Advantage | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1983 | |||
Recorded | Fall 1982 | |||
Studio | Rockfield (Rockfield, Wales) | |||
Genre | Post-punk, industrial | |||
Length | 40:47 | |||
Label | Polydor | |||
Producer | Hugh Jones | |||
Clock DVA chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Advantage is the third studio album and second LP by Clock DVA, released in 1983 by Polydor Records. [2] Singles from it were "Breakdown" and "Resistance". A video was filmed for the song "Resistance", directed by Peter Care.
All lyrics are written by Adi Newton; all music is composed by Clock DVA
No. | Title | Length |
---|---|---|
1. | "Tortured Heroine" | 5:10 |
2. | "Beautiful Losers" | 4:26 |
3. | "Resistance" | 3:50 |
4. | "Eternity in Paris" | 5:49 |
No. | Title | Length |
---|---|---|
1. | "The Secret Life of the Big Black Suit" | 3:36 |
2. | "Breakdown" | 4:25 |
3. | "Dark Encounter" | 7:26 |
4. | "Poem" | 6:05 |
No. | Title | Length |
---|---|---|
9. | "Noises in Limbo" | 5:17 |
10. | "Black Angel's Death Song" (The Velvet Underground cover) | 3:22 |
11. | "Resistance" (12" mix) | 5:48 |
12. | "Breakdown" (12" mix) | 5:44 |
Adapted from the Advantage liner notes. [3]
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|
Region | Date | Label | Format | Catalog |
---|---|---|---|---|
United Kingdom | 1983 | Polydor | CS, LP | POLS 1082 |
Germany | 1989 | Interfisch | CD, LP | SETH 006 |
Italy | 1992 | Contempo | CD | CONTE 191 |
Clock DVA are a musical group from Sheffield, England, whose style has touched on industrial, post-punk, and EBM. They formed in 1978 by Adi Newton and Steven "Judd" Turner. Along with contemporaries Heaven 17, Clock DVA's name was inspired by the Russian-influenced Nadsat language of Anthony Burgess's novel A Clockwork Orange. Dva is Russian for "two".
"Mickey" is a song recorded by American singer and choreographer Toni Basil for her debut studio album, Word of Mouth (1981). It was first recorded by the pop group Racey. Mike Chapman and Nicky Chinn wrote the song, while production was helmed by Greg Mathieson and Trevor Veitch. Basil's version is new wave, featuring guitar, synthesizers and cheerleading chants. It garnered a mixed response from music critics, with some critics praising the radio-friendly nature of the song, while others described some of the lyrics as obscene.
"Natural" is a song by English pop group S Club 7. It was released on 11 September 2000 as the second single from their second studio album 7 (2000). The track was written by Norma Ray, Jean Fredenucci, Cathy Dennis, and Andrew Todd. It is an English cover of Ray's 1999 hit "Tous les maux d'amour", both of which interpolate Gabriel Fauré's Pavane. Upon the song's release, it peaked at number three in the United Kingdom and reached the top 50 in Australia, Germany, and Ireland.
"Paying the Price of Love" is the first single from the Bee Gees' 20th studio album, Size Isn't Everything (1993). The song was released in August 1993 by Polydor, reaching the top-10 in Belgium and Portugal and the top-40 in Austria, Germany, the Netherlands, Switzerland, and the United Kingdom. In the United States, it charted on the Billboard Hot 100, reaching number 74, and peaked within the top-30 on the Billboard Adult Contemporary chart. The promotional video for the song shows the brothers performing the song as holograms on a futuristic version of MTV.
"All I Ask of You" is a song from the 1986 English musical The Phantom of the Opera, between characters Christine Daaé and Raoul, originally played on stage by Sarah Brightman and Steve Barton, respectively. It was written by Andrew Lloyd Webber, Charles Hart and Richard Stilgoe, and solely produced by Lloyd Webber. An operatic pop piece, its lyrics serve as dialogue between the two characters and discuss themes such as commitment and romance. Like Lloyd Webber's song "The Music of the Night", "All I Ask of You" was compared to the music found in Giacomo Puccini's 1910 opera La fanciulla del West.
"Shoot the Dog" is a song by British singer-songwriter George Michael, released as the second single from his fifth and final studio album, Patience, though released a year and a half prior to the album. It was his last release for Polydor Records, after which he departed from that label and returned to Sony Music, on which the album Patience, including the song "Shoot the Dog", was released. The song is a protest song referring to British Prime Minister Tony Blair and American President George W. Bush. Released on 29 July 2002, it peaked at number one in Denmark and number 12 in the United Kingdom.
John Valentine Carruthers is an English musician, guitarist, and composer. He is mainly known for being a member of Siouxsie and the Banshees from mid-1984 until early 1987.
Man-Amplified is the fifth studio album by Clock DVA, released in 1991 by Contempo Records.
Thirst is the second studio album by English post-punk band Clock DVA. It was released on 24 January 1981, through record label Fetish. Soon after the album's release, this incarnation of the band would split up, with several members going on to form The Box with singer Peter Hope.
White Souls in Black Suits is the debut studio album of Clock DVA, released in December 1980 by Industrial Records. It was originally issued only as a cassette, though it was reissued on vinyl and CD.
Buried Dreams is the fourth studio album by Clock DVA, released in 1989 through Wax Trax! Records. The tracks feature audio samples from several films. The album peaked at #61 on the CMJ Radio Top 150.
Transitional Voices is a live album by Clock DVA, released in 1990 by Interfisch Records.
Digital Soundtracks is the sixth studio album by Clock DVA, released on 11 December 1992 by Contempo Records. "E-Wave" is dedicated to Klaus Kinski.
Sign is the seventh studio album by Clock DVA, released on 3 August 1993 by Contempo Records.
"4 Hours" is a song by the English post-punk band Clock DVA. It is the only single released in support of their second album Thirst.
Passions Still Aflame is an EP by Clock DVA, released on 26 May 1982 by Polydor Records.
"Breakdown" is a song by the English post-punk band Clock DVA. It was the second single released in support of their third album Advantage.
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