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Lord Edgware Dies is a 1934 British mystery film directed by Henry Edwards and starring Austin Trevor, Jane Carr, and Richard Cooper. The film was based on the 1933 Agatha Christie novel Lord Edgware Dies.
The Rosary is a 1931 British drama film directed by Guy Newall and starring Margot Grahame, Elizabeth Allan and Leslie Perrins. It was shot at Twickenham Studios in London. The film's sets were designed by the art director James A. Carter. It was released as an independent first feature, despite being produced by a company that generally concentrated on quota quickies.
Too Many Crooks is a 1930 British comedy crime film directed by George King and starring Laurence Olivier, Dorothy Boyd and Arthur Stratton.
Open All Night is a 1934 British drama film directed by George Pearson and starring Frank Vosper, Margaret Vines, Gillian Lind, Geraldine Fitzgerald and Michael Shepley. It was made at Twickenham Studios in London. The film's sets were designed by the art director James Carter. The film was produced as a quota quickie by Julius Hagen for distribution by RKO Pictures. It was later released in the United States until the alternative title Murder by Appointment.
The Third Clue is a 1934 British crime film directed by Albert Parker and starring Basil Sydney, Molly Lamont and Raymond Lovell. The film was based on Neil Gordon's novel The Shakespeare Murders, which also inspired The Claydon Treasure Mystery (1938). It was made at Wembley Studios as a quota quickie by the British subsidiary of 20th Century Fox.
Second Thoughts, also released as The Crime of Peter Frame, is a 1938 British drama film directed by Albert Parker and starring Frank Fox, Evelyn Ankers, Frank Allenby and Joan Hickson. It was made at Wembley Studios as a quota quickie by the British subsidiary of 20th Century Fox.
The White Lilac is a 1935 British mystery film directed by Albert Parker and starring Basil Sydney, Judy Gunn, Claude Dampier and Percy Marmont. It is based upon the play of the same name by Ladislas Fodor. It was made at Wembley Studios as a quota quickie by the British subsidiary of Fox Film.
The Silver Spoon is a 1933 British comedy crime film directed by George King and starring Ian Hunter, Garry Marsh and Cecil Parker. It was produced and distributed as a quota quickie by Warner Brothers and was shot at the company's Teddington Studios in London. The Silver Spoon is classed by the British Film Institute as a lost film.
Murder in the Family is a 1938 British crime film directed by Albert Parker and starring Barry Jones, Jessica Tandy and Evelyn Ankers. The film's sets were designed by the art director Carmen Dillon. It was adapted from a 1936 novel of the same title by James Ronald.
The Pointing Finger is a 1933 British drama film directed by George Pearson and starring John Stuart, Viola Keats and Leslie Perrins. The screenplay concerns a man who plots to murder his half-brother so he can claim his earldom and an inheritance. The film was made by Twickenham Film Studios with sets designed by the art director James A. Carter. It was distributed by RKO Pictures as a quota quickie. Based on the novel The Pointing Finger (1907) by "Rita," it was a remake of the 1922 film of the same name.
The Crimson Candle is a 1934 British crime film directed by Bernard Mainwaring and starring Eve Gray, Eliot Makeham and Kenneth Kove. It was shot at Wembley Studios as a quota quickie for distribution by Metro-Goldwyn-Mayer.
Holiday's End is a 1937 British mystery film directed by John Paddy Carstairs and starring Sally Stewart, Rosalyn Boulter and Wally Patch. The film follows the arrival at boarding school of a boy king.
Matinee Idol is a 1933 British crime film directed by George King and starring Camilla Horn, Miles Mander and Marguerite Allan. The screenplay concerns a young actress who is suspected of murder. It was shot at Wembley Studios in London. The film's sets were designed by the art director J. Elder Wills. It was a quota quickie distributed by United Artists.
Landslide is a 1937 British drama film directed by Donovan Pedelty and starring Jimmy Hanley, Dinah Sheridan and Jimmy Mageean. It was made at Wembley Studios as a quota quickie for release by Paramount Pictures.
Twelve Good Men was a 1936 British crime film directed by Ralph Ince and starring Henry Kendall, Nancy O'Neil and Joyce Kennedy. It was made at Teddington Studios by Warner Brothers as a quota quickie. It is based on the 1928 detective thriller The Murders in Praed Street by John Rhode, with the principal series character of the book Doctor Priestley eliminated for the film.
Doss House is a 1933 British drama film directed by John Baxter and starring Frank Cellier, Arnold Bell and Herbert Franklyn.
The Man Without a Face is a 1935 British drama film directed by George King and starring Carol Coombe, Cyril Chosack and Moore Marriott. It was made as a quota quickie at Walton Studios.
Murder Tomorrow is a 1938 British crime film directed by Donovan Pedelty and starring Gwenllian Gill, Jack Livesey and Molly Hamley-Clifford. It was made at Cricklewood Studios as a quota quickie for release by Paramount Pictures.
Cross Roads is a 1930 British drama film directed by Reginald Fogwell and starring Percy Marmont, Anne Grey and Betty Faire. It was shot at Welwyn Studios as a quota quickie. It is a melodrama about a wife killing her unfaithful husband.
Special Edition is a 1938 British thriller film directed by Redd Davis and starring Lucille Lisle, John Garrick and Norman Pierce.
