Adela de la Torre | |
---|---|
11th President of San Diego State University | |
Assumed office June 2018 | |
Personal details | |
Born | San Francisco Bay Area |
Alma mater | University of California, Berkeley (BA, MA, PhD) |
Adela de la Torre is an American professor and university administrator. [1] She has served as the ninth president of San Diego State University in San Diego, California, since 2018. She is the first woman to serve in the role. [2] [3] [4]
Adela de la Torre was born and raised in the San Francisco Bay Area. [5] Her grandparents were immigrants from Mexico, and her mother was a public school teacher. De la Torre attended the University of California, Berkeley, where she received bachelor's and master's degrees in the political economy of natural resources, as well as a Ph.D. in Agricultural and Resource Economics in 1982. [6]
De la Torre was a professor at California State University, Long Beach and at the University of Arizona, where she was director of the Mexican-American Studies Center and also served as director of the Hispanic Center of Excellence for the University of Arizona College of Medicine. [6] [7] [8] She later worked at University of California, Davis, where she served as professor and chair of the Department of Chicana/o studies, [9] director of the Center for Transnational Health, and vice chancellor for student affairs. [10] [11] [12] De la Torre was named the president of San Diego State University on January 31, 2018, [2] and assumed the presidency in June 2018. [6]
She writes and speaks about the importance of helping students from underprivileged backgrounds with issues related to student debt. [13] She is also a co-editor of Speaking from the Body: Latinas on Health and Culture, a collection of personal reflections on health care experiences from Latina patients or their family caregivers or friends, combined with professional analysis of the narratives with a discussion of Latina health issues and policy recommendations.
Her primary fields of research include childhood obesity, binational health, science and educational disparities [14] and interventions for Chicana/o Latina/o students. [15] She is a founding member and former President of the American Society of Hispanic Economists. The society honored her with its biennial Academic Achievement Award in 2016.
Chicano or Chicana is an ethnic identity for Mexican Americans who have a non-Anglo self-image, embracing their Mexican Native ancestry. Chicano was originally a classist and racist slur used toward low-income Mexicans that was reclaimed in the 1940s among youth who belonged to the Pachuco and Pachuca subculture. In the 1960s, Chicano was widely reclaimed in the building of a movement toward political empowerment, ethnic solidarity, and pride in being of indigenous descent. Chicano developed its own meaning separate from Mexican American identity. Youth in barrios rejected cultural assimilation into whiteness and embraced their own identity and worldview as a form of empowerment and resistance. The community forged an independent political and cultural movement, sometimes working alongside the Black power movement.
Cherríe Moraga is a Chicana feminist, writer, activist, poet, essayist, and playwright. She is part of the faculty at the University of California, Santa Barbara in the Department of English. Moraga is also a founding member of the social justice activist group La Red Chicana Indígena, which is an organization of Chicanas fighting for education, culture rights, and Indigenous Rights.
Chicana feminism is a sociopolitical movement, theory, and praxis that scrutinizes the historical, cultural, spiritual, educational, and economic intersections impacting Chicanas and the Chicana/o community in the United States. Chicana feminism empowers women to challenge institutionalized social norms and regards anyone a feminist who fights for the end of women's oppression in the community.
Yolanda Margarita López was an American painter, printmaker, educator, and film producer. She was known for her Chicana feminist works focusing on the experiences of Mexican-American women, often challenging the ethnic stereotypes associated with them. Lopez was recognized for her series of paintings which re-imagined the image of the Virgen de Guadalupe. Her work is held in several public collections including the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, and the Los Angeles County Museum of Art.
Chicano poetry is a subgenre of Chicano literature that stems from the cultural consciousness developed in the Chicano Movement. Chicano poetry has its roots in the reclamation of Chicana/o as an identity of empowerment rather than denigration. As a literary field, Chicano poetry emerged in the 1960s and formed its own independent literary current and voice.
Chicano/a studies, also known as Chican@ studies, originates from the Chicano Movement of the late 1960s and 1970s, and is the study of the Chicana/o and Latina/o experience. Chican@ studies draws upon a variety of fields, including history, sociology, the arts, and Chican@ literature. The area of studies additionally emphasizes the importance of Chican@ educational materials taught by Chican@ educators for Chican@ students.
Alicia Gaspar de Alba is an American scholar, cultural critic, novelist, and poet whose works include historical novels and scholarly studies on Chicana/o art, culture and sexuality.
Cecilia Alvarez is an American Chicana artist known for her oil paintings and murals depicting themes of feminism, poverty, and environmental degradation in the United States and Latin America. Alvarez's painting Las Cuatas Diego has been featured in books and exhibitions around the world. Alvarez has also illustrated the bilingual children's book Antonio's Card authored by Rigoberto González. Her work is collected by the Mexican Fine Arts Museum, the Seattle Art Museum and by the Kaiser Foundation.
Lorna Dee Cervantes is an American poet and activist, who is considered one of the greatest figures in Chicano poetry. She has been described by Alurista as "probably the best Chicana poet active today."
Angie Chabram-Dernersesian is a full professor at the University of California, Davis.
William Anthony Nericcio, aka Memo, is a Chicano literary theorist, cultural critic, American Literature scholar, and Professor of English and Comparative Literature at San Diego State University. Currently Director of the Master of Arts in Liberal Arts and Sciences program, he is the author of the award-winning Tex[t]-Mex: Seductive Hallucinations of the "Mexican" in America,The Hurt Business: Oliver Mayer's Early Works Plus, and Homer From Salinas: John Steinbeck's Enduring Voice for the Californias. Nericcio is also a graphic designer, creating book covers, film posters, and websites, most notably for SDSU Press and Hyperbole Books, where he oversees the production of cultural studies tomes. His Text-Mex Gallery blog investigates the pathological interrogation of Mexican, Latina/o, Chicana/o, "Hispanic," Mexican-American, and Latin American stereotypes, political, and cultural issues. He is also the curator of the text-image exhibition entitled “MEXtasy,” which has been displayed at numerous institutions, including University of Michigan and South Texas College. Currently working on his follow-up book to Tex[t]-Mex, Eyegiene: Permutations of Subjectivity in the Televisual Age of Sex and Race, his most recent publication is Talking #browntv: Latinas and Latinos on the Screen, co-authored with Frederick Luis Aldama, for the Ohio State University Press.
Rosa-Linda Fregoso is the Professor and former Chair of Latin American and Latino Studies at the University of California, Santa Cruz.
Hijas de Cuauhtémoc was a student Chicana feminist newspaper founded in 1971 by Anna Nieto-Gómez and Adelaida Castillo while both were students at California State University, Long Beach.
Patricia Zavella is an anthropologist and professor at the University of California, Santa Cruz in the Latin American and Latino Studies department. She has spent a career advancing Latina and Chicana feminism through her scholarship, teaching, and activism. She was president of the Association of Latina and Latino Anthropologists and has served on the executive board of the American Anthropological Association. In 2016, Zavella received the American Anthropological Association's award from the Committee on Gender Equity in Anthropology to recognize her career studying gender discrimination. The awards committee said Zavella’s career accomplishments advancing the status of women, and especially Latina and Chicana women have been exceptional. She has made critical contributions to understanding how gender, race, nation, and class intersect in specific contexts through her scholarship, teaching, advocacy, and mentorship. Zavella’s research focuses on migration, gender and health in Latina/o communities, Latino families in transition, feminist studies, and ethnographic research methods. She has worked on many collaborative projects, including an ongoing partnership with Xóchitl Castañeda where she wrote four articles some were in English and others in Spanish. The Society for the Anthropology of North America awarded Zavella the Distinguished Career Achievement in the Critical Study of North America Award in the year 2010. She has published many books including, most recently, "I'm Neither Here Nor There, Mexicans"Quotidian Struggles with Migration and Poverty, which focuses on working class Mexican Americans struggle for agency and identity in Santa Cruz County.
Vicki Lynn Ruiz is an American historian who has written or edited 14 books and published over 60 essays. Her work focuses on Mexican-American women in the twentieth century. She is a recipient of the National Humanities Medal.
The Chicana/Latina Foundation (CLF) is a non-profit organization that promotes professional and leadership development of Latinas. The Foundation's mission is to empower Chicanas/Latinas through college scholarships, personal growth, educational, technology, cultural arts, and professional advancement.
Emma Pérez is an American author and professor, known for her work in queer Chicana feminist studies.
Consuelo Jiménez Underwood is an American fiber artist, known for her pieces that focus on immigration issues. She is an indigenous Chicana currently based in Cupertino, California. As an artist she works with textiles in attempt to unify her American roots with her Mexican Indigenous ones, along with trying to convey the same for other multicultural people.
Refugio I. Rochin is an American professor emeritus in agricultural and resource economics and Chicana/o studies at the University of California, Davis, director emeritus at the University of California, Santa Cruz, and instructor at Pennsylvania State University World Campus. He is an expert on rural Latinas/os and Latina/o Studies.
Deena J. González is a Mexican-American historian and Senior Vice President of Gonzaga University (GU). González is responsible for the releasing over 50 academic publications over the history of Chicanos/as and their presence in the United States. She is also a founding member of the national organization, Mujeres Activas en Letras y Cambio Social (MALCS), that promotes research in Chicana, Latina, Native American, and Indigenous communities.