Ali Zaoua: Prince of the Street | |
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Directed by | Nabil Ayouch |
Written by | Nabil Ayouch Nathalie Saugeon |
Produced by | Étienne Comar Jean Cottin Antoine Voituriez |
Starring | Maunim Kbab Abdelhak Zhayra Hicham Moussaune Amal Ayouch Mustapha Hansali Saïd Taghmaoui |
Cinematography | Renaat Lambeets Vincent Mathias |
Edited by | Jean-Robert Thomann |
Music by | Krishna Levy |
Distributed by | Arab Film Distribution (United States) |
Release date |
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Running time | 90 minutes |
Country | Morocco |
Languages | Arabic French |
Ali Zaoua: Prince of the Streets is a 2000 Moroccan crime drama film that tells the story of several homeless boys living in Casablanca. It was awarded in the 2000 Stockholm Film Festival, Montreal World Film Festival and in the 2000 Amiens International Film Festival.
Against a background of dockside poverty in Casablanca, populated by a loose gang of over 20 homeless and uneducated male youths under 15, Kwita (Maunim Kbab), Omar (Mustapha Hansali), Boubker (Hicham Moussaune) and Ali Zaoua (Abdelhak Zhayra) leave the group becoming 4 independents. [1] Ali, with plans of becoming a cabin boy on a ship, leads this exodus from the gang — led by Dib (Saïd Taghmaoui). Early in the film and almost accidentally, Ali is killed by members of the gang. His 3 outsider friends decide to give him a proper funeral. Kwita is treated badly by military, by police and by well-off children because he is "not devout", cannot pray, is unclean, smells like dead meat and is a glue sniffer, and Omar attempts to return to Dib's gang. Boubker, the smallest and most irrepressibly buoyant of the boys, temporarily despairs, but recovers. Against all odds, the three boys manage to arrange Ali's funeral to pay respect to their friend in the main story of the film. [2]
Ali Zaoua is a Moroccan film which reflects the pain of poverty, homelessness, child abuse and prostitution in Moroccan society. The film has been described as magical realism, in the sense of how the stark reality of the children’s lives interweaves with their rich fantasy life. [3] The contrast between real life and fantasy life shows the strong part of their beliefs. In their feeling and practice they are very different from each other. In this film Ali, Kwita, Omar and Boubker are street kids. The daily dose of glue sniffing represents their only escape from reality. Ali wants to become a sailor - when he was living with his mother, a prostitute, he used to listen to a fairy tale about the sailor who discovered the miracle island with two suns. Instead of finding his island in the dream, Ali and his friends are confronted with Dib’s gang. Matters are getting serious; the four kids separated themselves from Dib’s gang. As a result, Ali Zaoua is killed by Dib’s gang when he is hit by a stone. Omar and Baker wanted to bury him as king but circumstances do not support them. [4]
Casablanca is the largest city in Morocco and the country's economic and business centre. Located on the Atlantic coast of the Chaouia plain in the central-western part of Morocco, the city has a population of about 3.71 million in the urban area, and over 4.27 million in Greater Casablanca, making it the most populous city in the Maghreb region, and the eighth-largest in the Arab world.
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Street children are poor or homeless children who live on the streets of a city, town, or village. Homeless youth are often called street kids, or urchins; the definition of street children is contested, but many practitioners and policymakers use UNICEF's concept of boys and girls, aged under 18 years, for whom "the street" has become home and/or their source of livelihood, and who are inadequately protected or supervised. Street girls are sometimes called gamines, a term that is also used for Colombian street children of either sex.
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Gnawa music is a body of Moroccan religious songs and rhythms. Emerging in the 16th and 17th centuries, Gnawa music developed through the cultural fusion of West Africans brought to Morocco, notably the Hausa, Fulani, and Bambara peoples, whose presence and heritage are reflected in the songs and rituals. Its well-preserved heritage combines ritual poetry with traditional music and dancing. The music is performed at lila, communal nights of celebration dedicated to prayer and healing guided by the Gnawa maalem, or master musician, and their group of musicians and dancers. Though many of the influences that formed this music can be traced to West African kingdoms, its traditional practice is concentrated in Morocco. Gnawa music has spread to many other countries in Africa and Europe, such as France.
The culture of Morocco is a blend of Arab, Berber, Andalusi cultures, with Mediterranean, Hebraic and African influences. It represents and is shaped by a convergence of influences throughout history. This sphere may include, among others, the fields of personal or collective behaviors, language, customs, knowledge, beliefs, arts, legislation, gastronomy, music, poetry, architecture, etc. While Morocco started to be stably predominantly Sunni Muslim starting from 9th–10th century AD, during the Almoravid period, a very significant Andalusi culture was imported, contributing to the shaping of Moroccan culture. Another major influx of Andalusi culture was brought by Andalusis with them following their expulsion from Al-Andalus to North Africa after the Reconquista. In antiquity, starting from the second century A.D and up to the seventh, a rural Donatist Christianity was present, along an urban still-in-the-making Roman Catholicism. All of the cultural super strata tend to rely on a multi-millennial aboriginal Berber substratum still present and dating back to prehistoric times.
Nabil Ayouch is a Franco-Moroccan television and film director, producer, and writer. His films have screened at international film festivals including the Cannes Film Festival and Montreal World Film Festival.
Cinema of Morocco refers to the film industry of Morocco. Aside from Arabic-language films, Moroccan cinema also produces Tamazight-language films. The first film in Morocco was shot by Louis Lumière in 1897. The first three Moroccan feature films were funded between 1968-1969. Most researchers and critics agree that the history of Moroccan cinema started with Hamid Bénani's Wechma (1970), which is recognised as the first cult movie in Moroccan film history, and received critical acclaim on an international scale. Until then films produced in the country were Moroccanised versions of Egyptian melodramas. Other influential Moroccan films include A Thousand and One Hands, which was the first feature length fiction film of the 1970s.
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La vendedora de rosas is a 1998 Colombian film directed by Víctor Gaviria, who also co-wrote the script. The film is loosely based on the 1845 fairy tale "The Little Match Girl" by Hans Christian Andersen; it was entered into the 1998 Cannes Film Festival. The film was selected as the Colombian entry for the Best Foreign Language Film at the 71st Academy Awards, but was not accepted as a nominee. The film is notable for young children who never acted before, but lived on the streets of Medellin, Colombia, to portray the characters. It follows a young girl named Andrea, who after a fight with her mother, flees to stay with her best friend Monica, an orphaned rose seller. While Andrea works alongside Monica, she realizes street life is not as easy as she believed. Monica must evade capture from the local gang, ruled by Don Hector.
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Based on the definition by the Inter-NGO Programme on Street Children and Street Youth, 1983, a street child refers to "any boy or girl…for whom the street in the widest sense of the word…has become his or her habitual abode and/or source of livelihood, and who is inadequately protected, supervised, or directed by responsible adults". One recent U.S. State Department study reported an estimated 20,000 children on the streets of Thailand's major urban centres.
Ahmed Boulane is a Moroccan film director, producer and screenplay writer. Known as l'enfant terrible du cinéma marocain for his antics with journalists and his fellow filmmakers, he is considered to be one of the most talented directors in Morocco.
Amal Ayouch is a Moroccan actress who since the late 1990s has performed in the French language both on stage and, above all, in film. In January 2015, she was honoured with an award at the African Women's Film Festival in Brazzaville. Ayouch has played a leading role in Morocco's Fondation des arts vivants.
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Hounds, is a 2023 Moroccan crime drama film written and directed by Kamal Lazraq. Taking place over one night in Casablanca, it follows Hassan and Issam, an impoverished father-son duo, as they attempt to dispose of a body after a botched kidnapping. The film explores themes of survival, familial conflict, and moral quandaries against the backdrop of urban Morocco.