Former names | Gladys K. Montgomery Art Center/Gallery (until 2001) [1] Pomona College Museum of Art (until 2020) |
---|---|
Established | 1958 |
Location | 211 N. College Ave., Claremont, California, United States |
Coordinates | 34°5′46.2″N117°42′55.1″W / 34.096167°N 117.715306°W |
Type | Art museum |
Collection size | 18,783 items |
Visitors | 18,000 per year [2] |
Director | Victoria Sancho Lobis [3] [4] |
Architects | Machado Silvetti, Gensler |
Owner | Pomona College |
Public transit access | Claremont |
Website | pomona |
The Benton Museum of Art at Pomona College, known colloquially as the Benton, is an art museum at Pomona College in Claremont, California. It was completed in 2020, replacing the Montgomery Art Gallery, which had been home to the Pomona College Museum of Art (PCMA) since 1958. It houses a collection of approximately 19,000items, [5] including Italian Renaissance panel paintings, indigenous American art and artifacts, and American and European prints, drawings, and photographs. The museum is free to the public.
Pomona College established a separate School of Art and Design in 1892, [6] and incorporated it into the college c. 1913. [7] In 1958, responding to increased postwar interest in the arts, the Gladys K. Montgomery Art Center was completed adjacent to the art department in Rembrandt Hall, enabling the college to present its permanent collection in one place for the first time. [8] [9] A $280,000 expansion (equivalent to $2.4 million in 2022) completed in 1968 added a second story and nearly doubled its size. [10] : 570
The gallery experienced a brief golden age from 1969 to 1973, [11] [12] [13] [14] [15] [16] during which director Mowry Baden (class of 1958) and curators Hal Glicksman [17] and Helene Winer [18] staged a number of groundbreaking post-minimalist and conceptual exhibitions, including work by James Turrell (class of 1965), Judy Fiskin (class of 1966), Chris Burden (class of 1969), and Peter Shelton (class of 1973), all of whom would later achieve fame. [19] Resistance from the more socially conservative administration, including to a controversial March 1972 performance by Wolfgang Stoerchle in which he urinated on a rug, led to a mass exodus of the art faculty in 1973. [20] [21] Art historian Thomas E. Crow later wrote that the works created and presented at the college during this period were arguably "as salient to art history as any being made and shown anywhere else in the world at that time." [19]
In 1977, a new 2,500-square-foot (230 m2) gallery was added, doubling the available exhibition space. [22] In 2001, the gallery acquired museum status. [23] A more minor renovation was completed in 2006, adding a new entrance. [24]
In 2020, the museum moved to a new building, the Benton, constructed diagonally adjacent to the old Montgomery Gallery. [25] The new facility, named after donor and trustee Janet Inskeep Benton (class of 1979), [26] more than tripled the exhibition and storage space available to the museum. [27] It overcame local opposition from Claremont residents who objected to the moving of a historic house to create space on the lot. [28] [29] It reopened to the public on May 25, 2021, during the COVID-19 pandemic. [30]
The museum is located near the southwestern edge of Pomona's campus, adjacent to the Village, Claremont's downtown commercial district. [26] It was designed collaboratively by Boston-based Machado and Silvetti Associates and California-based Gensler, and cost $44 million to build. [26] The building is U-shaped around a courtyard, [26] and is constructed primarily of cast-in-place concrete, with stained heavy timbers as an ornamental accent. [31] It features several visual axes, and is designed to be "visually porous" so that visitors can easily see both into and out of it. [31] It was designed to a LEED Gold standard. [32]
Critical reception of the museum's design was positive. Mick Rhodes of the Claremont Courier described the material palette as "clean and cool without being cold" and noted the spaciousness of the galleries. [30] Brian T. Allen, reviewing for National Review , called the museum "a perfect gem". He wrote that "I've rarely seen a more thoughtful, comprehensive, economically efficient building project". [33] Michael J. Lewis wrote in The Wall Street Journal that "its distinction is obvious; it is arrayed on three sides of an open plaza, its cast-in-place concrete walls suggesting an abstract classicism while the stained timber elements that form its portico and porch give it a stately and equally classical rhythm." [34]
The Benton houses a collection of approximately 19,000items, [5] including Italian Renaissance panel paintings, approximately 6,000 Pre-Columbian to 20th-century indigenous American art and artifacts, [27] and American and European prints, drawings, and photographs. [26] [35] Many of the museum's exhibitions focus on Southern Californian artists. [26] Former director Kathleen Howe described its primary focus as "contemporary art with an edge". [26]
The museum oversees several notable public artworks on Pomona's campus, including The Spirit of Spanish Music by Burt William Johnson (1915), Prometheus by José Clemente Orozco (1930), Genesis by Rico Lebrun (1960), [36] [37] [10] : 485–487 and Dividing the Light by James Turrell (2007). A statue by Alison Saar, Imbue, is located in the museum's courtyard; it depicts the Yoruba goddess of childbirth, Yemọja, carrying a large stack of pails on her head. [38]
Claremont is a suburban city on the eastern edge of Los Angeles County, California, United States, 30 miles (48 km) east of downtown Los Angeles. It is in the Pomona Valley, at the foothills of the San Gabriel Mountains. As of the 2010 census it had a population of 34,926, and in 2019 the estimated population was 36,266.
Pomona College is a private liberal arts college in Claremont, California. It was established in 1887 by a group of Congregationalists who wanted to recreate a "college of the New England type" in Southern California. In 1925, it became the founding member of the Claremont Colleges consortium of adjacent, affiliated institutions.
The Pomona Valley is located in the Greater Los Angeles Area between the San Gabriel Valley and San Bernardino Valley in Southern California. The valley is approximately 30 miles (48 km) east of downtown Los Angeles.
James Turrell is an American artist known for his work within the Light and Space movement. Much of Turrell's career has been devoted to a still-unfinished work, Roden Crater, a natural cinder cone crater located outside Flagstaff, Arizona, that he is turning into a massive naked-eye observatory; and for his series of skyspaces, enclosed spaces that frame the sky.
Millard Owen Sheets was an American artist, teacher, and architectural designer. He was one of the earliest of the California Scene Painting artists and helped define the art movement. Many of his large-scale building-mounted mosaics from the mid-20th century are still extant in Southern California. His paintings are in the Metropolitan Museum of Art and the Whitney Museum in New York, the Chicago Art Institute, the National Gallery in Washington D.C.; and the Los Angeles County Museum.
Judy Fiskin is an American artist working in photography and video, and a member of the art school faculty at California Institute of the Arts. Her videos have been screened in the Documentary Fortnight series at the Museum of Modern Art in New York, at the Los Angeles County Museum of Art, the Hammer Museum in Los Angeles, and at the J. Paul Getty Museum in Los Angeles; her photographs have been shown at MOCA, the Museum of Contemporary Art in Los Angeles, at the Getty Museum in Los Angeles, at The New Museum in New York City, and at the Pompidou Center in Paris.
James Edward Grant was an American painter and sculptor active from the late 1950s into the early 1970s. Best known for his sculptural work in plastics, this work by no means defined him but was rather a natural endpoint of an exploration into increased dimensionality—starting from abstract canvases, moving through collages and bas-reliefs until the work finally came off the wall in sculptural form.
Rico (Federico) Lebrun was an Italian-American painter and sculptor.
Pacific Standard Time: Art in L.A., 1945–1980 was a scholarly initiative funded by the J. Paul Getty Trust to historicize the contributions to contemporary art history of artists, curators, critics, and others based in Los Angeles. Planned for nearly a decade, PST, as it was called, granted nearly 60 organizations throughout Southern California a total of $10 million to produce exhibitions that explored the years between 1945 and 1980. Underscoring the significance of this project, art critic Roberta Smith wrote in The New York Times:
Before [PST], we knew a lot [about the history of contemporary art], and that lot tended to greatly favor New York. A few Los Angeles artists were highly visible and unanimously revered, namely Ed Ruscha and other denizens of the Ferus Gallery, that supercool locus of the Los Angeles art scene in the 1960s, plus Bruce Nauman and Chris Burden, but that was about it. After, we know a whole lot more, and the balance is much more even. One of the many messages delivered by this profusion of what will eventually be nearly 70 museum exhibitions is that New York did not act alone in the postwar era. And neither did those fabulous Ferus boys.
Helen Pashgian is an American visual artist who lives and works in Pasadena, California. She is a primary member of the Light and Space art movement of the 1960s, but her role has been historically under-recognized.
Helene Winer is an American art gallery owner and curator. She co-owned Metro Pictures Gallery in New York City with Janelle Reiring. Metro Pictures closed in late 2021. Her career deeply involved the postmodern artists of the 1970s and 1980s known as the Pictures Generation. She lives in Tribeca.
The Mabel Shaw Bridges Music Auditorium, more commonly known as Bridges Auditorium or Big Bridges, is a 2500-seat auditorium at Pomona College in Claremont, California, United States. It was designed by William Templeton Johnson and opened in 1932. It hosts a variety of performances for the college and outside groups.
The Pomona–Pitzer Sagehens are the joint varsity intercollegiate athletic programs for Pomona College and Pitzer College, two of the Claremont Colleges. It competes with 11 women's and 10 men's teams in the Southern California Intercollegiate Athletic Conference (SCIAC) of the NCAA Division III.
Prometheus is a fresco by Mexican muralist José Clemente Orozco depicting the Greek Titan Prometheus stealing fire from the heavens to give to humans. It was commissioned for Pomona College's Frary Dining Hall and completed in June 1930, becoming the first modern fresco in the United States. It has received widespread critical acclaim.
Dividing the Light, colloquially the Pomona College skyspace, is a 2007 skyspace art installation by James Turrell at Pomona College, his alma mater. It consists of a courtyard with a fountain nestled between two academic buildings with an illuminated canopy framing the sky above.
Michael Leslie Brewster was an American artist, recognized for coining the term “acoustic sculpture.” He worked with sound to create sonic environments beginning in the 1970s until 2016. His works were shown across the United States and Europe, and are in permanent collections, notably the Solomon Guggenheim Museum, the Fondo per Arte Italiano, Museum of Contemporary Art Los Angeles, and the Giuseppe Panza Collection.
The Mabel Shaw Bridges Hall of Music, more commonly known as Little Bridges, is a concert hall at Pomona College in Claremont, California, designed by Myron Hunt and opened in 1915. It was sponsored by a $100,000 gift from the parents of Mabel Shaw Bridges, a student in Pomona's class of 1908 who died of illness her junior year. It is used for a variety of musical and non-musical purposes, and is considered the "architectural gem" of Pomona's campus and one of Hunt's finest works.
Roland Reiss was an American artist known for his miniature tableaux and paintings.
Victoria Sancho Lobis is an American art historian and curator. She is the director of the Benton Museum of Art at Pomona College in Claremont, California.