Alejandro Anreus

Last updated

Alejandro Anreus is a curator, art historian and critic who has focused his research on Latin American Art. Though he began his career as an artist, Anreus is now an art historian and poet, and is professor of art history and Latin American/Latino Studies at William Paterson University. Among his many accomplishments, Anreus is a two-time recipient of the Oscar B. Cintas Foundation and has worked as a curator with public collections such as the Montclair Art Museum and the Jersey City Museum during his career. [1]

Contents

Early life and education

Alejandro Anreus was born in Havana, Cuba on 11 September 1960. He later migrated to the United States as a result of the Cuban Exile of 1950s-1970s and settled down with his mother, two aunts and grandmother in Elizabeth, New Jersey. Anreus earned his Bachelor of Arts in art history at Kean College, where he was influenced and mentored by Marxist art historian Alan Wallach, and then his Master of Arts and Doctor of Philosophy at The Graduate Center, CUNY. [2]

Career

Artistic Practice

From 1981 through 1987 Anreus was represented by Schweyer-Galdo Galleries, Bloomfield Hills, Michigan, where he had a one-person exhibition of his drawings every two years. After a hiatus, he participated in American Voices in 2004, his last exhibition, a two-person linoleum prints and photography exhibition with photographer Julio Nazario, Edge Art, Rahway, New Jersey. [1]

Curatorial practice

Alejandro Anreus has worked as Curator at the Jersey City Museum (1993-2001) and the MontClair Art Museum. He also regularly participates in panels and seminars on Latin American art and art and politics of the 1930s. Exhibitions such as Ben Shahn and The Passion of Sacco and Vanzetti at the Jersey City Museum, Juan Sánchez: Printed Convictions, Subversions/Affirmations: Jaune Quick-to-See Smith, A Survey and Bending the Grid: Luis Cruz Azaceta at the Aljira Center for Contemporary Art in Newark, NJ have been part of his curriculum as a curator. [2] In 2015, he guest curated the exhibition Gloria Rodriguez Calero: Urban Martyrs And Later Days Santos, Museo Del Barrio, New York. [3]

Works and publications

Alejandro Anreus has focused critically on the role of politics within the modernity of Latin American and Latino Art. Covered in his research are topics such as muralism, political art of the 1930s and the life and work of Latino artists. His articles have appeared in Art Journal, Third Text, Art Nexus and Encuentro de la Cultura Cubana. [4] His most recent publications are Ben Shahn and The Passion of Sacco and Vanzetti (Jersey City Museum and Rutgers University Press, 2001), Orozco in Gringoland: The Years in New York (University of New Mexico Press, 2001), and The Social and The Real; Political Art of the 1930s in the Western Hemisphere (Penn State Press, 2006), which he co-edited with Diana L. Linden and Jonathan Weinberg. [5] Since 2003, Professor Anreus has been part of the national advisory board of the "A Ver" [6] series of monographs. This is the first series of monographs focused on living Latino artists. [7] This multi-volume project was funded by the Getty and Rockefeller Foundations and is based at the Chicano Studies Department at UCLA. He has lectured on notable topics such as Latin American Visualities at Lehigh University Art Galleries in 2006, and Revising Orozco at the Pomona College Museum of Art in 2014. [8] [9] Professor Anreus completed Mexican Muralism, A Critical History (in collaboration with Leonard Folgarait of Vanderbilt and Robin Adèle Greeley of UConn), which was published by University of California Press at the end of 2012. [10] In 2014 he published a monograph on Cuban-American painter Luis Cruz Azaceta. Anreus was a panelist at the conference on Modern Cuban Art in New York: The MoMA Exhibition of 1944 at the CUNY Graduate Center in 2014. [11] As a poet he has authored Memento mori (2010) and Los exilados suenan (2013).

Awards

[1]

Selected exhibitions

Public collections

[1]

Sources

  1. 1 2 3 4 5 6 "Cuba Art NY | Alejandro Anreus". cubaartny.org. Retrieved 13 April 2016.
  2. 1 2 "Alejandro Anreus - William Paterson University". www.wpunj.edu. Retrieved 13 April 2016.
  3. 1 2 "ROCA: Urban Martyrs and Latter Day Santos | El Museo del Barrio". www.elmuseo.org. Retrieved 13 April 2016.
  4. "Anreus, Alejandro". www.cintasfoundation.org. Retrieved 13 April 2016.
  5. "Publications by Alejandro Anreus".
  6. "A Ver: Revisioning Art History". 22 August 2012.
  7. "Rafael Soriano Lecture by Alejandro Anreus". YouTube .
  8. "LECTURE: Alejandro Anreus: "Latin American Visualities": Fall 2006". YouTube .
  9. "Art After Hours: Revising Orozco".
  10. Mexican Muralism. University of California Press. Retrieved 13 April 2016.
  11. "Modern Cuban Art in New York: The MoMA Exhibition of 1944".

Related Research Articles

<span class="mw-page-title-main">David Alfaro Siqueiros</span> Mexican social realist painter (1896–1974)

David Alfaro Siqueiros was a Mexican social realist painter, best known for his large public murals using the latest in equipment, materials and technique. Along with Diego Rivera and José Clemente Orozco, he was one of the most famous of the "Mexican muralists".

<span class="mw-page-title-main">Ben Shahn</span> American artist

Ben Shahn was an American artist. He is best known for his works of social realism, his left-wing political views, and his series of lectures published as The Shape of Content.

<span class="mw-page-title-main">Colección Jumex</span> Museum in Mexico City, Mexico

Colección Jumex is a private art collection owned by Eugenio López Alonso. It includes around 2,800 works by Damien Hirst, Andy Warhol, Gabriel Orozco, Cy Twombly, Jeff Koons, Marcel Duchamp, Andreas Gursky, Darren Almond, Tacita Dean, Olafur Eliasson, Martin Kippenberger, Carl Hopgood, Bruce Nauman, David Ostrowski, Francis Alÿs, Urs Fischer, Gego, Donald Judd, Ed Ruscha, Nancy Rubins, Richard Prince, Gego, and Martin Creed.

Luis Camnitzer is a German-born Uruguayan artist, curator, art critic, and academic who was at the forefront of 1960s Conceptual Art. Camnitzer works primarily in sculpture, printmaking, and installation, exploring topics such as repression, institutional critique, and social justice.

Mario Algaze was a Cuban-American photographer who photographed musicians and celebrities, in rural and urban areas, throughout Latin America.

Hugo Consuegra was a Cuban-born artist and architect who, in 1953, became one of the founding members of Los Once, a group of young abstract expressionist artists which included the core members Guido Llinás, Raul Martinez, Tomás Oliva and Antonio Vidal. The group broke away from the representational style prevalent at the time in Cuba and produced its largest volume of work between 1953 and 1955. Consuegra and four of the original 11 continued to exhibit in what became known as the post-revolutionary avant-garde movement in Cuba. Consuegra was also a Professor of Art History at Havana University’s School of Architecture (1960–5).

Ricardo Viera was a Cuban artist specializing in painting, drawing, and engraving.

<span class="mw-page-title-main">Gladys Triana</span> Cuban-American visual artist

Gladys Triana is a Cuban-American visual artist. Triana's career as an artist has spanned nearly six decades and includes works on paper, paintings, sculpture, mixed-media collage, installations, and photography. Triana currently resides in New York City and is still actively creating artwork.

Rubén Torres Llorca is a Cuban artist specializing in painting, drawing, sculpture, collages, and photography. He studied from 1972 to 1976 at the Escuela Nacional de Bellas Artes "San Alejandro" in Havana and from 1976 to 1981, studied at the Instituto Superior de Arte (ISA), also in Havana. Torres resided in Mexico City, Mexico, from 1990 to 1993 and has resided in Miami, Florida, since 1993.

<span class="mw-page-title-main">Darío Suro</span> Dominican diplomat and painter

Darío Antonio Suro García-Godoy was a Dominican painter, art critic, and diplomat from La Vega, Dominican Republic, remembered as one of the most influential Dominican artists from the 20th century. Suro's paintings encompassed a wide range of styles from the impressionist mood of his early paintings, to the neo-realism of his maturity, and finally to the abstraction of his later works. Together with his contemporaries Yoryi Morel, Jaime Colson, and Celeste Woss y Gil, he is known as one of the progenitors of modernist art in the Dominican Republic.

<span class="mw-page-title-main">Humberto Calzada</span> Cuban-American painter

Humberto Calzada is a Cuban-American artist living in Miami, Florida, since 1960.

Freddy Rodríguez was an American artist born in the Dominican Republic, who lived and worked in New York since 1963. Much of his work takes the form of large hard-edge geometric abstractions. His paintings have been widely exhibited and are held in several important collections.

Francisco Icaza was a Mexican artist best known for his drawings about his travels and his oil paintings. He spent much of his life living in and visiting various countries around the world. He began painting as a child while living as a refugee in the Mexican embassy in Germany. Icaza exhibited his work both in Mexico and abroad in Europe, South America, the Middle East, Asia and India, most notably at his three major solo exhibitions at the Museo de Arte Moderno in Mexico City. He also painted a mural dedicated to Bertolt Brecht, La Farándula, at the Casino de la Selva in Cuernavaca, a focus of controversy when the work was moved and restored in the early 2000s. He painted additional murals for the Mexican Pavilion at the HemisFair in Texas ; for the Mexican Pavilion at Expo 67 in Montreal, Canada ; and for the Mexican Pavilion in Osaka at Expo '70. This last mural is held at the Museo de Arte Abstracto Manuel Felguérez in Zacatecas City. He was an active member of the Salón de la Plástica Mexicana and also a member and founder of several important Mexican artistic movements including Los Interioristas, El Salón Independiente, and La Confrontación 66.

<span class="mw-page-title-main">Luis Cruz Azaceta</span> Cuban American painter

Luis Cruz Azaceta is a Cuban-American painter.

Mario Orozco Rivera was a Mexican muralist and painter, a later proponent of Mexican muralism, and whose work was particularly influenced by David Alfaro Siqueiros. He created a number of murals, mostly in the state of Veracruz before becoming an assistant to Siqueiros, directing the Taller Siqueiros in Cuernavaca and working with the artists on projects such as the Polyforum Cultural Siqueiros. While preferring mural work, which he considered less commercial, Orozco Rivera also created oils and sculptures. Many of these works were exhibited in Mexico and abroad and can be found in many major collections. His work received recognition in various countries.

Deborah Cullen is an American art curator with a specialization in Latin American and Caribbean art.

Sophie Rivera was an American artist and photographer of Puerto Rican-American descent. She was also an early member and instructor of En Foco, a not-for-profit organisation centred on contemporary fine art and photographers of diverse cultures. Rivera is best known for her 1978 photography series Nuyorican Portraits. Redefining Puerto Rican identity in the United States, the series included 50 black and white portraits taken in her home of Puerto Ricans in her neighbourhood.

<span class="mw-page-title-main">Agustín Fernández (artist)</span> Cuban painter, sculptor, and multimedia artist

Agustín Fernández was a Cuban painter, sculptor, and multimedia artist. Although he was born in Cuba, he spent the majority of his career outside of Cuba, and produced art in Havana, Paris, San Juan, and New York.

Miguel Jorge (1928-1984), also known as “Micky” Jorge, was a Cuban artist who was influential in the establishment of South Florida's early Latin American art market in the Greater Miami area from the 1960s through the 1980s.

<i>The Passion of Sacco and Vanzetti</i> 1931–1932 painting series by Ben Shahn

The Passion of Sacco and Vanzetti is a 1932 painting series by Ben Shahn consisting of 32 gouache paintings of Sacco and Vanzetti.