The Thirteenth Hour | |
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Directed by | Chester M. Franklin |
Written by | Edward T. Lowe Jr. |
Screenplay by | Chester M. Franklin Douglas Furber |
Story by | Chester M. Franklin Douglas Furber Sydney Horler(novelization) [1] Intertitles: Wellyn Totman |
Starring | Lionel Barrymore Jacqueline Gadsdon Charles Delaney |
Cinematography | Max Fabian |
Edited by | Dan Sharits |
Distributed by | Metro Goldwyn Mayer |
Release date |
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Running time | 6 reels, 5,252 feet |
Country | United States |
Languages | Silent film (English intertitles) |
The Thirteenth Hour (aka:The 13th Hour) is a 1927 American silent mystery film produced and distributed by Metro Goldwyn Mayer and directed by Chester Franklin. [2] [3] The film stars Lionel Barrymore in a role where, as noted criminologist Professor Leroy, he dons a weird series of disguises to hide a dark secret. [4] [5] [6] This was the first film where Barrymore was cast opposite talented dogs, [7] and the first where he was cast as a serial killer. [8] [9]
A print of this film survives in 16mm. [10]
Junior detective Gray (Charles Delaney) discovers that the eccentric criminologist Professor Leroy (Lionel Barrymore) is both a crook and a murderer. [11] A German Shepherd chases the elusive LeRoy throughout a large house filled with secret rooms.
The Hollywood Revue of 1929, or simply The Hollywood Revue, is a 1929 American pre-Code musical comedy film released by Metro-Goldwyn-Mayer. It was the studio's second feature-length musical, and one of their earliest sound films. Produced by Harry Rapf and Irving Thalberg and directed by Charles Reisner, it features nearly all of MGM's stars in a two-hour revue that includes three segments in Technicolor. The masters of ceremonies are Conrad Nagel and Jack Benny.
Lionel Barrymore was an American actor of stage, screen and radio as well as a film director. He won an Academy Award for Best Actor for his performance in A Free Soul (1931), and is known to modern audiences for the role of villainous Mr. Potter in Frank Capra's 1946 film It's a Wonderful Life.
The Exploits of Elaine is a 1914 American film serial in the damsel in distress genre of The Perils of Pauline (1914).
London After Midnight is a lost 1927 American silent mystery horror film directed and co-produced by Tod Browning and starring Lon Chaney, with Marceline Day, Conrad Nagel, Henry B. Walthall and Polly Moran. The film was distributed by Metro-Goldwyn-Mayer, and was written by Waldemar Young, based on the story "The Hypnotist" which was written by Browning. Merritt B. Gerstad was the cinematographer, and the sets were designed by Cedric Gibbons and Arnold Gillespie. Harry Sharrock was the assistant director. The film cost $151,666.14 to produce, and grossed $1,004,000. Chaney's real-life make-up case can be seen in the last scene of the film sitting on a table, the only time it ever appeared in a movie.
Louis Robert Wolheim was an American actor, of both stage and screen, whose rough physical appearance relegated him to roles mostly of thugs, villains and occasionally a soldier with a heart of gold in the movies, but whose talent allowed him to flourish on stage. His career was mostly contained during the silent era of the film industry, due to his death at the age of 50 in 1931.
Henri Diamant-Berger was a French director, producer and screenwriter. In a career that lasted more than 50 years, he directed 48 films between 1913 and 1959, produced 17 between 1925 and 1967 and wrote 21 screenplays between 1916 and 1971.
Treasure Island is a 1934 film directed by Victor Fleming and starring Wallace Beery, Jackie Cooper, Lionel Barrymore, Lewis Stone, and Nigel Bruce. It is an adaptation of Robert Louis Stevenson's famous 1883 novel of the same name. Jim Hawkins discovers a treasure map and travels on a sailing ship to a remote island, but pirates led by Long John Silver threaten to take away the honest seafarers’ riches and lives.
Body and Soul is a 1927 American silent film starring Aileen Pringle, Norman Kerry, and Lionel Barrymore. The film was directed by Reginald Barker. It is a remake of the 1920 film The Branding Iron also directed by Barker.
Charles Delaney was an American actor.
The Unholy Night is a 1929 American pre-Code mystery film directed by Lionel Barrymore and starring Ernest Torrence.
The Show is a 1927 American silent drama film directed by Tod Browning, based upon Charles Tenney Jackson's 1910 novel The Day of Souls.
You Can't Take It with You is a 1938 American romantic comedy film directed by Frank Capra, and starring Jean Arthur, Lionel Barrymore, James Stewart, and Edward Arnold. Adapted by Robert Riskin from the Pulitzer Prize-winning 1936 play of the same name by George S. Kaufman and Moss Hart, the film is about a man from a family of rich snobs who becomes engaged to a woman from a good-natured but decidedly eccentric family.
The Eternal City is a 1923 American silent drama film directed by George Fitzmaurice, from a script by Ouida Bergère based on the 1901 Hall Caine novel of the same name, and starring Barbara La Marr, Lionel Barrymore, and Bert Lytell.
Friday the Thirteenth is a 1933 British drama film directed by Victor Saville and starring Jessie Matthews, Sonnie Hale and Muriel Aked.
Kick In is a 1922 American silent crime drama film produced by Famous Players–Lasky, distributed by Paramount Pictures, and starring Betty Compson and Bert Lytell. The picture was directed by George Fitzmaurice, who previously directed a 1917 film version of the story. Both films are based on Willard Mack's 1913 play that was produced on Broadway in 1914 starring John Barrymore. The supporting cast features Charles Ogle, who had played the first screen Frankenstein's monster in the original 1910 version of Frankenstein.
Decameron Nights is a 1924 British-German silent drama film directed by Herbert Wilcox and starring Lionel Barrymore, Ivy Duke and Werner Krauss. It is based on the novel Decameron by Giovanni Boccaccio.
Mary Marsden Young was an American stage, film and television actress whose career spanned the first sixty years of the 20th century. She started her career in the theatre and ended playing elderly ladies in film and lastly on television.
The House of Discord (1913) is a silent American drama film directed by James Kirkwood, Sr., written by F. E. Woods and A. Clayton Harris from a play by William C. deMille. The film stars Lionel Barrymore and marked the theatrical film debut of actor Jack Mulhall.
Chester Mortimer Franklin was an American film director and actor active mainly in the silent era. Born in San Francisco, he was the brother of Sidney A. Franklin. In the late 1910s, he co-directed with his brother Sidney several films with all-children casts for William Fox. He directed two silent horror films, the 1924 Behind the Curtain and the 1927 The Thirteenth Hour.
John Barrymore was an American actor of stage, screen and radio who appeared in more than 40 plays, 60 films and 100 radio shows. He was the youngest child of the actors Maurice Barrymore and Georgie Drew Barrymore, and his two siblings were Lionel and Ethel; together they were known as America's "Royal Family" of actors, and John was "perhaps the most influential and idolized actor of his day", according to his biographer Martin F. Norden.