Pietro Antonio Domenico Trapassi, better known by his pseudonym of Pietro Metastasio, was an Italian poet and librettist, considered the most important writer of opera seria libretti.
Antonio Caldara was an Italian Baroque composer.
This is a list of notable events in music that took place in the year 1732.
Giuseppe Gazzaniga was a member of the Neapolitan school of opera composers. He composed fifty-one operas and is considered to be one of the last Italian opera buffa composers.
Gaetano Pugnani was an Italian composer and violinist.
Catone in Utica is an opera libretto by Metastasio, that was originally written for Leonardo Vinci's 1727 opera. Following Vinci's success, Metastasio's text was used by numerous composers of the baroque and classical eras for their own operas, including Pietro Torri (1736), Antonio Vivaldi (1737), Giovanni Battista Ferrandini (1753) and J. C. Bach (1761).
Rinaldo di (da) Capua was an Italian composer. Little is known of him with any certainty, including his name, although he was known to Charles Burney. He may have been the father of composer Marcello Bernardini.
Gaetano Monti was an Italian composer. His name is first recorded in 1758, when he was eight years old, singing in a small part in a performance of Il curioso del suo proprio danno by Niccolò Piccinni. His first opera, Adriano in Siria, was performed in Modena in 1775, and he was later named organist of the Treasury Chapel at Naples Cathedral; there he remained until 1788. Moreover, in 1776 he became an impresario at the Teatro San Carlo. Most of his works were opere buffe, and were seen in theatres in Rome, Venice, and Naples. His most popular works were Le donne vendicate and Lo studente. It was believed at one time that he was the brother of the poet Vincenzo Monti, but this is uncertain.
Antonio Maria Mazzoni was an Italian composer.
Gennaro Manna was an Italian composer based in Naples. He was a member of the Neapolitan School. His compositional output includes 13 operas and more than 150 sacred works, including several oratorios.
La Passione di Gesù Cristo is the title of a libretto by Metastasio which was repeatedly set as an azione sacra or oratorio by many composers of the late baroque, Rococo and early classical period.
Luca Antonio Predieri was an Italian composer and violinist. A member of a prominent family of musicians, Predieri was born in Bologna and was active there from 1704. In 1737 he moved to Vienna, eventually becoming Kapellmeister to the imperial Habsburg court in 1741, a post he held for ten years. In 1765 he returned to his native city where he died two years later at the age of 78. A prolific opera composer, he was also known for his sacred music and oratorios. Although his operas were largely forgotten by the end of his own lifetime and most of their scores lost, individual arias as well some of his sacred music are still performed and recorded.
L'Olimpiade is an opera in the form of a dramma per musica in three acts by the Italian composer Giovanni Battista Pergolesi. Pergolesi took the text, with a few modifications, from the libretto of the same name by Pietro Metastasio. The opera first appeared during the Carnival season of 1735 at the Teatro Tordinona in Rome and "came to be probably the most admired" of the more than 50 musical settings of Metastasio’s drama.
Adriano Morselli was a Venetian librettist active between 1679 and 1691. His libretti have been set to music by composers like Antonio Vivaldi, Alessandro Scarlatti, Giacomo Antonio Perti, Bernardo Sabadini, Carlo Francesco Pollarolo and Domenico Gabrielli. His most popular works were L'incoronazione di Dario from 1684 and Tullo Ostilio from 1685, and the unfinished La pace fra Seleuco e Tolomeo from 1691.
Adriano in Siria is an opera by Giovanni Battista Pergolesi setting Metastasio's libretto of the same name. It was the third of his four opere serie, premiered at Teatro San Bartolomeo in Naples on 25 October 1734. Pergolesi also provided a comic intermezzo La contadina astuta, later better known as Livietta e Tracollo, to a libretto by Tommaso Mariani.
Giovanni Ambrogio Migliavacca was an Italian poet and librettist. A student and protégé of Metastasio, he was primarily active in the court theaters of Dresden and Vienna. His most successful work was the libretto for the opera Solimano, first set by Johann Adolph Hasse in 1753 and subsequently set by 18 other composers in the course of the next 50 years.
Alessandro nell'Indie is a libretto in three acts by Pietro Metastasio. It was set to music around ninety times firstly by Leonardo Vinci, whose version premiered in Rome on 2 January 1730. The libretto was the fourth of five that Metastasio wrote for the Teatro delle Dame in Rome between 1727 and 1730. The work was dedicated to the Stuart pretender to the British throne, James Francis Edward Stuart, then resident in Rome.
Demetrio is an opera libretto in three acts by Pietro Metastasio. It was first performed to music composed by Antonio Caldara on 4 November 1731 during celebrations of the name day of the Holy Roman Emperor Charles VI in Vienna. Different composers later used it when composing operas named Alceste, Cleonice and Demetrio, rè della Siria. With over fifty settings it was one of Metastasio's most popular works.
