"Ain't I Right" | ||||
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Single by Marty Robbins | ||||
Released | June 1966 | |||
Genre | Country | |||
Length | 3:18 | |||
Songwriter(s) | Marty Robbins | |||
Producer(s) | Marty Robbins | |||
Marty Robbins singles chronology | ||||
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"Ain't I Right" is a political country song written, produced, and sung by Marty Robbins in June 1966. [1] Heavily anti-communist in nature, the song criticizes the counterculture of the 1960s and anti-war movements, opposition to the Vietnam War, and the American Left. [2]
Written during the rise of American counterculture and opposition to the Vietnam War, "Ain't I Right" accuses counterculture activists and anti-war protestors of being communists and socialists (which the song states are essentially the same thing) intent on undermining and disrupting American life and values, especially the American war effort in Vietnam, and argues their intent is not to "help the people", but rather to maximize suffering and misery among them. [3]
Robbins describes counterculture and anti-war activists as "a bearded bathless bunch" and "tramps", including "a minister or two" and "a priest, a nun, a rabbi, and an educated man" converted to leftism. Robbins alleges they are supported by "two-faced politicians" that promote draft-card burning and disagreeing with the U.S. government; he makes specific mention of a certain politician suggesting Americans "send some blood" and support North Vietnam, and suggests that the politician "keep the blood" and go to Vietnam himself to fight (and die) instead. Robbins argues these politicians make the United States weak, and proposes that they be removed from office in favor of "strong and able leaders" capable of defeating North Vietnam and the American Left, winning the Cold War, and preventing an invasion of the United States by the Soviet Union and Eastern Bloc. [3] [4]
Robbins frames the first half of the song around a loose plot detailing leftist activists visiting a town in the Southern United States in an attempt to convert Southerners to leftist ideologies, only to cause trouble and misery before leaving with little care for the town's denizens. [3] This has been frequently interpreted as a pro-segregation message, as the main leftist activists in the South during the era were civil rights activists, most of whom were tarred by the political right as communists. [5] [6]
When the song was made, Columbia Records refused to release it, stating that it was too provocative and political. [2] [4] Other artists published covers of the song, such as Robbins's backup singer Bobby Sykes, who recorded it under the name of Johnny Freedom; [7] and Autry Inman. [8]
Johnny Got His Gun is an anti-war novel written in 1938 by American novelist Dalton Trumbo and published in September 1939 by J. B. Lippincott. The novel won one of the early National Book Awards: the Most Original Book of 1939. A 1971 film adaptation was written and directed by Trumbo.
Left-wing politics describes the range of political ideologies that support and seek to achieve social equality and egalitarianism, often in opposition to social hierarchy as a whole or certain social hierarchies. Left-wing politics typically involve a concern for those in society whom its adherents perceive as disadvantaged relative to others as well as a belief that there are unjustified inequalities that need to be reduced or abolished through radical means that change the nature of the society they are implemented in. According to emeritus professor of economics Barry Clark, supporters of left-wing politics "claim that human development flourishes when individuals engage in cooperative, mutually respectful relations that can thrive only when excessive differences in status, power, and wealth are eliminated."
The Weather Underground was a far-left Marxist militant organization first active in 1969, founded on the Ann Arbor campus of the University of Michigan. Originally known as the Weathermen, the group was organized as a faction of Students for a Democratic Society (SDS) national leadership. Officially known as the Weather Underground Organization (WUO) beginning in 1970, the group's express political goal was to create a revolutionary party to overthrow the United States government, which WUO believed to be imperialist.
Martin David Robinson, known professionally as Marty Robbins, was an American singer, songwriter, multi-instrumentalist, and NASCAR racing driver. Robbins was one of the most popular and successful country and western singers for most of his nearly four-decade career, which spanned from the late 1940s to the early 1980s. He was also an early outlaw country pioneer.
The Christian left is a range of Christian political and social movements that largely embrace social justice principles and uphold a social doctrine or social gospel based on their interpretation of the teachings of Christianity. Given the inherent diversity in international political thought, the term Christian left can have different meanings and applications in different countries. While there is much overlap, the Christian left is distinct from liberal Christianity, meaning not all Christian leftists are liberal Christians and vice versa.
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Knowles Fred Rose was an American musician, Hall of Fame songwriter, and music publishing executive.
Opposition to United States involvement in the Vietnam War began in 1965 with demonstrations against the escalating role of the United States in the war. Over the next several years, these demonstrations grew into a social movement which was incorporated into the broader counterculture of the 1960s.
Mark William Rudd is an American political organizer, mathematics instructor, anti-war activist and counterculture icon who was involved with the Weather Underground in the 1960s.
"Make love, not war" is an anti-war slogan commonly associated with the American counterculture of the 1960s. It was used primarily by those who were opposed to the Vietnam War, but has been invoked in other anti-war contexts since, around the world. The "Make love" part of the slogan often referred to the practice of free love that was growing among the American youth who denounced marriage as a tool for those who supported war and favored the traditional capitalist culture.
The protests of 1968 comprised a worldwide escalation of social conflicts, which were predominantly characterized by the rise of left-wing politics, anti-war sentiment, civil rights urgency, youth counterculture within the silent and baby boomer generations, and popular rebellions against military states and bureaucracies.
"Fortunate Son" is a song by the American rock band Creedence Clearwater Revival, released on the band's fourth studio album, Willy and the Poor Boys in October 1969. It was previously released as a single, together with "Down on the Corner", in September 1969. It became a Vietnam anti-war movement anthem and an expressive symbol of the counterculture's opposition to U.S. military involvement in the Vietnam War and solidarity with the soldiers fighting it. The song has been featured extensively in pop culture depictions of the Vietnam War and the anti-war movement.
The counterculture of the 1960s was an anti-establishment cultural phenomenon and political movement that developed in the Western world during the mid-20th century. It began in the early 1960s, and continued through the early 1970s. It is often synonymous with cultural liberalism and with the various social changes of the decade. The effects of the movement have been ongoing to the present day. The aggregate movement gained momentum as the civil rights movement in the United States had made significant progress, such as the Voting Rights Act of 1965, and with the intensification of the Vietnam War that same year, it became revolutionary to some. As the movement progressed, widespread social tensions also developed concerning other issues, and tended to flow along generational lines regarding respect for the individual, human sexuality, women's rights, traditional modes of authority, rights of people of color, end of racial segregation, experimentation with psychoactive drugs, and differing interpretations of the American Dream. Many key movements related to these issues were born or advanced within the counterculture of the 1960s.
Anti-communism is political and ideological opposition to communist beliefs, groups, and individuals. Organized anti-communism developed after the 1917 October Revolution in Russia, and it reached global dimensions during the Cold War, when the United States and the Soviet Union engaged in an intense rivalry. Anti-communism has been an element of many movements and different political positions across the political spectrum, including anarchism, centrism, conservatism, fascism, liberalism, nationalism, social democracy, socialism, leftism, and libertarianism, as well as broad movements resisting communist governance. Anti-communism has also been expressed by several religious groups, and in art and literature.
"Beyond Vietnam: A Time to Break Silence", also referred as the Riverside Church speech, is an anti–Vietnam War and pro–social justice speech delivered by Martin Luther King Jr. on April 4, 1967, exactly one year before he was assassinated. The major speech at Riverside Church in New York City, followed several interviews and several other public speeches in which King came out against the Vietnam War and the policies that created it. Some, like civil rights leader Ralph Bunche, the NAACP, and the editorial page writers of The Washington Post and The New York Times called the Riverside Church speech a mistake on King's part. The New York Times editorial suggested that conflating the civil rights movement with the Anti-war movement was an oversimplification that did justice to neither, stating that "linking these hard, complex problems will lead not to solutions but to deeper confusion." Others, including James Bevel, King's partner and strategist in the Civil Rights Movement, called it King's most important speech. It was written by activist and historian Vincent Harding.
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