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Gioas re di Giuda (Joas, king of Judah) is an Italian-language oratorio libretto by Pietro Metastasio written in 1735 for imperial court composer Georg Reutter the younger and later set by at least 25 composers. [1] The plot is based on the life of King Joash of Judah.
The 1823 setting of an anonymous libretto by Simone Mayr, Innalzamento al trono del giovane re Gioas, is only thematically based on Metastasio's original.
Pietro Antonio Domenico Trapassi, better known by his pseudonym of Pietro Metastasio, was an Italian poet and librettist, considered the most important writer of opera seria libretti.
Niccolò Jommelli was an Italian composer of the Neapolitan School. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic reforms including reducing ornateness of style and the primacy of star singers somewhat.
Pietro Alessandro Guglielmi was an Italian opera composer of the classical period.
Giuseppe Bonno was an Austrian composer of Italian origin.
Johann Adam Joseph Karl Georg Reutter, during his life known as Georg Reutter the Younger was an Austrian composer. According to David Wyn Jones, in his prime he was "the single most influential musician in Vienna".
L'Olimpiade is an opera libretto in three acts by Metastasio originally written for an operatic setting by Antonio Caldara of 1733. Metastasio’s plot vaguely draws upon the narrative of "The Trial of the Suitors" provided from Book 6 of The Histories of Herodotus, which had previously been the base for Apostolo Zeno's libretto Gli inganni felici (1695). The story, set in Ancient Greece at the time of the Olympic Games, is about amorous rivalry and characters' taking places to gain the loved one. The story ends with the announcement of two marriages.
Francesco Domenico Araja was an Italian composer who spent 25 years in Russia and wrote at least 14 operas for the Russian Imperial Court including Tsefal i Prokris, the first opera in Russian.
Demofonte is an opera seria libretto by Metastasio. The libretto was first set by Antonio Caldara in 1733, but remained popular throughout the eighteenth century and was set over seventy times.
Giuseppe Nicolini was an Italian composer who wrote at least 45 operas. From 1819 onwards, he devoted himself primarily to religious music. He was born and died at Piacenza.
Domenico Fischietti (1725–1810) was an Italian composer.
Giuseppe Maria Orlandini was an Italian baroque composer particularly known for his more than 40 operas and intermezzos. Highly regarded by music historians of his day like Francesco Saverio Quadrio, Jean-Benjamin de La Borde and Charles Burney, Orlandini, along with Vivaldi, is considered one of the major creators of the new style of opera that dominated the second decade of the 18th century.
La Giuditta may refer to one of several Italian oratorios:
Antonio Casimir Cartellieri was a Polish-Austrian composer, violinist, conductor, and voice teacher. His reputation dissipated after his death, not to be resurrected until the late 20th century. One son was the spa physician Paul Cartellieri. Another, Josef Cartellieri, compiled some largely second-hand biographical notes about the father he scarcely knew.
La Passione di Gesù Cristo is the title of a libretto by Metastasio which was repeatedly set as an azione sacra or oratorio by many composers of the late baroque, Rococo and early classical period.
Luca Antonio Predieri was an Italian composer and violinist. A member of a prominent family of musicians, Predieri was born in Bologna and was active there from 1704. In 1737 he moved to Vienna, eventually becoming Kapellmeister to the imperial Habsburg court in 1741, a post he held for ten years. In 1765 he returned to his native city where he died two years later at the age of 78. A prolific opera composer, he was also known for his sacred music and oratorios. Although his operas were largely forgotten by the end of his own lifetime and most of their scores lost, individual arias as well some of his sacred music are still performed and recorded.
Adriano in Siria is a libretto by Italian poet Metastasio first performed, with music by Antonio Caldara, in Vienna in 1732, and turned into an opera by at least 60 other composers during the next century. Metastasio based the background of the story on late Classical works by Cassius Dio and Elio Sparziano.
Pietro Pompeo Sales was an Italian composer.
Giovanni Ambrogio Migliavacca was an Italian poet and librettist. A student and protégé of Metastasio, he was primarily active in the court theaters of Dresden and Vienna. His most successful work was the libretto for the opera Solimano, first set by Johann Adolph Hasse in 1753 and subsequently set by 18 other composers in the course of the next 50 years.
Innalzamento al trono del giovane re Gioas is an oratorio by Simon Mayr premiered in Florence in 1823. The anonymous libretto is unrelated to the two dozen other oratorios of the name Gioas, all of them based on the 1735 libretto Gioas re di Giuda by Metastasio.
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