Feminist film theory is a theoretical film criticism derived from feminist politics and feminist theory influenced by Second Wave Feminism and brought about around the 1970s in the United States. With the advancements in film throughout the years feminist film theory has developed and changed to analyse the current ways of film and also go back to analyse films past. Feminists have many approaches to cinema analysis, regarding the film elements analyzed and their theoretical underpinnings.
Triple oppression, also called double jeopardy, Jane Crow, or triple exploitation, is a theory developed by black socialists in the United States, such as Claudia Jones. The theory states that a connection exists between various types of oppression, specifically classism, racism, and sexism. It hypothesizes that all three types of oppression need to be overcome at once.
Gloria Jean Watkins, better known by her pen name bell hooks, was an American author and social activist who was Distinguished Professor in Residence at Berea College. She is best known for her writings on race, feminism, and class. The focus of hooks's writing was to explore the intersectionality of race, capitalism, and gender, and what she described as their ability to produce and perpetuate systems of oppression and class domination. She published around 40 books, including works that ranged from essays and poetry to children's books. She published numerous scholarly articles, appeared in documentary films, and participated in public lectures. Her work addressed love, race, class, gender, art, history, sexuality, mass media, and feminism.
Lesbian feminism is a cultural movement and critical perspective that encourages women to focus their efforts, attentions, relationships, and activities towards their fellow women rather than men, and often advocates lesbianism as the logical result of feminism. Lesbian feminism was most influential in the 1970s and early 1980s, primarily in North America and Western Europe, and arose out of dissatisfaction with the New Left and the Campaign for Homosexual Equality.
Womanism is a social theory based on the history and everyday experiences of Black women. It seeks, according to womanist scholar Layli Maparyan (Phillips), to "restore the balance between people and the environment/nature and reconcil[e] human life with the spiritual dimension". Writer Alice Walker coined the term "womanist" in a short story, Coming Apart, in 1979. Since Walker's initial use, the term has evolved to envelop a spectrum of varied perspectives on the issues facing Black women.
Intersectionality is an analytical framework for understanding how aspects of a person's social and political identities combine to create different modes of discrimination and privilege. Intersectionality identifies multiple factors of advantage and disadvantage. Examples of these factors include gender, caste, sex, race, ethnicity, class, sexuality, religion, disability, weight, and physical appearance. These intersecting and overlapping social identities may be both empowering and oppressing.
Michele Faith Wallace is a black feminist author, cultural critic, and daughter of artist Faith Ringgold. She is best known for her 1979 book Black Macho and the Myth of the Superwoman. Wallace's writings on literature, art, film, and popular culture have been widely published and have made her a leader of African-American intellectuals. She is a Professor of English at the City College of New York and the Graduate Center of the City University of New York (CUNY).
Black feminism is a philosophy that centers on the idea that "Black women are inherently valuable, that [Black women's] liberation is a necessity not as an adjunct to somebody else's but because our need as human persons for autonomy."
The men's liberation movement is a social movement critical of the restraints which society imposes on men. Men's liberation activists were generally sympathetic to feminist standpoints.
We Real Cool: Black Men and Masculinity is a 2004 book about masculinity by feminist author bell hooks. It collects ten essays on black men. The title alludes to Gwendolyn Brooks' 1959 poem "We Real Cool". The essays are intended to provide cultural criticism and solutions to the problems she identifies.
Since the 19th century, men have taken part in significant cultural and political responses to feminism within each "wave" of the movement. This includes seeking to establish equal opportunities for women in a range of social relations, generally done through a "strategic leveraging" of male privilege. Feminist men have also argued alongside writers like bell hooks, however, that men's liberation from the socio-cultural constraints of sexism and gender roles is a necessary part of feminist activism and scholarship.
Black women are women of Sub-Saharan African and Afro-diasporic descent, as well as women of Australian Aboriginal and Melanesian descent. The term 'Black' is a racial classification of people, the definition of which has shifted over time and across cultures. As a result, the term 'Black women' describes a wide range of cultural identities with several meanings around the world. Being a Black woman is also frequently described as being hit by a double whammy due to the twofold social biases encountered by Black women for being female as well a part of the Black community.
A variety of movements of feminist ideology have developed over the years. They vary in goals, strategies, and affiliations. They often overlap, and some feminists identify themselves with several branches of feminist thought.
Delores Seneva Williams is an American Presbyterian theologian notable for her formative role in the development of womanist theology and best known for her book Sisters in the Wilderness. Her writings over the years have discussed the role intersecting oppressions of race, gender, and class have played in the situation of black women. As opposed to feminist theology as it was predominantly practiced by white women and black theology as predominantly practiced by black men, Williams argues that black women's oppression deepens the analysis of oppression in theology.
Feminist children's literature is the writing of children's literature through a feminist lens. Children's literature and women's literature have many similarities. Both often deal with being seen as weak and placed towards the bottom of a hierarchy. In this way feminist ideas are regularly found in the structure of children's literature. Feminist criticism of children's literature is therefore expected, since it is a type of feminist literature. Feminist children's literature has played a critical role for the feminist movement, especially in the past half century. In her book Feminism Is for Everybody: Passionate Politics, bell hooks states her belief that all types of media, including writing and children's books, need to promote feminist ideals. She argues "Children's literature is one of the most crucial sites for feminist education for critical consciousness precisely because beliefs and identities are still being formed". The cover of hooks' book, drawn by Laura DeSantis, depicts children alongside adults, showing the importance of the youth. The presence of feminism in children's literature has evolved over the years, but the overall message and goals have remained consistent.
Intersectionality is the interconnection of race, class, and gender among an individual or group. This is often related to an experience of discrimination or a disadvantage. This definition came from Kimberlé Crenshaw. Kimberlé Crenshaw, a feminist scholar, is widely known for coining the term intersection in her 1989 essay, which sheds light on the oppression black women have been exposed to, especially during the slavery period. Crenshaw's analogy of intersection to traffic flow explains, "Discrimination, like traffic through an intersection, may flow in one direction, and it may flow in another. If an accident happens in an intersection, it can be caused by cars traveling from any number of directions and, sometimes, from all of them. Similarly, if a Black woman is harmed because she is in the intersection, her injury could result from sex discrimination or race discrimination."
Multiracial feminist theory is a feminist theory, thought to have gained momentum in the 1970s, promoted by feminist women of color, including Black, Latina, Asian, Native American, and anti-racist white women. In 1996, Maxine Baca Zinn and Bonnie Thornton Dill wrote “Theorizing Difference from Multiracial Feminism”, a piece emphasizing intersectionality and the application of intersectional analysis in feminist discourse.
White feminism is a term used to describe expressions of feminism which are perceived as focusing on white women while failing to address distinct forms of oppression faced by ethnic minority women and women lacking other privileges. The term has been used to label and criticize theories that are perceived as focusing solely on gender-based inequality. Primarily used as a derogatory label, "white feminism" is typically used to reproach a perceived failure to acknowledge and integrate the intersection of other identity attributes into a broader movement which struggles for equality on more than one front. The term has also been used to refer to feminist theories perceived to focus more specifically on the experience of white, cisgender, heterosexual, able-bodied women, and in which the experiences of women without these characteristics are excluded or marginalized. This criticism has predominantly been leveled against the first waves of feminism which were seen as centered around the empowerment of white middle-class women in Western societies.
Feminism and racism are highly intertwined concepts in intersectional theory, focusing on women in the Western World who experience both sexism and racism. According to the Western feminist movement, which seeks to end gender oppression, non-white women have experienced racism. Similarly, these women have also experienced sexism within various anti-racism and civil rights movements. In America, the racism and sexism prevalent has affected female activists of Black, Hispanic, Native American, and various Asian descent in different ways, highlighting the need for a political movement that is aware of the intersection of race and gender oppression. These experiences of racism and sexism have prevented women of color from fully partaking in such movements, but they have also led to the creation of unique forms of feminism, such as Black feminist theory and multiracial feminism, that actively work against both gender and race oppression. Similarly, transnational feminism seeks to address women rights outside of the Western world, and looks to address issues like racism, oppressive gender roles, and femicide that impacts women globally.
La Parole aux négresses is a founding book of Francophone African feminism by Awa Thiam published in 1978 with a foreword by Benoîte Groult. It is considered a founding essay of intersectionality exposing the specificity of black women's feminism in the feminist movement from a francophone point of view. It is composed of interviews giving voices to the concerned black women.
