Aku Kadogo, born Karen Vest, is a choreographer, director, actress, and educator. She was one of the original cast members of Ntozake Shange's For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf (1976), and acted in the 1990s Australian children's television series Lift Off . She has educated and performed in Australia, Senegal, Cuba, Brazil, and Hong Kong, and South Korea.
Born Karen Vest, Aku Kadogo grew up in Detroit, Michigan. [1] Her parents, Don and Hilda Vest, were activists and performers. [1] As a young girl, Kadogo's mother encouraged her participation in demonstrations against the Vietnam War, [2] and both parents often took her to cultural events throughout the city. [1]
She attended Cass Technical High School , specializing in their Performing Arts Department from 1969 to 1972. Unimpressed with her high school department, she enrolled in a program at the defunct Concept East Theatre during her last year of high school. It was there that she got her first acting role. Her first professional performance was of Sonia Sanchez's "Sister Sonji". [2]
Kadogo attended New York University (NYU) from 1972 to 1976 upon graduating from high school. [2]
The name "Aku," meaning "Wednesday born" originates from Ghana's Ewe language. Her last name, "Kadogo" is derived from Swahili. It means "small beautiful one." [3]
Kadogo has educated and performed in Australia, Senegal, Cuba, Brazil, and Hong Kong, and South Korea. [4]
During her last year at NYU, she met Ntozake Shange and Paula Moss at Dianne McIntyre's Sounds in Motion Dance Studio. She was chosen to perform as the "Lady in Yellow" in For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf , which premiered in 1976. Some of the most notable original cast members that performed with Kadogo were Lynn Whitfield and Alfre Woodard. [2] From February to July 1978 the production toured Australia. It was staged first at Her Majesty's in Adelaide, South Australia, as part of the 10th Adelaide Festival of Arts, [5] before touring to Melbourne, Sydney, Townsville, Cairns, [6] and Brisbane. Kadogo and the other original cast featured in the show, while it was directed by Oz Scott. [7] After its last performance, Kadogo decided to remain in Australia, after falling in love with an Australian, and lived there for about 20 years. [2]
In 1988, Kadogo was one of a four-woman dance troupe who called themselves the African Dance Group and performed a show directed by Robyn Archer at The Space Theatre in the Adelaide Festival Centre for the Adelaide Festival of Arts, entitled AKWANSO (Fly South). The others in the group were Pitjantjatjara dancer/actor Lillian Crombie, Ghanaian-Australian dancer/actor/storyteller Dorinda Hafner, and Jamaican Jigzie Campbell. Each woman tells her own story of racial prejudice, which is followed by a dance by all four women, choreographed by Mary Barnett of the Alvin Ailey American Dance Theater. [8]
In Australia, Kadogo took the role of artistic director at the Belvoir St Theatre in Sydney in the 1990s, worked with Aboriginal dancers, and directed a number of significant works. [9] These included Ochre & Dust (2000), commissioned by the Perth and Adelaide Festivals, with set design by Fiona Foley, [10] which was also performed at South Pacific Festival in Noumea, New Caledonia. [9]
Kadogo directed a production of techno-choreopoem Salt City, based on the choreopoem by Jessica Care Moore, which "celebrates Black culture in Detroit: the African-American presence in the city [and] techno-music that was pioneered by African-American men straight out of the Detroit Metropolitan Area". [11] [12] It was staged in 2017 and 2019. [13] [14]
Kadogo played Snap Jordan in the 1990s Australian children's television series Lift Off . [4]
In a 2005 visit back home, Kadogo was offered the position of director for the Black Theatre Program at Wayne State University. [2] She served in that capacity from 2006 to 2011. After leaving Wayne State, she was appointed as visiting professor at Yong In University in Seoul, South Korea.
In 2014, Kadogo was named Spelman College William and Camille Olivia Hanks Cosby Endowed Professor in the Arts. As of 2019 [update] was serving as the chair for the Department of Theatre and Performance at Spelman College. [4]
Kadogo has developed a teaching philosophy called "rhythm science." Created during her time in Australia, it argues the similarity of musical breaks across all musical genres. She created the technique to help her students better understand rhythm and movement. [3]
Ntozake Shange was an American playwright and poet. As a Black feminist, she addressed issues relating to race and Black power in much of her work. She is best known for her Obie Award–winning play, for colored girls who have considered suicide / when the rainbow is enuf (1975). She also penned novels including Sassafrass, Cypress & Indigo (1982), Liliane (1994), and Betsey Brown (1985), about an African-American girl run away from home.
Dorinda Hafner is a Ghanaian-born Australian author, actress, dancer, choreographer, public speaker, writer and television chef, She is also an optician and registered nurse
Jessica Care Moore is an American poet. She is the CEO of Moore Black Press, executive producer of BLACK WOMEN ROCK!, and founder of the literacy-driven jess Care moore Foundation. An internationally renowned poet, playwright, performance artist, and producer, she is the recipient of the 2013 Alain Locke Award from the Detroit Institute of Arts.
for colored girls who have considered suicide / when the rainbow is enuf is a 1976 work by Ntozake Shange. It consists of a series of poetic monologues to be accompanied by dance movements and music, a form which Shange coined the word choreopoem to describe. It tells the stories of seven women who have suffered oppression in a racist and sexist society.
Camille A. Brown is an American dancer, choreographer, director, and dance educator. Four-time Tony Awards nominees, she started her career working as professional dancer with Ronald K. Brown's company in the early 2000s. In 2006 she founded her own dance company, the Camille A. Brown & Dancers, producing severals dance productions, winning a Princess Grace Awards and a Bessie Award.
A choreopoem is a form of dramatic expression that combines poetry, dance, music, and song. The term was first coined in 1975 by American writer Ntozake Shange in a description of her work, For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf. Shange's attempt to depart from traditional western poetry and storytelling resulted in a new art form that doesn't contain specific plot elements or characters, but instead focuses on creating an emotional response from the audience. In Shange's work, nontraditional spelling and African American Vernacular English are aspects of this genre that differ from traditional American literature. She emphasizes the importance of movement and nonverbal communication throughout the choreopoem so that it is able to function as a theatrical piece rather than being limited to poetry or dance.
Jamara Mychelle Wakefield is an American spoken word poet, community organizer and writer, previously known by her stage name London Bridgez. She founded Neo.logic Beatnik Assembly, an idea shop and creative arts production company, and organized the TEDxRoxburyWomen event featured on Basic Black, a TEDTalks event in Boston.
Thulani Davis is an American playwright, journalist, librettist, novelist, poet, and screenwriter. She is a graduate of Barnard College and attended graduate school at both the University of Pennsylvania and Columbia University.
spell #7, or spell #7: geechee jibara quik magic trance manual for technologically stressed third world people, is a choreopoem written for the stage by Ntozake Shange and first performed in 1979.
nappy edges is a collection of poetry and prose poetry written by Ntozake Shange and first published by St. Martin's Press in 1978. The poems, which vary in voice and style, explore themes of love, racism, sexism, and loneliness. Shange's third book of poetry, nappy edges, was met with positive reviews and praise from critics, like Holly Prado of the Los Angeles Times who said of it that "this collection of poems, prose poems and poetic essays merges personal passion and heightened language."
Dianne McIntyre is an American dancer, choreographer, and teacher. Her notable works include Their Eyes Were Watching God: A Dance Adventure in Southern Blues , an adaptation of Zora Neal Hurston's novel Their Eyes Were Watching God, as well as productions of why i had to dance,spell #7, and for colored girls who have considered suicide when the rainbow is enuf, with text by Ntozake Shange. She has won numerous honors for her work including an Emmy nomination, three Bessie Awards, and a Helen Hayes Award. She is a member of the Stage Directors and Choreographers Society, the American Society of Composers, Authors and Publishers, and the Dramatists Guild of America.
lost in language & sound: or how i found my way to the arts: essays (2011) is a collection of 25 personal essays written by Ntozake Shange. Explored in the collection are topics such as racism, sexism, jazz, dance, and writing. The essays function as autobiography, music and literary criticism, and social critique. While some pieces were written specifically for the collection, many were written over the span of over 30 years.
Sassafrass, Cypress & Indigo is a 1982 novel written by Ntozake Shange and first published by St. Martin's Press. The novel, which took eight years to complete, is a story of three Black sisters, whose names give the book its title, and their mother. The family is based in Charleston, South Carolina, and their trade is to spin, weave, and dye cloth; unsurprisingly, this tactile creativity informs the lives of the main characters as well as the style of the writing. Sassafrass, Cypress & Indigo integrates the whole of an earlier work by Shange called simply Sassafrass, published in 1977 by Shameless Hussy Press. As is common in Shange's work, the narrative is peppered with interludes that come in the form of letters, recipes, dream stories and journal entries, which provide a more intimate approach to each woman's journey toward self-realization and fulfillment. The book deals with several major themes, including Gullah/Geechee culture, women in the arts, the Black Arts Movement, and spirituality, among many others.
Judy Dearing was an American costume designer, dancer, and choreographer. She is best known for designing costumes for a wide range of theater and musical productions, including Charles Fuller's Pulitzer Prize-winning drama A Soldier's Play and the 1976 stage adaptation of Ntozake Shange's book for colored girls who have considered suicide / when the rainbow is enuf.
Laurie Dorothea Carlos was an American actress and avant-garde performance artist, playwright and theater director. She was also known for her work mentoring emerging artists in the theater.
The New Federal Theatre is a theatre company named after the African-American branch of the Federal Theatre Project, which was created in the United States during the Great Depression to provide resources for theatre and other artistic programs. The company has operated out of a few different locations on Henry Street in the Lower East Side of Manhattan. Since 1970, the New Federal Theatre has provided its community with a stage and collection of talented performers to express the voices of numerous African-American playwrights.
Yvette Hawkins was an American actress on Broadway, on television, and in films.
Ifa Bayeza is a playwright, producer, and conceptual theater artist. She wrote the play The Ballad of Emmett Till, which earned her the Edgar Award for Best Play in 2009. She is the sister of Ntozake Shange, and directed Shange's A Photograph: Lovers in Motion, which was a part of the Negro Ensemble Company's 2015 Year of the Woman Play Reading Series in New York City.
Margaret Rose Vendryes was a visual artist, curator, and art historian based in New York.
Lillian Crombie, also known as "Aunty Lillian", was an Aboriginal Australian actress and dancer, known for her work on stage, film and television.
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