The Small Back Room, released in the United States as Hour of Glory, is a 1949 film by the British producer-writer-director team of Michael Powell and Emeric Pressburger starring David Farrar and Kathleen Byron and featuring Jack Hawkins and Cyril Cusack. It was based on the 1943 novel of the same name by Nigel Balchin. The theme is the unsung heroes of the last war, the 'backroom boys', gradually coming into their own.
Clifford George Evans was a Welsh actor.
John Clifford Farrar is an Australian music producer, songwriter, arranger, singer, and guitarist. As a musician, Farrar is a former member of several rock and roll groups including The Mustangs (1963–64), The Strangers (1964–70), Marvin, Welch & Farrar (1970–73), and The Shadows (1973–76); in 1980 he released a solo eponymous album. As a songwriter and producer, he worked with Olivia Newton-John from 1971 through 1989. He wrote her U.S. number-one hit singles: "Have You Never Been Mellow" (1975), "You're the One That I Want", "Hopelessly Devoted to You" (1978), and "Magic" (1980). He also produced the majority of her recorded material during that time including her number-one albums, If You Love Me, Let Me Know (1974), Have You Never Been Mellow (1975), and Olivia's Greatest Hits Vol. 2 (1982). He was a co-producer of the soundtrack for the film Grease (1978).
The Foreman Went to France is a 1942 British Second World War war film starring Clifford Evans, Tommy Trinder, Constance Cummings and Gordon Jackson. It was based on the real-life wartime exploits of Welsh munitions worker Melbourne Johns, who rescued machinery used to make guns for Spitfires and Hurricanes. It was an Ealing Studios film made in 1941 with the support of the War Office and the Free French Forces. All of the 'heroes' are portrayed as ordinary people caught up in the war.
Patricia Roc was an English film actress, popular in the Gainsborough melodramas such as Madonna of the Seven Moons (1945) and The Wicked Lady (1945), though she only made one film in Hollywood, Canyon Passage (1946). She also appeared in Millions Like Us (1943), Jassy (1945), The Brothers (1947) and When the Bough Breaks (1947).
The Rebel Son is a 1938 British historical adventure film directed by Adrian Brunel and starring Harry Baur, Anthony Bushell and Roger Livesey. Patricia Roc also appears in her first screen role. It is a re-working by Alexander Korda of Granowski's 1936 French film adaptation of the Russian novel Taras Bulba by Russian classic writer Nikolai Gogol, set in the 17th century Ukraine.
Something Money Can't Buy is a 1952 British comedy drama film directed by Pat Jackson and starring Patricia Roc, Anthony Steel and Moira Lister. The film was made with backing from the NFFC as part of its British Film-Makers project with the Rank Organisation. The film was distributed by Rank's General Film Distributors. In America it was released by Universal Pictures in 1953.
The Brothers is a British film melodrama of 1947, starring Patricia Roc, Will Fyffe and Maxwell Reed, from a novel of the same name by L. A. G. Strong.
The Gainsborough melodramas were a sequence of films produced by the British film studio Gainsborough Pictures between 1943 and 1947 which conformed to a melodramatic style. The melodramas were not a film series but an unrelated sequence of films which had similar themes that were usually developed by the same film crew and frequently recurring actors who played similar characters in each. They were mostly based on popular books by female novelists and they encompassed costume, such as The Man in Grey (1943) and The Wicked Lady (1945) and modern-dress, such as Love Story (1944) and They Were Sisters (1945) settings. The popularity of the films with audiences peaked mid-1940s when most of the cinema audiences consisted of mainly women. The influence of the films led to other British producers releasing similarly themed works, such as The Seventh Veil (1945), Pink String and Sealing Wax (1945), Hungry Hill (1947), The White Unicorn (1947), Idol of Paris (1948), and The Reluctant Widow (1950) and often with the talent that made Gainsborough melodramas successful.
Paper Orchid is a 1949 British crime film directed by Roy Ward Baker, with a script written by Val Guest. It featured Hugh Williams, Hy Hazell and Garry Marsh, and was based on the 1948 novel of the same title by Arthur La Bern. It featured an early film appearance by Sid James, who later found success through the Carry On series.
Street Corner is a 1953 British drama film. It was written by Muriel and Sydney Box and directed by Muriel. It was marketed as Both Sides of the Law in the United States. While not quite a documentary, the film depicts the daily routine of women in the police force from three different angles. It was conceived as a female version of the 1950 film The Blue Lamp.
She Shall Have Music is a 1935 British musical comedy film directed by Leslie S. Hiscott and starring Jack Hylton, June Clyde and Claude Dampier. Hylton played himself in a story built around a millionaire shipowner who hires a band to publicise his ships. It was also released as Wherever She Goes.
Diamond City is a 1949 British drama film directed by David MacDonald and starring David Farrar, Honor Blackman, Diana Dors and Niall MacGinnis.
Ourselves Alone is a 1936 British film depicting a love story set against the backdrop of the Irish War of Independence. The title is a translation of the Irish slogan Sinn Féin Amháin. It is directed by Brian Desmond Hurst and stars John Lodge, John Loder and Antoinette Cellier.
Who Goes There! is a 1952 British comedy film directed by Anthony Kimmins and starring Nigel Patrick, Valerie Hobson and George Cole. The film depicts the farcical activities of the various inhabitants of a grace and favour house near St James's Palace in Central London.
The Hundred Pound Window is a 1944 British crime film directed by Brian Desmond Hurst and starring Anne Crawford, David Farrar, Frederick Leister and Richard Attenborough. The film follows an accountant who has to take a second job working at a racetrack, where he soon becomes mixed up with a shady crowd.
The Mind of Mr. Reeder is a 1939 British mystery crime film directed by Jack Raymond and starring Will Fyffe as Mr. Reeder, with Kay Walsh, George Curzon, and supporting roles for Chili Bouchier, John Warwick and Ronald Shiner.
Commonwealth United Entertainment, formerly known as Television Enterprises Corporation and was also known as Commonwealth United Corporation after its parent corporation, was an American film production and distribution company active to 1971. It was headed by Milton T. Raynor.
Escape Route is a 1952 British black-and-white thriller film, directed by Seymour Friedman and Peter Graham Scott, and starring George Raft, Sally Gray and Clifford Evans.
The Girl on the Train is a 2016 American mystery psychological thriller film directed by Tate Taylor and written by Erin Cressida Wilson, based on British author Paula Hawkins' popular 2015 debut novel of the same name. The film stars Emily Blunt, Rebecca Ferguson, Haley Bennett, Justin Theroux, Luke Evans, Allison Janney, Édgar Ramírez, and Lisa Kudrow. The film follows an alcoholic divorcée who becomes involved in a missing person investigation.
