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The Mercy of the Jungle | |
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Directed by | Joël Karekezi |
Screenplay by | Joël Karekezi Casey Schroen Aurélien Bodinaux |
Produced by | Aurélien Bodinaux |
Starring | Marc Zinga Stéphane Bak Ibrahim Ahmed "Pino" Nirere Shanel Abby Mukiibi Nkaaga Michael Wawuyo |
Cinematography | Joachim Philippe |
Edited by | Antoine Donnet |
Music by | Line Adam Nirere Shanel |
Production company | |
Release date |
|
Running time | 91 minutes |
Countries | Belgium France Rwanda Germany |
Language | French |
The Mercy of the Jungle (French: La Miséricorde de la Jungle) is a 2018 internationally co-produced film from Rwandan director Joël Karekezi. It tells the story of two Rwandan soldiers separated from their military unit at the beginning of the Second Congo War and their struggle to survive in a hostile jungle environment amidst intense armed conflict.
The film's festival debut was at the Toronto International Film Festival on 8 September 2018 and marks the second feature from Joël Karakezi. The film was selected among TIFF's Discovery series lineup; Stéphane Bak, one of the two leads, was selected as one of eight rising stars at the festival. The film appeared at the Festival International du Film Francophone de Namur in Belgium. On 20 November, it had its Rwandan premiere at the 2018 European Film Festival (EFF) in Kigali. The film won the Golden Stallion at FESPACO. [1]
War-weary Sergeant Xavier (Marc Zinga) and fresh recruit Private Faustin (Bak) are accidentally separated from their Rwandan battalion inside Congolese territory when it is called out suddenly on nighttime raid. They face a lack of water, food, and threats from malarial fever and jungle wildlife. The two seek to reunite with the battalion by heading westward but must remain wary of interacting with the local population given Congolese antipathy to the Rwandan Army and the presence of irregular rebel factions.
At first the older Xavier is gruff and demanding toward the young private Faustin but a deep bond eventually develops between the two men, especially as Faustin makes critical contributions toward their survival. The film is interspersed with meditations on the horrors that have befallen the region and wider questions of meaning and mercy in times of war. Xavier is particularly haunted by the atrocities he has both witnessed and committed while Faustin is motivated by the murder of his family and a young wife he wishes to see again.
Eventually choosing to impersonate Congolese soldiers themselves, the two manage to fall in with a group of villagers who show them kindness and aid. The movie's various plot threads—pursuing rebels, reunification with the war, and the personal journeys of the two men—converge at the film's conclusion.
The Mercy of the Jungle was produced in Belgium by Aurélien Bodinaux through Neon Rouge Productions. Bodinaux, Karekezi, and Casey Schroen are credited with the screenplay. Tact Productions from France and Perfect Shot Films from Germany are listed as co-producers. Filming took place in Uganda.
Awards & Nominations | |||||
---|---|---|---|---|---|
Year | Award | Category | Received by | Result | Ref |
2020 | Magritte Awards | Best Actor | Marc Zinga | Nominated | [2] |
2019 | Africa Movie Academy Awards | Best Achievement in Production Design | Genevieve Leyh | Nominated | [3] [4] [5] [6] [7] |
Best Achievement in Make-Up | Shakira Kibirige Rose Kebirungi Daphine Kateregga | Won | |||
Best Achievement in Soundtrack | Line Adam | Nominated | |||
Best Achievement in Editing | Antoine Donnet | Nominated | |||
Best Actor in a Leading Role | Marc Zinga | Won | |||
Best Costume Design | Won | ||||
Best Cinematography | Nominated | ||||
Best Film | Joël Karekezi | Won | |||
Best Director | Nominated | ||||
Panafrican Film and Television Festival of Ouagadougou (FESPACO) | Etalon d’Or de Yennenga | Won | [8] | ||
2018 | Khouribga African Film Festival | Best Screenplay | Joël Karekezi Casey Schroen Aurelien Bodinaux | Won | [9] |
Best Supporting Actor | Won | ||||
Cinema of Africa covers both the history and present of the making or screening of films on the African continent, and also refers to the persons involved in this form of audiovisual culture. It dates back to the early 20th century, when film reels were the primary cinematic technology in use. As there are more than 50 countries with audiovisual traditions, there is no one single 'African cinema'. Both historically and culturally, there are major regional differences between North African and sub-Saharan cinemas, and between the cinemas of different countries.
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