions of city park design or on the idea of what deserves to be classified as public art." [5]
From 2007-2008 Kleinman participated in the Whitney Independent Study Program. [6]
In 2012, Kleinman acted as Agent for Public Programming at dOCUMENTA (13). [7]
From 2013, Kleinman was editor-in-chief and adjunct curator at Witte de With Center for Contemporary Art. [8] He has also served as the regional curator for North America at Kadist. [9]
In 2012, Kleinman participated in the International Visitor Programme run by the Office of Contemporary Art Norway. [10]
In 2013, Kleinman was a Robert Lehman Visiting Artist at the Cooper Union. [11]
In 2016, Kleinman was a fellow at the Banff International Curatorial Institute. [12]
Artists centered in Kleinman's work include Pierre Huyghe, [13] Britta Marakatt-Labba, [14] Emilie Louise Gossiaux, [15] American Artist, [16] [17] Gala Porras-Kim, [18] Emilija Škarnulytė, [19] Hannah Ryggen, [20] Walid Raad, [21] Rossella Biscotti, [22] Trevor Paglen, [23] John Gerrard, [24] Andros Zins-Browne and Jérôme Bel. [25] Kleinman has also interviewed the physicists Karen Barad [26] and Anton Zeilinger [27]
Recurring themes addressed by his exhibitions and articles include the history of computing, surveillance, the affordances of technology, [28] [29] [30] [31] relations of art and politics, [32] [33] [34] [35] as well as natural disasters and other forms of nonhuman agency. [36] [37] [38]
In 2022, he went on assignment for Artforum to cover the cultural response to the Russo-Ukrainian War from Kyiv. [39]
Jens Hoffmann Mesén is a writer, editor, educator, and exhibition maker. His work has attempted to expand the definition and context of exhibition making. From 2003 to 2007 Hoffmann was director of exhibitions at the Institute of Contemporary Arts London. He is the former director of the CCA Wattis Institute for Contemporary Art from 2007 to 2016 and deputy director for exhibitions and programs at The Jewish Museum from 2012 to 2017, a role from which he was terminated following an investigation into sexual harassment allegations brought forth by staff members. Hoffmann has held several teaching positions including California College of the Arts, the Nuova Accademia di Belle Arti and Goldsmiths, University of London, as well as others.
Geoffrey Farmer is best known for extensive multimedia installations made of cut-out images which form collages.
Anton Vidokle is an artist and founder of e-flux. Born in 1965, Vidokle lives in New York and Berlin.
Akram Zaatari is a filmmaker, photographer, archival artist and curator. In 1997, he co-founded the Arab Image Foundation with photographers Fouad Elkoury, and Samer Mohdad. His work is largely based on collecting, studying and archiving the photographic history of the Arab World.
Yan Xing is an artist known for performance, installation, video and photography. He grew up in Chongqing and currently lives and works in Beijing and Los Angeles.
KADIST is an interdisciplinary contemporary arts organization with an international contemporary art collection. KADIST hosts artist residencies and produces exhibitions, publications, and public events. Founded by Vincent Worms and Sandra Terdjman, the first location was opened in Paris in 2006. A San Francisco, California location was opened in the Mission District in 2011.
e-flux is a publishing platform and archive, artist project, curatorial platform, and e-mail service founded in 1998. The arts news digests, events, exhibitions, schools, journal, books, and art projects produced and/or disseminated by e-flux describe strains of critical discourse surrounding contemporary art, culture, and theory internationally. Its monthly publication, e-flux journal, has produced essays commissioned since 2008 about cultural, political, and structural paradigms that inform contemporary artistic production.
Hannah Ryggen, born Hannah Jönsson, was a Swedish-born Norwegian textile artist. Self-trained, she worked on a standing loom constructed by her husband, the painter Hans Ryggen. She lived on a farm on a Norwegian Fjord and dyed her yarn with local plants.
Defne Ayas is a curator, lecturer, and editor in the field of contemporary art and its institutions. Ayas directed, cofounded, curated, and advised several art institutes, initiatives, and exhibition platforms across the globe, including in the United States, Netherlands, China and Hong Kong, South Korea, Russia, Lithuania, and Italy. Exploring art's role within social and political processes, Ayas is best known for conceiving inventive exhibition and biennale formats within diverse geographies, in each instance composing interdisciplinary frameworks that provide historical anchoring and engagement with local conditions. Working between Berlin and New York since 2018, she currently serves as Senior Program Advisor and Curator at Large at Performa. Until June 2021, Ayas was the artistic director of the 2021 Gwangju Biennale, together with Natasha Ginwala.
Rossella Biscotti is an artist whose practice cuts across sculpture, performance, sound works, and filmmaking.
Chus Martínez is a Spanish curator, art historian, and writer. She is currently the director of the Art Institute at the FHNW Academy of Art and Design, Basel, where she also runs the Institute’s exhibition space Der Tank. Additionally, Martínez is the artistic director of Ocean Space, Venice, a space spearheaded by TBA21–Academy that promotes ocean literacy, research, and advocacy through the arts. In 2017, Martínez was curator of KölnSkulptur #9. She sits on the advisory boards of numerous international art institutions, including Castello di Rivoli, Turin; De Appel, Amsterdam; Deutsches Historisches Museum, Berlin; and Museum der Moderne, Salzburg.
iLiana Fokianaki is the director of Kunsthalle Bern. She is a Greek curator, writer, theorist, educator and former journalist based in Bern, and occasionally Athens and Rotterdam.
Andrea Bellini is an Italian and Swiss curator and contemporary art critic based in Geneva, Switzerland. Since 2012, he is director of the Centre d’Art Contemporain Genève, and artistic director of the Biennial of Moving Images.
Matteo Lucchetti is a curator and contemporary art critic based in Brussels. He is curator, together with Judith Wielander, of the Visible project, a research and biennial award for socially engaged artistic practices in a global context, initiated and supported by Cittadellarte - Fondazione Pistoletto and Fondazione Zegna.
John Menick is an American artist and writer working primarily in the moving image, fiction, and essay form.
Stefanie Hessler is a German-born contemporary art curator, an art writer, and the current director of Swiss Institute in New York. From 2019 to 2022 she was the director of Kunsthall Trondheim in Trondheim, Norway.
Kunsthall Trondheim (KT) is a contemporary art institution in Trondheim, Norway. Located in a former firehall, KT opened in October 2016. Between 2013 and 2016, the Kunsthall was run as a preliminary project in a temporary space by former Director Helena Holmberg. Stefanie Hessler was Director from 2019 until 2022; Adam Kleinman has been the Director since 2023. The facility offers exhibitions and public programs.
Xiaoyu Weng (翁笑雨) is a Chinese curator, writer, editor and educator in the area of contemporary art.
Sheelasha Rajbhandari, is a Nepalese visual artist, curator, and cultural organizer. Her artwork examines alternative narratives through folk tales, oral traditions, myths, material culture, performances and rituals, and presents them as counterpoints to mainstream history and narratives. She often seeks to challenge social taboos and patriarchal discourses by focusing on women's struggles and celebrating their resilience. Her long-term research plans and artistic practice often synthesize knowledge and experiences gained as a result of individual and collective discourses. Rajbhandari is also a curator noted for her contributions to the Kathmandu Triennale 2077 and first Nepal Pavilion, at the 59th International Art Exhibition – La Biennale di Venezia in 2022. In 2013, she co-founded the art collective Artree Nepal alongside Hit Man Gurung, Subas Tamang, Mekh Limbu, and Lavkant Chaudhary.
Emilie Louise Gossiaux is an American multidisciplinary artist who lives and works in New York City. She creates drawings, ceramics, and installations.
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