All Souls' Eve | |
---|---|
Directed by | Chester Franklin |
Written by | Elmer Harris |
Based on | All Soul's Eve (play) by Anne Crawford Flexner |
Starring | Mary Miles Minter Jack Holt Carmen Phillips Clarence Geldart |
Cinematography | Faxon M. Dean |
Distributed by | Realart Pictures |
Release date |
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Running time | 6 reels |
Country | United States |
Language | Silent (English intertitles) |
All Souls' Eve is a 1921 American silent drama film directed by Chester M. Franklin and starring Mary Miles Minter. The film is based on the mystical 1920 Broadway play of the same name by Anne Crawford Flexner, with a story by Elmer Blaney Harris. [1] Much was made of the film's use of double, triple and quadruple exposures to enable Minter to play two parts within the same scenes. [2] As with many of Minter's features, it is thought to be a lost film. [3]
As described in various film magazine reviews, [4] [5] [6] [7] Nora O'Hallahan (Minter) is a young girl living in Ireland, who firmly believes that, on All Souls' Eve, the spirits of the dead return to visit those whom they loved in life. Her mother is living in America, and Nora sails to join her. When she arrives, she finds that her mother has died, and she takes up a position as a nursemaid with the Heath family. Roger Heath is a sculptor, and he and his wife Alice (also Minter) have one young son, Peter (Moore).
Olivia Larkin (Phillips) is in love with Roger, and desperately jealous of Alice Heath. When she finds that she is unable to lure Roger away from his wife, she convinces Lawson, a madman living in the local woods, that Alice Heath is the one responsible for his misfortunes. Lawson murders Alice, and Roger, devastated by his wife's death, neglects his work and his son, turning to drink and Olivia for solace.
On All Souls' Eve, young Peter Heath falls seriously ill. Nora, who has been caring for him, tries to rouse Roger, but he is too drunk to respond. She sends for Dr. McAllister (Geldart), but before he can arrive, the soul of Alice Heath descends from heaven and, unable to save her son herself, transfers her love for him into Nora, who saves Peter's life.
After this event, Roger finds that Nora becomes ever more like Alice in appearance and mannerisms. He asks her to pose for him so that he can complete his masterpiece of sculpture - a statue of Alice - and shuns Olivia and drink as he comes to realise that he loves Nora. Olivia is pursued to her death in a lake by the madman Lawson, and Nora becomes Roger's wife and mother to little Peter.
The February 12th, 1921 edition of Motion Picture News lists a musical cue sheet for the film. [8]
The Trail of the Lonesome Pine is a 1923 American silent Western film directed by Charles Maigne and starring Mary Miles Minter. It was adapted by Will M. Ritchey from the play and novel of the same name by John Fox Jr. This was the second time that Maigne had directed Minter in an adaptation of a Fox novel, the first being 1920's A Cumberland Romance. This was Minter's final film; her contract with Paramount Pictures was not renewed, and she stated that she was "through" with films. As with many of Minter's features, The Trail of the Lonesome Pine is thought to be a lost film.
The Mate of the Sally Ann is a 1917 American silent comedy-drama film directed by Henry King and starring Mary Miles Minter. As with many of Minter's features, it is thought to be a lost film.
Dress Parade is a 1927 American silent romantic drama film produced by William Sistrom and Cecil B. DeMille and distributed by Pathé. The film stars William Boyd and Bessie Love, and was directed by Donald Crisp. Although it is based on a story by Major Robert Glassburn, Major Alexander Chilton, and Herbert David Walter, the plot is essentially the same as West Point, produced at MGM in 1928.
Judy of Rogue's Harbor is a 1920 American silent drama film directed by William Desmond Taylor and starring Mary Miles Minter. The film is based on the novel of the same name by Grace Miller White, with a scenario by Clara Beranger. It was produced by Famous Players–Lasky and distributed through Realart and Paramount Pictures. As with many of Minter's features, it is thought to be a lost film.
Something Different is a lost 1920 American silent drama film produced and distributed by Realart Pictures, an affiliate of Famous Players–Lasky and Paramount Pictures. It is based on a novel, Calderon's Prisoner, by Alice Duer Miller. The picture was directed by Roy William Neill with some filming being done in Cuba. Some of the cast's passport photos to enter Cuba for this production are found at Flickr.
The Cowboy and the Lady is a 1922 American silent Western film directed by Charles Maigne and starring Mary Miles Minter and Tom Moore. It was adapted by Julien Josephson from the 1908 play of the same name by Clyde Fitch, and was shot on location at Jackson Hole in Wyoming. As with many of Minter's features, it is thought to be a lost film.
Moonlight and Honeysuckle is a 1921 American silent romantic comedy film directed by Joseph Henabery and starring Mary Miles Minter and Monte Blue. It was adapted by Barbara Kent from the 1919 stage play of the same name by George Scarborough. As with many of Minter's features, it is thought to be a lost film.
South of Suva is a 1922 American silent drama film starring Mary Miles Minter and directed by Frank Urson. It was adapted by Fred Myton from a story by Ewart Adamson. As with many of Minter's features, it is thought to be a lost film.
Nurse Marjorie is a 1920 American silent drama film directed by William Desmond Taylor and starring Mary Miles Minter. It is based on a 1906 play, Nurse Marjorie, by Israel Zangwill, with a scenario by Julia Crawford Ivers. It is one of approximately a dozen of Minter's films know to survive today, and one of even fewer readily available for the general public to view.
A Fighting Colleen is a 1919 American silent comedy-drama film directed by David Smith and produced by Vitagraph Company of America. It stars Bessie Love and Charles Spere.
Don't Call Me Little Girl is a 1921 American silent comedy film directed by Joseph Henabery and starring Mary Miles Minter. It was adapted by Edith Kennedy from the stage play "Jerry" by Catherine Chisholm Cushing. As with many of Minter's features, it is thought to be a lost film.
Her Winning Way is a silent comedy film directed by Joseph Henabery and starring Mary Miles Minter. The screenplay was written by Douglas Z. Doty, based upon the novel Ann Annington by Edgar Jepson and the play Ann by Lechmere Worrall. As with many of Minter's features, it is thought to be a lost film.
Tillie is a 1922 American silent drama film directed by Frank Urson and starring Mary Miles Minter. The scenario was written by Alice Eyton, based on the novel Tillie, the Mennonite Maid by Helen Reimensnyder Martin. Tillie reunited Minter with Allan Forrest, her most frequent leading man from her time at Mutual Film and the American Film Company, for the first time since their 1919 picture Yvonne from Paris. As with many of Minter's features, Tillie is thought to be a lost film.
Drums of Fate is a 1923 American silent drama film directed by Charles Maigne and starring Mary Miles Minter. It was adapted by Will M. Ritchey from the novel "Sacrifice" by Stephen French Whitman. It was also referred to as "Drums of Destiny" in some promotional material. As with many of Minter's features, it is thought to be a lost film.
Jenny Be Good is a 1920 American silent romance drama film directed by William Desmond Taylor and starring Mary Miles Minter, based on a novel by Wilbur Finley Fauley and adapted for the screen by Julia Crawford Ivers. It is the last of Minter's films to also feature her older sister Margaret Shelby in a supporting role. As with many of Minter's features, it is believed to be a lost film.
Sweet Lavender is a 1920 American silent drama film directed by Paul Powell and starring Mary Miles Minter. The scenario was adapted by Beulah Marie Dix from the 1888 play of the same name by Arthur Wing Pinero. Like many of Minter's features, it is thought to be a lost film.
The Little Clown is a 1921 American silent comedy film directed by Thomas N. Heffron and starring Mary Miles Minter, adapted by Eugene B. Lewis from a comedy play by Avery Hopwood. It is one of approximately a dozen of Minter's films which still survive today. A copy of the film was found in the Dawson Film Find in 1978 - although other copies survived in various holdings - and a few brief frames from this copy can be seen in 2016 documentary Dawson City: Frozen Time.
Yvonne from Paris is a 1919 American silent comedy film directed by Emmett J. Flynn and starring Mary Miles Minter, Allan Forrest, and Vera Lewis. It was Minter's last film with the American Film Company; she signed a contract with Realart, part of Famous Players–Lasky, in June 1919.
The Intrusion of Isabel is a 1919 American silent comedy film directed by Lloyd Ingraham and starring Mary Miles Minter, J. Parks Jones, Allan Forrest, and Lucretia Harris. As with many of Minter's features, it is thought to be a lost film.
The Ghost of Rosy Taylor is a 1918 American silent comedy-drama film starring Mary Miles Minter and directed by Edward Sloman. The film is based on a Saturday Evening Post story of the same name, written by Josephine Daskam Bacon. It is one of approximately a dozen Minter films which are known to have survived - a print was found in New Zealand in the 1990s which is in possession of the BFI National Archive - and one of even fewer readily available for the general public to view.