Ali Baba and the Forty Thieves | |
---|---|
Directed by | Arthur Lubin |
Written by | Edmund Hartmann |
Produced by | Paul Malvern |
Starring | Jon Hall Maria Montez Andy Devine Kurt Katch Turhan Bey Frank Puglia |
Cinematography | W. Howard Greene George Robinson |
Edited by | Russell F. Schoengarth |
Music by | Edward Ward |
Distributed by | Universal Pictures |
Release date |
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Running time | 87 minutes |
Country | United States |
Language | English |
Box office | 3,634,679 admissions (France) [1] |
Ali Baba and the Forty Thieves is a 1944 adventure film from Universal Pictures, directed by Arthur Lubin, and starring Maria Montez, Jon Hall, and Turhan Bey. The film is derived from The Book of One Thousand and One Nights , but its storyline departs greatly from the folk tale of the same name, wedding that story to an actual historic event. The film is one of series of "exotic" tales released by Universal during the Second World War; others include Cobra Woman , Arabian Nights , and White Savage . [2]
Baghdad, A.D. 1258. After Mongolian forces conquer Bagdad, the caliph Hassan escapes captivity, along with his young son Ali. While staying at the estate of Prince Cassim, Ali and Cassim's daughter Amara, fearing they will be separated, betroth themselves via a blood-bond. Later, Cassim betrays Hassan to the Mongols' leader, Hulagu Khan. Young Ali watches his father die, and vowing revenge, he escapes capture and makes for the desert. At one point, he spies a mountainside where a group of riders exits a hidden cave. Ali enters the cave and finds it filled with treasure. When the riders return, they find the boy asleep in their hideout. Upon learning he is the son of Hassan, and impressed by his courageous spirit, they allow him to stay. Their leader, Old Baba, adopts him as his son, dubbing him Ali Baba.
Ten years later, the band of 40 thieves have become Robin Hood-style resistance fighters, robbing the Mongols and giving to the poor and downtrodden. Their leader Ali Baba, now a grown man, plots the kidnapping of the Khan's bride-to-be, who turns out to be the grown-up Amara. The two childhood friends thus have a chance encounter at an oasis, but they don't recognize each other, and their reunion is cut short when Ali is ambushed and captured. He is taken to the Khan, who orders him pilloried in the public square. Before his ensuing execution, Cassim visits Ali to question him and recognizes him as the caliph's son, but keeps this knowledge from the Khan. Ali is rescued by Amara's servant Jamiel and his pack of thieves, who kidnap Amara before making a getaway to Mount Sesame. Old Baba, however, is mortally wounded and dies on the way back.
Later, Jamiel tracks the thieves to their hideout. After convincing Ali of his loyalty to the thieves' cause, Ali sends him to deliver a ransom demand to Hulagu Khan: Cassim for the return of his bride. As they wait at Cassim's estate for the exchange, Ali recognizes Amara as his lost childhood friend and commands her release. When Amara returns to Bagdad, her father confesses Ali Baba's true identity to her and the Khan. Amara declines to marry the Khan, but gives in after her father initiates a ruse of being allegedly tortured for her refusal.
Upon learning of Amara's decision, Ali decides to launch the final attack on the Mongols on the Khan's wedding day by planning to smuggle his band of thieves into the city inside forty jars of oil, meant as a wedding gift. One of Cassim's spies discovers the plan as she overhears Jamiel reporting to Amara, but the spy is found out herself, whereupon Ali implements a slight change. At the day of the wedding, the thieves sneak in with the crowd and infiltrate the palace. The jars turn out to be filled with sand, and the Khan kills Cassim for his failure. When Ali is arrested, the thieves attack the palace guards while Amara and Jamiel open the palace gates for the mob. Hulagu Khan is killed, and Jamiel hoists the Arabian flag atop the palace's highest tower.
The role of Jamiel was meant to be played by Sabu. However, when he went into the army, the role was taken by Turhan Bey. [3] [4]
Maria Montez admitted she only acted "three or four times" in the film. [5]
Diabolique magazine said the film "isn't as good as White Savage but is still bright fun" arguing that Bey's casting "throws the movie off. Sabu was a big kid but Bey is more mature, suave, grown up, with careful pro-noun-ci-ation. Sabu was never a sexual rival to Hall, but Bey he could be and Lubin gives all these close ups of him looking dreamy (the director and Lubin had clearly decided to build him into a star). It was clearly just the tonic for audiences after a hard day at the munitions factory. The public turned up in droves, and the film has never stopped playing on television." [6]
The Thief of Bagdad is a 1924 American silent adventure film directed by Raoul Walsh and starring Douglas Fairbanks, and written by Achmed Abdullah and Lotta Woods. Freely adapted from One Thousand and One Nights, it tells the story of a thief who falls in love with the daughter of the Caliph of Baghdad. In 1996, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Aladdin and the King of Thieves is a 1996 American direct-to-video animated musical fantasy adventure film produced by Walt Disney Television Animation. It is the second sequel to Disney's 1992 animated feature film Aladdin, and it serves as the final chapter and installment of the Arabian Nights-inspired Disney franchise beginning with the first film, and continuing with its first direct-to-video sequel The Return of Jafar and the animated television series.
María África Gracia Vidal, known professionally as Maria Montez, was a Dominican actress who gained fame and popularity in the 1940s starring in a series of filmed-in-Technicolor costume adventure films. Her screen image was that of a seductress, dressed in fanciful costumes and sparkling jewels. She became so identified with these adventure epics that she became known as The Queen of Technicolor. Over her career, Montez appeared in 26 films, 21 of which were made in North America, with the last five being made in Europe.
"Ali Baba and the Forty Thieves" is a folk tale in Arabic added to the One Thousand and One Nights in the 18th century by its French translator Antoine Galland, who heard it from Syrian storyteller Hanna Diyab. As one of the most popular Arabian Nights tales, it has been widely retold and performed in many media across the world, especially for children.
Abu Ahmad Abdallah ibn al-Mustansir bi'llah, better known by his regnal title Al-Mustaʿṣim bi-llāh, was the 37th and last caliph from the Abbasid dynasty ruling from Baghdad. He held the title from 1242 until his death in 1258.
Jon Hall was an American film actor known for playing a variety of adventurous roles, as in 1937's The Hurricane, and later when contracted to Universal Pictures, including Invisible Agent and The Invisible Man's Revenge and six films he made with Maria Montez. He was also known to 1950s fans as the creator and star of the Ramar of the Jungle television series which ran from 1952 to 1954. Hall directed and starred in two 1960s sci-fi films in his later years, The Beach Girls and the Monster (1965) and The Navy vs. the Night Monsters (1966).
Turhan Bey was an Austrian-born actor of Turkish and Czech-Jewish origins. Active in Hollywood from 1941 to 1953, he was dubbed "The Turkish Delight" by his fans. After his return to Austria, he pursued careers as a photographer and stage director. Returning to Hollywood after a 40-year hiatus, he made several guest appearances in 1990s television series including SeaQuest DSV, Murder, She Wrote and Babylon 5 as well as a number of films. After retiring, he appeared in a number of documentaries, including a German-language documentary on his life.
Arabian Nights is a two-part 2000 miniseries, adapted by Peter Barnes from Sir Richard Francis Burton's translation of the medieval epic One Thousand and One Nights. Mili Avital and Dougray Scott star as Scheherazade and Shahryar respectively. Produced by Dyson Lovell and directed by Steve Barron, the serial was produced by Hallmark Entertainment and originally broadcast over two nights on 30 April and 1 May 2000 on BBC One in the United Kingdom and ABC in the United States.
Arabian Nights is a 1942 adventure film directed by John Rawlins and starring Jon Hall, Maria Montez, Sabu and Leif Erikson. The film is derived from The Book of One Thousand and One Nights but owes more to the imagination of Universal Pictures than the original Arabian stories. Unlike other films in the genre, it features no monsters or supernatural elements.
White Savage is a 1943 American Technicolor South Seas adventure film directed by Arthur Lubin and starring Maria Montez, Jon Hall and Sabu. The film was re-released by Realart in 1948 on a double-feature with the same three stars in Cobra Woman (1944) and again in 1953, under the title White Savage Woman. It was choreographed by Lester Horton.
Tangier is a 1946 American film noir mystery film directed by George Waggner and starring Maria Montez, Robert Paige and Sabu. It is set in the international city of Tangier, Morocco and was one of the last Universal Pictures films before the studio's reorganization as Universal-International in July 1946.
Chu-Chin-Chow is a 1923 British-German silent adventure film directed by Herbert Wilcox and starring Betty Blythe, Herbert Langley, and Randle Ayrton.
Alibabavum 40 Thirudargalum is a 1941 Indian Tamil-language comedy film directed by K. S. Mani. The first Tamil film adaptation of the story Ali Baba and the Forty Thieves, it stars N. S. Krishnan and T. A. Mathuram. The film was released on 15 March 1941, and was commercially unsuccessful. No print is known to survive, making it a lost film.
Night in Paradise is a 1946 American Technicolor fantasy comedy film directed by Arthur Lubin and starring Merle Oberon, Gale Sondergaard and Turhan Bey. It was produced by Walter Wanger for distribution by Universal Pictures.
Gypsy Wildcat is a 1944 Technicolor adventure film directed by Roy William Neil starring Maria Montez, Jon Hall and Peter Coe. It was co-written by James M. Cain.
Ali-Baba is an opéra comique in three acts, first produced in 1887, with music by Charles Lecocq. The French libretto based on the familiar tale from the Arabian Nights was by Albert Vanloo and William Busnach. After some initial success the work faded from the repertoire.
Ali Baba is a 1973 Bengali short animated film directed by Rohit Mohra. It is a musical drama about the character Ali Baba from the folk tale Ali Baba and the Forty Thieves who discovers the secret of a thieves' den, to the ire of the thieves. Ali Baba is a poor woodcutter who discovers the secret of a thieves' den, entered with the phrase "Open Sesame". The thieves learn of Ali Baba's discovery and try to kill him, but Ali Baba's faithful slave-girl foils their plots. Ali Baba gives his son to her in marriage and keeps the secret of the treasure.
The Sword of Ali Baba is a 1965 American adventure film from Universal Pictures, directed by Virgil W. Vogel and written by Edmund Hartmann and Oscar Brodney. The film stars Peter Mann, Jocelyn Lane, Frank McGrath, Gavin MacLeod, Frank Puglia, and Peter Whitney and is a remake of the 1944 film Ali Baba and the Forty Thives, which was derived from The Book of One Thousand and One Nights and the tale of the same name.
Ali Baba et les quarante voleurs(English: Ali Baba and the Forty Thieves) is a 1902 French short silent film directed by Ferdinand Zecca, inspired by the eponymous folk tale added to the One Thousand and One Nights in the 18th century by its French translator Antoine Galland, who heard it from the Maronite storyteller Hanna Diyab. It is the first cinematographic adaptation of this tale.