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Wood stain is a type of paint used to colour wood comprising colourants dissolved and/or suspended in a vehicle or solvent. Pigments and/or dyes are largely used as colourants in most stains.
The initial application of any paint or varnish is absorbed into the substrate similarly to stains, but the binder from a stain resides mainly below the surface while the pigment remains near the top or at the surface.
Wood stain is a type of paint used to colour wood. It consists of colourants dissolved and/or suspended in a vehicle or solvent. Vehicle is the preferred term, as the contents of a stain may not be truly dissolved in the vehicle, but rather suspended, and thus the vehicle may not be a true solvent. The vehicle often may be water, alcohol, a petroleum distillate, or a finishing agent such as shellac, lacquer, varnish and polyurethane. Coloured or stained finishes do not typically deeply penetrate the pores of the wood and may largely disappear when the finish deteriorates or is removed.
Stain is composed of the same three primary ingredients as paint (pigment, solvent (or vehicle), and binder) but is predominantly vehicle, then pigment and/or dye, and lastly a small amount of binder. Much like the dyeing or staining of fabric, wood stain is designed to add colour to the substrate (wood and other materials) while leaving some of the substrate still visible. Transparent varnishes or surface films are applied afterwards. In principle, stains do not provide a durable surface coating or film. However, because the binders are from the same class of film-forming binders that are used in paints and varnishes, some build-up of film occurs.
Pigments and/or dyes are largely used as colourants in most stains. The difference between the two is in the solubility and in the size of the particles. While dyes are molecules that dissolve into the vehicle, pigments are larger than molecules and are temporarily suspended in the vehicle, usually settling out over time. Stains with primarily dye content are said to be 'transparent', while stains with more pigment in them are said to be 'solid' (opaque); some stains may be called 'semi-solid' or 'semi-transparent', and these may be interchangeable terms, and the relative transparency or opaqueness may fall somewhere between the two extremes.
Typically, dyes will colour very fine-grained woods (such as cherry or maple) while pigments will not colour woods such as these as well. Fine-grained woods generally have pores that are too small for the pigments to settle into. As a result, usually pigment-containing stains will also include a small amount of a 'binder' which helps to adhere the pigments to the wood. A common binder would be a drying oil such as linseed oil.
Most commercial stains contain both dyes and pigments, though often in varying colours and ratios (to each other) depending on the desired colouring effect. Additionally, to some extent, the degree to which a stain will colour a particular wood may be dependent on the length of time it is left on the wood, with longer exposure times accomplishing deeper colouration. Typically a 'transparent' stain will accentuate the wood grain (as it is transparent), while a more 'solid' stain will tend to obscure the wood grain (as it is more opaque, akin to what we would usually call 'paint'). Pigments, regardless of the suspension agent, will not give much colour to very dense woods but will deeply colour woods with large pores (e.g. pine).
A combination of coffee and vinegar or water is a natural alternative to synthetic wood stain. [1]
The initial application of any paint or varnish is similarly absorbed into the substrate, but because stains contain lower amounts of binder, the binder from a stain resides mainly below the surface while the pigment remains near the top or at the surface. Stains that employ metallic pigments such as iron oxides usually are more opaque; first because metallic pigments are opaque by nature, but also because the particles of which they consist are much larger than organic pigments and therefore do not penetrate as well. Most wood stains for interior uses (e.g. floors and furniture) require a secondary application of varnish or finish for longer-term protection of the wood, and also to adjust for matte or gloss effects. Stains are differentiated from varnishes in that the latter usually has no significant added colour or pigment and is designed primarily to form a protective surface film. Some products are marketed as a combination of stain and varnish.
Siding stain is one variety of wood stain with very high viscosity (others can be quite thin). Effectively, siding stains are paints that do not cover as well and do not form a hard film. They are designed to penetrate better and contain binders that are softer and more flexible, allowing them to last longer than harder, more brittle paints. Siding stain protects against solar radiation especially UV radiation, water, fungus including mildew, and insects. Different siding stains are distinguished by the appearance they impart to wood. Certain solvent-based or oil-based siding stains contain small amounts of paraffin wax, which cannot be painted over, although re-staining is still possible.
Gel stains are a late 20th century innovation in stain manufacturing, in that they are high-viscosity liquids and do not 'flow'. This property allows more control during application, particularly when the wood is in a vertical position, which can often cause traditional liquid stains to run, drip, or pool. Gel stains often have limited penetrating ability, as they are thixotropic (a liquid that nevertheless does not flow). [2]
Applying stains can be very easy or very difficult depending on the type of substrate, type of stain, and the ambient conditions. Fresh, "green" lumber accepts stain poorly, while aged wood absorbs stains relatively well. Porosity of wood can vary greatly, even within the same piece of wood. End grain and bias-cut grain are far more absorbent, thus will accept more pigment and will darken considerably in those areas. The hard ring may absorb differently from the soft ring. The characteristic medullary rays in oak will absorb much less and remain mostly blonde. Woods that have been heavily subjected to paint strippers or washed down with detergents or solvents will have an increased open grain and accept substantially more stain than normal. Woods from different species of trees can have huge variations in how well they take stain. Different wood species stain differently—the overall colour and shade is a result of a combination of the stain and properties of the wood. For example, although medium-to-dark stains tend to look blotchy on maple, they get deeper and more glowing on cherry, with a more consistent colouration. [3] Stains that are fast drying will be difficult to apply in hot weather or in direct sunlight. Stains that are slow-drying will be difficult to work with in damp and cold conditions due to a greatly lengthened evaporation and curing period. New lumber, such as pine, can have waxlike sealants put on at the mill that will prevent proper staining; stripping or sanding the surface may be required. White stains composed of metal oxides, namely titanium dioxide and zinc oxide, do not penetrate well and remain on the surface. In such cases, wear easily reveals unstained wood. They are also fairly opaque.
Thorough preparation of the wood (usually by sanding) is necessary to obtain equal absorption of the stain and thus an even finish. White stain on a bare softwood or oak floor might require a final 'prep' sanding by hand with an orbital/vibrating sander with 80 or 100 grit, whereas certain hardwoods might be orbitally or hand sanded with 220 grit and higher for a darkish organic stain on furniture. Though it is not as durable, "garnet" is usually the preferred sandpaper for hand-sanding bare wood; this is due to a sharper and faster cutting grit, and because it does not impart colour from the grit, as aluminium oxide or silicon carbide can do. Other methods include "rubbing" with rottenstone etc.
In certain cases it is necessary to clean the wood or remove existing stains prior to staining the wood with a commercial stain in order to avoid damaging the wood. This can be the case for both unfinished and finished wood.
There are special considerations when cleaning stained wood. One of the most common stains is water stains on stained wood. Techniques to remove water stains have been documented which use a hot iron to remove the water stain.
Special caution should be used when trying to remove stains from a stained wood to avoid damaging the original stain. This is especially important with antiques.
Acrylic paint is a fast-drying paint made of pigment suspended in acrylic polymer emulsion and plasticizers, silicone oils, defoamers, stabilizers, or metal soaps. Most acrylic paints are water-based, but become water-resistant when dry. Depending on how much the paint is diluted with water, or modified with acrylic gels, mediums, or pastes, the finished acrylic painting can resemble a watercolor, a gouache, or an oil painting, or it may have its own unique characteristics not attainable with other media.
Oil painting is a painting method involving the procedure of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on canvas, wood panel or copper for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied.
Paint is a material or mixture that, when applied to a solid material and allowed to dry, adds a film-like layer. As art, this is used to create an image or images known as a painting. Paint can be made in many colors and types. Most paints are either oil-based or water-based, and each has distinct characteristics.
Shellac is a resin secreted by the female lac bug on trees in the forests of India and Thailand. Chemically, it is mainly composed of aleuritic acid, jalaric acid, shellolic acid, and other natural waxes. It is processed and sold as dry flakes and dissolved in alcohol to make liquid shellac, which is used as a brush-on colorant, food glaze and wood finish. Shellac functions as a tough natural primer, sanding sealant, tannin-blocker, odour-blocker, stain, and high-gloss varnish. Shellac was once used in electrical applications as it possesses good insulation qualities and seals out moisture. Phonograph and 78 rpm gramophone records were made of shellac until they were replaced by vinyl long-playing records from 1948 onwards.
Watercolor or watercolour, also aquarelle, is a painting method in which the paints are made of pigments suspended in a water-based solution. Watercolor refers to both the medium and the resulting artwork. Aquarelles painted with water-soluble colored ink instead of modern water colors are called aquarellum atramento by experts. However, this term has now tended to pass out of use.
Varnish is a clear transparent hard protective coating or film. It is not to be confused with wood stain. It usually has a yellowish shade due to the manufacturing process and materials used, but it may also be pigmented as desired. It is sold commercially in various shades.
Lacquer is a type of hard and usually shiny coating or finish applied to materials such as wood or metal. It is most often made from resin extracted from trees and waxes and has been in use since antiquity.
Sandpaper, also known as glasspaper or as coated abrasive, is a type of material that consists of sheets of paper or cloth with an abrasive substance glued to one face. In the modern manufacture of these products, sand and glass have been replaced by other abrasives such as aluminium oxide or silicon carbide. It is common to use the name of the abrasive when describing the paper, e.g. "aluminium oxide paper", or "silicon carbide paper".
A colourant/colour additive or colorant/color additive is a substance that is added or applied in order to change the colour of a material or surface. Colourants can be used for many purposes including printing, painting, and for colouring many types of materials such as foods and plastics. Colourants work by absorbing varying amounts of light at different wavelengths of its spectrum, transmitting or reflecting the remaining light in straight lines or scattered.
A primer or undercoat is a preparatory coating put on materials before painting. Priming ensures better adhesion of paint to the surface, increases paint durability, and provides additional protection for the material being painted.
French polishing is a wood finishing technique that results in a very high gloss surface, with a deep colour and chatoyancy. French polishing consists of applying many thin coats of shellac dissolved in denatured alcohol using a rubbing pad lubricated with one of a variety of oils. The rubbing pad is made of absorbent cotton or wool cloth wadding inside of a piece of fabric and is commonly referred to as a fad, also called a rubber, tampon, or muñeca.
Wood finishing refers to the process of refining or protecting a wooden surface, especially in the production of furniture where typically it represents between 5 and 30% of manufacturing costs.
Distressing in the decorative arts is the activity of making a piece of furniture or object appear aged and older, giving it a "weathered look". There are many methods to produce an appearance of age and wear. Distressing is viewed as a refinishing technique although it is the opposite of finishing in a traditional sense. In distressing, the object's finish is intentionally destroyed or manipulated to look less than perfect, such as with sandpaper or paint stripper. For example, the artisan often removes some but not all of the paint, leaving proof of several layers of paint speckled over wood grain underneath. This becomes the "finished" piece.
Decorative concrete is the use of concrete as not simply a utilitarian medium for construction but as an aesthetic enhancement to a structure, while still serving its function as an integral part of the building itself such as floors, walls, driveways, and patios.
Sheen is a measure of the reflected light (glossiness) from a paint finish. Glossy and flat are typical extreme levels of glossiness of a finish. Gloss paint is shiny and reflects most light in the specular (mirror-like) direction, while on flat paints most of the light diffuses in a range of angles. The gloss level of paint can also affect its apparent colour.
Floor sanding is the process of removing the top surfaces of a wooden floor by sanding with abrasive materials.
There are three types of color mixing models, depending on the relative brightness of the resultant mixture: additive, subtractive, and average. In these models, mixing black and white will yield white, black and gray, respectively. Physical mixing processes, e.g. mixing light beams or oil paints, will follow one or a hybrid of these 3 models. Each mixing model is associated with several color models, depending on the approximate primary colors used. The most common color models are optimized to human trichromatic color vision, therefore comprising three primary colors.
A grain filler is a woodworking product that is used to achieve a smooth-textured wood finish by filling pores in the wood grain. It is used particularly on open grained woods such as oak, mahogany and walnut where building up multiple layers of standard wood finish is ineffective or impractical.
An anti-graffiti coating is a coating that prevents graffiti paint from bonding to surfaces.
Lightfastness is a property of a colourant such as dye or pigment that describes its resistance to fading when exposed to light. Dyes and pigments are used for example for dyeing of fabrics, plastics or other materials and manufacturing paints or printing inks.