Dame Tracey Karima Emin is an English artist known for autobiographical and confessional artwork. She produces work in a variety of media including drawing, painting, sculpture, film, photography, neon text and sewn appliqué. Once the "enfant terrible" of the Young British Artists in the 1980s, Tracey Emin is now a Royal Academician.
Helen Chadwick was a British sculptor, photographer and installation artist. In 1987, she became one of the first women artists to be nominated for the Turner Prize. Chadwick was known for "challenging stereotypical perceptions of the body in elegant yet unconventional forms. Her work draws from a range of sources, from myths to science, grappling with a plethora of unconventional, visceral materials that included chocolate, lambs' tongues and rotting vegetable matter. Her skilled use of traditional fabrication methods and sophisticated technologies transform these unusual materials into complex installations". Maureen Paley noted that "Helen was always talking about craftsmanship—a constant fount of information". Binary oppositions was a strong theme in Chadwick's work; seductive/repulsive, male/female, organic/man-made. Her combinations "emphasise yet simultaneously dissolve the contrasts between them". Her gender representations forge a sense of ambiguity and a disquieting sexuality blurring the boundaries of ourselves as singular and stable beings."
Jennifer Anne Saville is a contemporary British painter and an original member of the Young British Artists.
Emily Kame Kngwarreye was an Aboriginal Australian artist from the Utopia community in the Northern Territory. After only starting painting as a septuagenarian, Kngwarreye became one of the most prominent and successful artists in the history of Indigenous Australian art. She was a founding member of the Utopia Women's Batik Group and is known for her precise and detailed works.
The Art Gallery of South Australia (AGSA), established as the National Gallery of South Australia in 1881, is located in Adelaide. It is the most significant visual arts museum in the Australian state of South Australia. It has a collection of almost 45,000 works of art, making it the second largest state art collection in Australia. As part of North Terrace cultural precinct, the gallery is flanked by the South Australian Museum to the west and the University of Adelaide to the east.
Cecily Brown is a British painter. Her style displays the influence of a variety of contemporary painters, from Willem de Kooning, Francis Bacon and Joan Mitchell, to Old Masters like Rubens, Poussin and Goya. Brown lives and works in New York.
Joan Mitchell was an American artist who worked primarily in painting and printmaking, and also used pastel and made other works on paper. She was an active participant in the New York School of artists in the 1950s. A native of Chicago, she is associated with the American abstract expressionist movement, even though she lived in France for much of her career.
Papunya Tula, registered as Papunya Tula Artists Pty Ltd, is an artist cooperative formed in 1972 in Papunya, Northern Territory, owned and operated by Aboriginal people from the Western Desert of Australia. The group is known for its innovative work with the Western Desert Art Movement, popularly referred to as dot painting. Credited with bringing contemporary Aboriginal art to world attention, its artists inspired many other Australian Aboriginal artists and their styles.
Ghada Amer is a contemporary artist, much of her work deals with issues of gender and sexuality. Her most notable body of work involves highly layered embroidered paintings of women's bodies referencing pornographic imagery.
Fiona Margaret Hall, AO is an Australian artistic photographer and sculptor. Hall represented Australia in the 56th International Art Exhibition at the Venice Biennale in 2015. She is known as "one of Australia's most consistently innovative contemporary artists." Many of her works explore the "intersection of environment, politics and exploitation".
Lorna Simpson is an American photographer and multimedia artist whose works have been exhibited both nationally and internationally. In 1990, she became one of the first African-American woman to exhibit at the Venice Biennale. She came to prominence in the 1980s and 1990s with photo-text installations such as Guarded Conditions and Square Deal that questioned the nature of identity, gender, race, history and representation. Simpson continues to explore these themes in relation to memory and history using photography, film, video, painting, drawing, audio, and sculpture.
Susan Hiller was a US-born, British conceptual artist who lived in London, United Kingdom. Her practice spanned a broad range of media including installation, video, photography, painting, sculpture, performance, artist's books and writing. A key figure in British art across four decades, she was best known for her innovative large-scale multimedia installations, and for works that took as their subject matter aspects of culture that were overlooked, marginalised, or disregarded, including paranormal beliefs – an approach which she referred to as "paraconceptualism".
Urs Fischer is a Swiss-born contemporary visual artist living in New York City and Los Angeles. Fischer’s practice includes sculpture, installation, photography, and digitally-mediated images.
Adriana Varejão is a Brazilian artist. She works in various disciplines including painting, drawing, sculpture, installation and photography. She was an artist-in-resident at the Isabella Stewart Gardner Museum in 2004. Varejão lives and works in Rio de Janeiro.
May Stevens was an American feminist artist, political activist, educator, and writer.
Visual Collaborative is an American festival and publishing platform highlighting the intersections of people, commerce, and innovation. Acclaim for its social impact in humanities, it was featured by VOA, for advancing the cause of humanities and the creative economy. The platform organizes exhibitions that feature talks, art, technology, development, and live music performances. Over the years, the initiative has grown in scope and size, aligning with sustainable goals.
Vera Lutter is a German artist based in New York City. She works with several forms of digital media, including photography, projections, and video-sound installations. Through a multitude of processes, Lutter's oeuvre focuses on light and its ability to articulate the passing time and movement within a tangible image.
Ellen Gallagher is an American artist. Her work has been shown in numerous solo and group exhibitions and is held in the permanent collections of many major museums. Her media include painting, works on paper, film and video. Some of her pieces refer to issues of race, and may combine formality with racial stereotypes and depict "ordering principles" society imposes.
Juliana Huxtable is an American artist, writer, performer, DJ, and co-founder of the New York–based nightlife project Shock Value. Huxtable has exhibited and performed at a number of venues including Reena Spaulings Fine Art, Project Native Informant, Artists Space, the New Museum, the Museum of Modern Art, Portland Institute for Contemporary Art, and Institute of Contemporary Arts. Huxtable's multidisciplinary art practice explores a number of projects, such as the internet, the body, history, and text, often through a process she calls "conditioning." Huxtable is a published author of two books and a member of the New York City–based collective House of Ladosha. She is on the roster of the talent agency Discwoman, a New York based collective and talent agency that books DJs for parties and events around the world. She previously lived and worked in New York City, and has been based in Berlin since 2020.
Diana Widmaier Picasso is a French art historian specialized in modern art, living in Paris.
