Wanted for Murder | |
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Directed by | Lawrence Huntington |
Written by | Emeric Pressburger Rodney Ackland Maurice Cowan (additional dialogue) |
Based on | Wanted for Murder(play) by Terence De Marney and Percy Robinson |
Produced by | Marcel Hellman |
Starring | Eric Portman Dulcie Gray Derek Farr Roland Culver |
Cinematography | Max Greene |
Edited by | Edward B. Jarvis |
Music by | Mischa Spoliansky |
Production company | Excelsior Productions |
Distributed by | 20th Century Fox Exclusive Films Bejöhr-Film KG |
Release dates |
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Running time | 102 minutes |
Country | United Kingdom |
Language | English |
Wanted for Murder is a 1946 British crime film directed by Lawrence Huntington and starring Eric Portman, Dulcie Gray, Derek Farr, and Roland Culver. [1]
Anne Fielding is delayed on the London Underground, making her late for a meeting with her friend Victor James Colebrooke. She meets Jack Williams who is also delayed. The two take an immediate liking to each other. After they emerge from the Underground Jack helps her to locate Victor.
Victor, the grandson of a notorious hangman, is gradually becoming insane and unable to resist the urge to strangle women to death. He is in love with Anne, but he does not know how much longer he can prevent himself from killing her. Inspector Conway investigates Victor's murders and pieces together the evidence that Victor leaves behind.
The score, by the Russian-born émigré composer Mischa Spoliansky, includes extracts from a fake piano concerto, A Voice in the Night using the soloist Eric Harrison. It is an example of the so-called "Denham Concerto", a term coined by Steve Race to describe the short romantic pieces, written for piano and orchestra for use in film scores, which became popular in Britain during the 1940s and 1950s, inspired by the success of Richard Addinsell's Warsaw Concerto , composed for the film Dangerous Moonlight in 1941. Like the Warsaw Concerto and Hubert Bath's Cornish Rhapsody (from Love Story , 1944), A Voice in the Night was released commercially. [2]
The film was based on a play by Terence de Marney and Percy Robinson, which debuted on stage in London in 1937. De Marney played the killer in the original production. [3]
In January 1946 it was announced that 20th Century Fox had signed a deal with Marcel Hellman to make the film, for which Fox put up 50 per cent of the budget. [4]
The screenplay was one of two that Emeric Pressburger wrote for Hellman, the other being for Men Against Britannia. [5]
The film was shot at Welwyn Studios and at Star House, 14, The Royal Exchange, Chelsea Embankment, Chelsea, used as the home of Eric Portman's character and his mother (Barbara Everest). [6] There were also scenes filmed at Scotland Yard. [7] [8]
In April 1946 Spyros Skouras signed a three-picture deal with Hellman for 20th Century Fox to distribute three of Hellman's films. The first was to be Wanted for Murder, which had been completed. (The other films were Meet Me at Dawn and This Was a Woman .) [9]
Michael Latham Powell was an English filmmaker, celebrated for his partnership with Emeric Pressburger. Through their production company The Archers, they together wrote, produced and directed a series of classic British films, notably The Life and Death of Colonel Blimp (1943), A Canterbury Tale (1944), I Know Where I'm Going! (1945), A Matter of Life and Death, Black Narcissus (1947), The Red Shoes (1948) and The Tales of Hoffmann (1951).
Emeric Pressburger was a Hungarian-British screenwriter, film director, and producer. He is best known for his series of film collaborations with Michael Powell, in a collaboration partnership known as the Archers, and produced a series of films, including 49th Parallel, The Life and Death of Colonel Blimp (1943), A Matter of Life and Death, Black Narcissus (1947), The Red Shoes (1948), and The Tales of Hoffmann (1951).
A Matter of Life and Death is a 1946 British fantasy-romance film set in England during World War II.
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John Edward Hawkins, CBE was an English actor who worked on stage and in film from the 1930s until the 1970s. One of the most popular British film stars of the 1950s, he was known for his portrayal of military men.
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The Elusive Pimpernel is a 1950 British period adventure film by the British-based director-writer team of Michael Powell and Emeric Pressburger, based on the novel The Scarlet Pimpernel (1905) by Baroness Emmuska Orczy. It was released in the United States under the title The Fighting Pimpernel. The picture stars David Niven as Sir Percy Blakeney, Margaret Leighton as Marguerite Blakeney and features Jack Hawkins, Cyril Cusack and Robert Coote. Originally intended to be a musical, the film was re-worked as a light-hearted drama.
Esmond Penington Knight was an English actor. He had a successful stage and film career before World War II. For much of his later career Knight was half-blind. He had been badly wounded in 1941 while on active service on board HMS Prince of Wales when she fought the Bismarck at the Battle of the Denmark Strait, and remained totally blind for two years, though he later regained some sight in his right eye.
Eric Harold Portman was an English stage and film actor. He is probably best remembered for his roles in three films for Michael Powell and Emeric Pressburger during the 1940s.
Rodney Ackland was an English playwright, actor, theatre director and screenwriter.
Robert Lenard Lippert was an American film producer and cinema chain owner. He was president and chief operating officer of Lippert Theatres, Affiliated Theatres and Transcontinental Theatres, all based in San Francisco, and at his height, he owned a chain of 139 movie theaters.
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Dear Murderer is a 1947 British film noir crime, drama, thriller, directed by Arthur Crabtree for Gainsborough Pictures, and starring Eric Portman and Greta Gynt.
Squadron Leader X is a 1943 British World War II spy drama directed by Lance Comfort and starring Eric Portman and Ann Dvorak. The screenplay was adapted by Miles Malleson and Wolfgang Wilhelm from a short story by Emeric Pressburger. Unfortunately, the BFI National Archive currently considered this film as "missing, believed lost".
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Walter Percy Day O.B.E. (1878–1965) was a British painter best remembered for his work as a matte artist and special effects technician in the film industry. Professional names include W. Percy Day; Percy Day; "Pop" or "Poppa" Day, owing to his collaboration with sons Arthur George Day (1909–1952) draughtsman, Thomas Sydney Day (1912–1985), stills photographer and cameraman, and stepson, Peter Ellenshaw, who also worked in this field.