African magic is the form, development, and performance of magic within the culture and society of Africa and the diaspora.
The word magic might simply be understood as denoting management of forces, which, as an activity, is not weighted morally and is accordingly a neutral activity from the start of a magical practice, but by the will of the magician, is thought to become and to have an outcome which represents either good or bad (evil). [1] [2]
Ancient African culture was in the habit customarily of always discerning difference between magic, and a group of other things, which are not magic, these things were medicine, divination, witchcraft and sorcery. [3]
E.K. Bongmba finds Witchcraft, Oracles and Magic among the Azande by Evans-Pritchard (published 1937 [4] ) responsible for a reduction in appreciation of the value of magic as a definite subject of study. [5] Peter Pels (1998) posits failing in thought similarly stemming from a mis-aligned focus on the negative aspect of witchcraft representing the totum of magic. [5]
Opinion differs on how religion and magic are related to each other with respect to development, or which developed from which. Some think they developed together from a shared origin; some think religion developed from magic; and others think magic developed from religion. [6]
There are two types of magic, good, or magic which is used to do well and enhance well-being, and bad, which is magic used to do harm or wrong or evil. [7]
The traditional roles related to and of magic in African society is medicine-man, divinator, rain-maker, [7] and priest-magician. [2]
These are at the simplest understanding people who function within a tribal setting as herbalists. [7]
Rain-makers are thought to possess magical powers, although they possess these powers because they (the powers) are given them by the sky God or the Great Spirit. Rain-making is something which requires both religion and magic. [8]
The priest-magician must grasp reality in many ways; understand the nature of climate, the forms of energy of the universe, the functions of material objects. [2] The priest-magician controls forces of nature, and in doing this therefore has to understand how control of forces impacts upon perception and the human consciousness and minds of people. [2] He or she fulfills his or her role by exercising the intellect and discerning a way forward while under the possession or control of a spirit or force of a divinity, to which he or she is a servant. [2]
With particular reference to people dwelling within the Southern areas of Sudan, [9] [10] individuals who are found to have been stricken with illness or misfortune are sometimes identified as having succumbed to the influence of sorcerers. [9]
A grimoire is a textbook of magic, typically including instructions on how to create magical objects like talismans and amulets, how to perform magical spells, charms, and divination, and how to summon or invoke supernatural entities such as angels, spirits, deities, and demons. In many cases, the books themselves are believed to be imbued with magical powers. The only contents found in a grimoire would be information on spells, rituals, the preparation of magical tools, and lists of ingredients and their magical correspondences. In this manner, while all books on magic could be thought of as grimoires, not all magical books should be thought of as grimoires.
Wicca, also known as "The Craft", is a modern pagan, syncretic, earth-centered religion. Considered a new religious movement by scholars of religion, the path evolved from Western esotericism, developed in England during the first half of the 20th century, and was introduced to the public in 1954 by Gerald Gardner, a retired British civil servant. Wicca draws upon ancient pagan and 20th-century hermetic motifs for theological and ritual purposes. Doreen Valiente joined Gardner in the 1950s, further building Wicca's liturgical tradition of beliefs, principles, and practices, disseminated through published books as well as secret written and oral teachings passed along to initiates.
Witchcraft, as most commonly understood in both historical and present-day communities, is the use of alleged supernatural powers of magic. A witch is a practitioner of witchcraft. Traditionally, "witchcraft" means the use of magic or supernatural powers to inflict harm or misfortune on others, and this remains the most common and widespread meaning. According to Encyclopedia Britannica, "Witchcraft thus defined exists more in the imagination of contemporaries than in any objective reality. Yet this stereotype has a long history and has constituted for many cultures a viable explanation of evil in the world". The belief in witchcraft has been found in a great number of societies worldwide. Anthropologists have applied the English term "witchcraft" to similar beliefs in occult practices in many different cultures, and societies that have adopted the English language have often internalised the term.
Magic is an ancient practice rooted in rituals, spiritual divinations, and/or cultural lineage—with an intention to invoke, manipulate, or otherwise manifest supernatural forces, beings, or entities in the natural world. It is a categorical yet often ambiguous term which has been used to refer to a wide variety of beliefs and practices, frequently considered separate from both religion and science.
Supernatural refers to phenomena or entities that are beyond the laws of nature. The term is derived from Medieval Latin supernaturalis, from Latin super- + natura (nature). Although the corollary term "nature" has had multiple meanings since the ancient world, the term "supernatural" emerged in the Middle Ages and did not exist in the ancient world.
Christian views on magic vary widely among Christian denominations and among individuals. Many Christians actively condemn magic as satanic, holding that it opens the way for demonic possession. Some Christians simply view it as entertainment. Conversely, some branches of esoteric Christianity actively engage in magical practices.
Belief in magic exists in all societies, regardless of whether they have organized religious hierarchy including formal clergy or more informal systems. While such concepts appear more frequently in cultures based in polytheism, animism, or shamanism. Religion and magic became conceptually separated in the West where the distinction arose between supernatural events sanctioned by approved religious doctrine versus magic rooted in other religious sources. With the rise of Christianity this became characterised with the contrast between divine miracles versus folk religion, superstition, or occult speculation.
Magical thinking, or superstitious thinking, is the belief that unrelated events are causally connected despite the absence of any plausible causal link between them, particularly as a result of supernatural effects. Examples include the idea that personal thoughts can influence the external world without acting on them, or that objects must be causally connected if they resemble each other or have come into contact with each other in the past. Magical thinking is a type of fallacious thinking and is a common source of invalid causal inferences. Unlike the confusion of correlation with causation, magical thinking does not require the events to be correlated.
Ceremonial magic encompasses a wide variety of rituals of magic. The works included are characterized by ceremony and numerous requisite accessories to aid the practitioner. It can be seen as an extension of ritual magic, and in most cases synonymous with it. Popularized by the Hermetic Order of the Golden Dawn, it draws on such schools of philosophical and occult thought as Hermetic Qabalah, Enochian magic, Thelema, and the magic of various grimoires. Ceremonial magic is part of Hermeticism and Western esotericism.
Black magic has traditionally referred to the use of supernatural powers or magic for evil and selfish purposes.
Marian Green is a British author who has published about magic, witchcraft and the "Western Mysteries" since the early 1960s.
Witchcraft in Latin America, known in Spanish as brujería, is a complex blend of indigenous, African, and European influences. Indigenous cultures had spiritual practices centered around nature and healing, while the arrival of Africans brought syncretic religions like Santería and Candomblé. European witchcraft beliefs merged with local traditions during colonization, contributing to the region's magical tapestry. Practices vary across countries, with accusations historically intertwined with social dynamics. A male practitioner is called a brujo, a female practitioner is a bruja.
European witchcraft is a multifaceted historical and cultural phenomenon that unfolded over centuries, leaving a mark on the continent's social, religious, and legal landscapes. The roots of European witchcraft trace back to classical antiquity when concepts of magic and religion were closely related, and society closely integrated magic and supernatural beliefs. Ancient Rome, then a pagan society, had laws against harmful magic. In the Middle Ages, accusations of heresy and devil worship grew more prevalent. By the early modern period, major witch hunts began to take place, partly fueled by religious tensions, societal anxieties, and economic upheaval. Witches were often viewed as dangerous sorceresses or sorcerers in a pact with the Devil, capable of causing harm through black magic. A feminist interpretation of the witch trials is that misogynist views of women led to the association of women and malevolent witchcraft.
Magic in the Greco-Roman world—that is, ancient Greece, ancient Rome, and the other cultures with which they interacted, especially ancient Egypt—comprises supernatural practices undertaken by individuals, often privately, that were not under the oversight of official priesthoods attached to the various state, community, and household cults and temples as a matter of public religion. Private magic was practiced throughout Greek and Roman cultures as well as among Jews and early Christians of the Roman Empire. Primary sources for the study of Greco-Roman magic include the Greek Magical Papyri, curse tablets, amulets, and literary texts such as Ovid's Fasti and Pliny the Elder's Natural History.
A magician, also known as an archimage, mage, magus, magic-user, spellcaster, enchanter/enchantress, sorcerer/sorceress, warlock, witch, or wizard, is someone who uses or practices magic derived from supernatural, occult, or arcane sources. Magicians enjoy a rich history in mythology, legends, fiction, and folklore, and are common figures in works of fantasy, such as fantasy literature and role-playing games.
Witch, from the Old English wiċċe, is a term rooted in European folklore and superstition for a practitioner of witchcraft, magic or sorcery. Traditionally associated with malevolent magic, with those accused of witchcraft being the target of witch-hunts, in the modern era the term has taken on different meanings. In literature, a 'witch' can now simply refer to an alluring women capable of 'bewitching' others. In neopagan religions such as Wicca the term has meanwhile been adopted as the female term for an adherent.
Magic, which encompasses the subgenres of illusion, stage magic, and close-up magic, among others, is a performing art in which audiences are entertained by tricks, effects, or illusions of seemingly impossible feats, using natural means. It is to be distinguished from paranormal magic which are effects claimed to be created through supernatural means. It is one of the oldest performing arts in the world.
Magic, Witchcraft and the Otherworld: An Anthropology is an anthropological study of contemporary Pagan and ceremonial magic groups that practiced magic in London, England, during the 1990s. It was written by English anthropologist Susan Greenwood based upon her doctoral research undertaken at Goldsmiths' College, a part of the University of London, and first published in 2000 by Berg Publishers.
The history of magic extends from the earliest literate cultures, who relied on charms, divination and spells to interpret and influence the forces of nature. Even societies without written language left crafted artifacts, cave art and monuments that have been interpreted as having magical purpose. Magic and what would later be called science were often practiced together, with the notable examples of astrology and alchemy, before the Scientific Revolution of the late European Renaissance moved to separate science from magic on the basis of repeatable observation. Despite this loss of prestige, the use of magic has continued both in its traditional role, and among modern occultists who seek to adapt it for a scientific world.
In Africa, witchcraft refers to various beliefs and practices. These beliefs often play a significant role in shaping social dynamics and can influence how communities address challenges and seek spiritual assistance. However much of what witchcraft represents in Africa has been susceptible to misunderstandings and confusion, thanks in no small part to a tendency among western scholars since the time of Margaret Murray to approach the subject through a comparative lens vis-a-vis European witchcraft. The definition of witchcraft differs between Africans and Europeans which causes misunderstandings of African conjure practices among Europeans. While some colonialists tried to eradicate witch hunting by introducing legislation to prohibit accusations of witchcraft, some of the countries where this was the case have formally recognized the existence of witchcraft via the law. This has produced an environment that encourages persecution of suspected witches.
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