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Alexandre Destrez | |
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Background information | |
Born | France | 29 May 1969
Genres | Electro Jazz, Acid Jazz, Nu-Jazz, Electronic music |
Occupation(s) | Pianist Composer [1] Arranger [1] |
Instrument | Piano |
Years active | since 1995 |
Website | Alexandre Destrez.com |
Alexandre Destrez (born 29 May 1969) is a French pianist, keyboardist, composer [1] and musical arranger. [1] He is particularly well known for his musical collaboration on the Tourist and Boulevard albums of St. Germain.
Son of the French actor and director Thierry Destrez, Alexandre grew up in the western suburbs of Paris. He became interested in music at the age of nine, teaching himself to play on his mother's old piano and continuing to be self-taught for several years. Following a "self-directed" scolarity,[ definition needed ] Destrez decided to concentrate entirely on his music to the exclusion of everything else. He left home and for several years earned his living by doing casual jobs while still focusing on the piano.
At the age of 20, he began studying at the American School of Modern Music to deepen his knowledge of harmony, composition and arrangement. But it was his meeting with Philippe Bestion which was to have a profound impact on Destrez, enabling him to perfect his sense of improvisation and also discover such artists as Bill Evans, McCoy Tyner, Keith Jarrett and Herbie Hancock.
At 23, Destrez embarked on his first concert tour alongside a French song artist. One year later, he was spotted by Ludovic Navarre, (alias St. Germain) with whom he recorded the much acclaimed "Deep in it" which figures on the album Boulevard (F Communications). In 1996, he made a European concert tour with St. Germain and continued to collaborate with him over several years. His phrasing and sense of melody have become key values, particularly on the album Tourist (Blue Note Records), which sold over three million copies worldwide. It was also rated best selling jazz album on its release in the US and awarded 3 "Victoires de la Musique" in France.
Since then, Destrez has collaborated with numerous artists and has participated in diverse musical projects as composer, co-composer and/or instrumentalist (Shazz, Overhead, Oscar, Anthony Fletcher, Martin Solveig, Dimitri from Paris, DJ Yass...)
Since 2012, Destrez is working on his new electro jazz project Rive Gauche [2] from which the first EP Walking... was released in 2016 on BBE records label. [3] Since the end of 2012, he has been performing throughout France accompanied by his musicians.
In 1995, Destrez recorded "Deep In It" and "Street Scene" (4 SHAZZ) on St. Germain's album Boulevard . This was followed by several years of collaboration with Ludovic Navarre, starting from the 1996 concert tour in France and Europe up to the recording of the Tourist album (Blue Note records) in 2001.
Simultaneously, using the pseudonym Alejandro Del Abelgam, [4] [5] he became the accomplice of another phenomenon of the French House scene: Shazz. He participated in the first eponymous album Shazz nominated in the French award ceremony "Victoires de la musique" then at the EP "El Camino Project" (Yellow Prod) and appeared for the first time as artist on the maxi vinyl Shazz & Alexandre Destrez, Hermosa Maria (Epic Records). They went on to jointly produce two titles for Aco, a young singer well known in Japan. In 2001, the second album from Shazz, In the light (Epic Records) came out, on which Destrez composed, arranged, interpreted and collaborated with Shazz and directed the musicians during recording sessions. In 2004, on a third album entitled Beautiful, (Ulm/Universal), Destrez can be heard performing in an even more developed jazz style on a track of the same name.
In 2000, Destrez met the group Overhead and became its keyboard player, signing up as artist with Naïve Records. The group's first album Silent Witness was acclaimed unanimously by the press. (Les Inrockuptibles, Libération, "ffff" Télérama). Two important events for the group were the concert at "La Cigale" and a concert on one of Bernard Lenoir's 'Black Sessions' programmes dedicated to Overhead and broadcast live on France Inter.
In 2002, David Hachour and Florent Sabaton (alias Oscar), in need of a pianist for their first concert at the Rex Club, contacted Destrez. He went on to join the group and collaborated on several Maxi vinyls and two albums from Oscar: Parisian Soul (2003) and Portrait Robot (2004) with Denote Records. In 2004, Alex composed and interpreted Echoes and Echoes Extended Version (piano solo) for Oscar and Blanck Project respectively. He featured alongside Oscar on the track "Mon plus beau matin" (additional track on the Japanese version of the album Portrait Robot).
He also signed up with Shazz for his first remix "Latin Break revisited by Alexandre Destrez" (2005 Universal Music ULM). In 2005, Destrez composed and collaborated with David H. on the music of Alabama 65, [6] a project inspired by a cappella recordings made in 1948 of Afro-Americans incarcerated in Alabama. In 2007, the maxi vinyl of Oscar was released featuring Destrez on Silent Day (Denote Records).
Destrez also appeared alongside Anthony Fletcher with the release in 2009 of the album Anthony Fletcher Paris. This was followed by a concert tour in France and a live performance on Stéphane Bern's programme Le Fou du Roi on France Inter. Another album "I Guess" was released in 2011.
Since 2005, Destrez has collaborated with the DJ producer Yass and has released over twenty maxi vinyl albums and remixes including:
Destrez has regularly accompanied Yass on keyboard during his concerts in Paris (2007), Pragues (2011), Budapest (2012), Tbilissi (2012), Tbilissi (2013), Varsovie (2013), Tbilissi (2013) Thonon-les-Bains (2013), Batumi (2013) and Marrakech (2014).
Nelly Mella: (Procédé Guimard Delaunay - PGD)
David Grumel
Tania de Montaigne: at L’Européen and at the Réservoir (Paris – 2007) - with guests: Jo Wedin and Bibi Tanga singing, Martin Bauer on the viola da gamba
E.T. on the Beach:
Over twenty singles and remix albums made since 2005 as pianist, composer or producer, including:
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