Adrian Sutton (born 1967) is a British composer, best known for his theatre music. He composed the scores for a series of well received National Theatre productions, including War Horse (2007) and The Curious Incident of the Dog in the Night-time (2011). In September 2022 Sutton was diagnosed with incurable cancer. [1]
Sutton was born in Kent in 1967 but his family then moved to Zimbabwe and later South Africa, where he grew up. Returning to London he studied music at Goldsmiths. [2] Before his success at the National Theatre Sutton spent 15 years as a composer of "applied music", especially music for television commercials. [1] He also composed the score for Ken Russell's 1995 film Treasure Island . But after working with radio presenter Chris Morris on the music for his BBC Radio Blue Jam series (1997-99) [3] Sutton was introduced to his brother, the theatre director Tom Morris. That led to a commission from the National Theatre in 2005 to write the score for Helen Edmundson's "play with music" Coram Boy , for which Sutton adapted and extended the music of Handel. [4]
The score for War Horse two years later is interspersed with simple folk songs on which Sutton collaborated with John Tams. [5] The instrumental sections draw on his interest in English music of the early and mid twentieth century (especially Bax, Finzi and Walton). [6] [7] (Sutton's music wasn't used for the subsequent film directed by Steven Spielberg). The Curious Incident score of 2011 was influenced by another enthusiasm - the electronic studio music of Mike Oldfield and Aphex Twin. [1]
Other scores for the National Theatre included Nation and The Revenger's Tragedy (both 2009), Husbands And Sons (D. H. Lawrence, adapted by Ben Power, 2015), Rules for Living (2015), and Angels in America (2018). For other theatres Sutton provided music for Cyrano de Bergerac (Bristol Old Vic, 2019), Dr. Semmelweis (Bristol Old Vic, 2022, adapting Schubert) and Murder On The Orient Express (Chichester, 2022).
Since his diagnosis, Sutton has worked exclusively on concert works. [8] In June 2023 his Violin Concerto (2023) and other orchestral pieces, including an extended suite for orchestra constructed from the War Horse score, were performed live at the Southbank Centre with the Royal Philharmonic Orchestra, soloist Fenella Humphreys, [9] and subsequently recorded by Chandos Records. [10]
Philip Glass is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimalism, being built up from repetitive phrases and shifting layers. Glass describes himself as a composer of "music with repetitive structures", which he has helped to evolve stylistically.
Gerald Raphael Finzi was a British composer. Finzi is best known as a choral composer, but also wrote in other genres. Large-scale compositions by Finzi include the cantata Dies natalis for solo voice and string orchestra, and his concertos for cello and clarinet.
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William Alwyn, was an English composer, conductor, and music teacher.
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Edwin York Bowen was an English composer and pianist. Bowen's musical career spanned more than fifty years during which time he wrote over 160 works. As well as being a pianist and composer, Bowen was a talented conductor, organist, violist and horn player. Despite achieving considerable success during his lifetime, many of the composer's works remained unpublished and unperformed until after his death in 1961. Bowen's compositional style is widely considered ‘Romantic’ and his works are often characterized by their rich harmonic language.
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John Douglas Louis Veale was an English classical composer.
Bernard (George) Stevens was a British composer who first became known to a wider public when he won a newspaper composition prize for a 'Victory Symphony' in post-war 1946. The broader success was not sustained, but Stevens went on to become a respected composer and teacher at the Royal College of Music, using traditional forms for his compositions while extending his essentially tonal harmonic language towards serialism.
Christopher Gunning was an English composer of concert works and music for films and television.
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Leighton Lucas was an English composer and conductor. His career was wide-ranging: he was associated with the revival of interest in 20th century English ballet, arranged music for dance bands, conducted challenging contemporary classical works and wrote many original concert and film scores.
Philip Sawyers is a British composer of orchestral and chamber music, including six symphonies.
The Quest is a ballet score by William Walton, written for a ballet of the same title, now lost, choreographed by Frederick Ashton in 1943. Two versions of the score exist: one for the small orchestra for which Walton wrote, and a posthumously constructed version rescored for an orchestra of the larger size usually favoured by the composer. The ballet, with a scenario by Doris Langley Moore, was based on The Faerie Queene by Edmund Spenser. It was first given by the Sadler's Wells Ballet company.