The Bat | |
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Directed by | Roland West |
Written by | Roland West |
Story by | |
Produced by | Roland West |
Starring |
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Cinematography | Arthur Edeson |
Production companies | Feature Productions, Inc. [1] |
Distributed by | United Artists Corp. [1] |
Release date |
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Running time | 1 hour, 26 minutes |
Country | United States [1] |
Language | Silent |
The Bat is a 1926 American silent comedy mystery film directed by Roland West and starring Jack Pickford and Louise Fazenda. The film is based on the 1920 Broadway hit play The Bat by Mary Roberts Rinehart and Avery Hopwood.
Gideon Bell, owner of the Favre Emeralds, receives a letter stating that the emeralds will be stolen at midnight by "the Bat", and that police will not be able to stop the robbery. The Bat, a figure dressed as a bat, murders Gideon and steals the emeralds. The Bat leaves a bat-shaped note for the chief of police to inform him that he will be traveling to the country. The Bat travels by car to a mansion built by Courtleigh Fleming, the president of the Oakdale Bank, who has recently been found dead in Colorado. The mansion is being rented for the summer by writer Cornelia Van Gorder, whose maid, Lizzie Allen, sets up a bear trap to catch the Bat. Richard Fleming, Courtleigh's spendthrift nephew, wishes to lease the mansion, and plans with Dr. H. E. Wells to frighten Van Gorder away.
The newspaper reports that Brooks Bailey, a cashier at Oakdale Bank, has robbed the bank of $200,000 and has disappeared. Van Gorder's niece, Miss Dale Ogden, arrives with a supposed new gardener. Van Gorder asks the gardener about his knowledge on alopecia, urticaria, and rubeola, and he answers as if the terms referred to plants rather than medical conditions. On the staircase, Richard is shot, and Miss Dale manages to snatch part of a blueprint of the house from his pocket. Detective Moletti accuses her of trying to find a supposed hidden room in the mansion that should be shown on the blueprint. Detective Anderson arrives, and the group gets a call from the house phone in the garage, which sounds like groans of distress. A circular light shines on the wall, with the shadow of a bat in its center, but after investigating, the group finds that the shape was caused by a miller moth on a car headlight.
Dr. Wells has Miss Dale recreate Richard's murder, and she notes that she tucked the blueprint in a Parker House roll on a tray, but the blueprint is now gone. The new gardener is revealed to be Brooks Bailey, and Anderson attempts to arrest him for robbery, murder, and impersonation, but Miss Dale stops him, revealing that she and Brooks are engaged. Dr. Wells searches for the hidden room by knocking on walls, which causes the others to investigate the sound, leading them to a ballroom which is supposedly haunted. The candles in the ballroom go out when lit, and a shape appears to float towards Anderson and Lizzie, but it turns out to be the Japanese butler Billy carrying a lamp. After being confronted by Moletti, Dr. Wells knocks Moletti unconscious by striking his head, and he hides Moletti's body in another room. A beaten man enters the house, and Anderson finds that he has no identification on his person.
Billy sees a mysterious figure wearing a hat, and as he leaves to tell the others, the Bat's shadow passes by the door. The Bat sets up a system of wires that attach to a light switch. Outside, Brooks sees the figure in the hat crossing the roof, and realizes that it is the supposedly dead Courtleigh Fleming. Miss Dale finds the hidden room, located behind a fireplace. The Bat confronts her, demanding the combination to the safe in the hidden room, but she escapes. Dr. Wells is accused of helping the Bat, and the Bat is soon captured and held at gunpoint. However, the Bat activates the wire system, turning off the lights and allowing himself to escape. The Bat flees outside but his leg is caught in the bear trap placed earlier by Lizzie. The others find him and remove his mask, revealing him to be Moletti. The beaten, unknown man announces that he is the true Detective Moletti, and that the man underneath the Bat's mask had stolen his papers, locked him in the garage, set it on fire and impersonated him.
The Bat film is adapted from the play The Bat by Mary Roberts Rinehart and Avery Hopwood. Previously filmed in 1915 from the Selig Polyscope Company. [2]
The film was directed and adapted to screen by Roland West. [2] Among the cast was Jewel Carmen, who West had met in 1918. [3]
West had his cast work at night, stating that "Given the quiet of the studio at midnight, when no other companies are working, and plenty of spooky music from an orchestra, the players really are in a mood to simulate dark deeds." [4] According to William Bakewell, who worked with West on The Bat Whispers , West worked at night to avoid dealing with studio executives. [5]
The Bat premiered in New York on March 14, 1926. [1] According to The Motion Picture World magazine, the film was a "box office knock-out". [6]
The film was considered lost for decades, until a print was discovered in the 1980s. [7] [8]
George T. Pardy stated in The Motion Picture World, praised the films balance of sudden humor with "eerie, creepy, blood-curdling atmosphere." [6] A anonymous reviewer in The New York Times found the film proved to be entertaing despite "mechanical twists" [6] "Sisk." of Variety stated the film was an "excellent picture [...] interesting every minute of the way" and praised Carminati's performance as "one of the best things done by a newcomer on the screen." [6]
West would create a sound version of The Bat titled The Bat Whispers . [9]
The Magician is a 1926 American silent fantasy horror film directed by Rex Ingram about a magician's efforts to acquire the blood of a maiden for his experiments to create life. It was adapted by Ingram from the 1908 novel The Magician by W. Somerset Maugham. It stars Alice Terry, Paul Wegener and Iván Petrovich. Critic Carlos Clarens wrote that it was "perhaps the most elusive of lost films." However, since the time Clarens wrote this, various prints of the film have surfaced. Some have screened at independent movie festivals from 1993 onwards, and the film has also been shown on Turner Classic Movies. It remained commercially unavailable until being released on DVD in the Warner Brothers Archive Collection in 2011.
Eleanor Audley was an American actress with a distinctive voice and a diverse body of work. She played Oliver Douglas's mom, Eunice Douglas, on the CBS sitcom Green Acres (1965–1969), and provided two Disney animated classics with the voices of the two iconic villains: Lady Tremaine, Cinderella's evil stepmother in Cinderella (1950), and Maleficent, the wicked fairy in Sleeping Beauty (1959). She had roles in live-action films, but was most active in radio programs such as My Favorite Husband as Liz Cooper's mother-in-law, Mrs. Cooper, and Father Knows Best as the Anderson family's neighbor, Mrs. Smith. Audley's television appearances include those in I Love Lucy, The Dick Van Dyke Show, Mister Ed, Hazel, The Beverly Hillbillies, Pistols 'n' Petticoats, and My Three Sons.
The Bat is a 1959 American crime-mystery thriller starring Vincent Price and Agnes Moorehead. It is the fourth film adaptation of the story, which began as a 1908 novel The Circular Staircase by Mary Roberts Rinehart, which she later adapted into the 1920 play The Bat. The first film version of the play was the 1926 American silent film The Bat. The film version was adapted by playwright Crane Wilbur, who also directed.
The Cat and the Canary is a 1927 American silent comedy horror film directed by the German Expressionist filmmaker Paul Leni. An adaptation of John Willard's 1922 black-comedy play of the same name, the film stars Laura La Plante as Annabelle West, Forrest Stanley as Charlie Wilder, and Creighton Hale as Paul Jones. The plot revolves around the death of Cyrus West, who is Annabelle, Charlie, and Paul's uncle, and the reading of his will twenty years later. Annabelle inherits her uncle's fortune, but when she and her family spend the night in his haunted mansion, they are stalked by a mysterious figure. Meanwhile, a lunatic mainly known as the Cat escapes from an asylum and hides in the mansion.
Stella LeSaint was an American silent film actress.
Barbara Bedford was an American actress who appeared in dozens of silent movies. Her career declined after the introduction of sound, but she continued to appear in small roles until 1945.
The Gorilla is an American 1927 silent mystery film directed by Alfred Santell based on the play The Gorilla by Ralph Spence. It stars Charles Murray, Fred Kelsey, and Walter Pidgeon.
Edward T. Lowe Jr. was an American film writer, producer and editor. He wrote 120 films between years 1913–1947, produced 18 films and directed one: The Losing Game (1915).
Frederick J. Jackson, also known professionally as Fred Jackson and Frederick Jackson and under the pseudonym Victor Thorne, was an American author, playwright, screenwriter, novelist, and producer for both stage and film. A prolific writer of short stories and serialized novels, most of his non-theatre works were published in pulp magazines such as Detective Story Magazine and Argosy. Many of these stories were adapted into films by other writers.
Bradley Barker was an American actor and film director of the silent era. He also created sound effects for film and radio.
The Bat Whispers is a 1930 American pre-Code mystery film directed by Roland West, produced by Joseph M. Schenck, and released by United Artists. The film is based on the 1920 mystery play The Bat, written by Mary Roberts Rinehart and Avery Hopwood, and is the second film version by the same director, previously adapted in 1926. An early talkie and one of the first widescreen films, West financed the cinematography, which required two cameramen and several techniques. It was considered a lost film for many years, but was restored from duplicate filmstock in 1988.
Seven Footprints to Satan is a sound part-talkie 1929 American mystery film directed by Danish filmmaker Benjamin Christensen. Based on the 1928 story of the same name by Abraham Merritt, it stars Thelma Todd, Creighton Hale, William V. Mong and Sheldon Lewis. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The film survives at the Cineteca Italiana in an alternate sound version known as an International Sound Version. The sound disks for this foreign sound version are apparently not extant.
The Bat is a three-act play by Mary Roberts Rinehart and Avery Hopwood that was first produced by Lincoln Wagenhals and Collin Kemper in 1920. The story combines elements of mystery and comedy as Cornelia Van Gorder and guests spend a stormy night at her rented summer home, searching for stolen money they believe is hidden in the house, while they are stalked by a masked criminal known as "the Bat". The Bat's identity is revealed at the end of the final act.
The Circular Staircase is a mystery novel by American writer Mary Roberts Rinehart. The story follows dowager Rachel Innes as she thwarts a series of strange crimes at a summer house she has rented with her niece and nephew. The novel was Rinehart's first bestseller and established her as one of the era's most popular writers. The story was serialized in All-Story for five issues starting with the November 1907 issue, then published in book form by Bobbs-Merrill in 1908.
Aladdin's Other Lamp is a 1917 American fantasy-comedy silent film based on the play, The Dream Girl by Willard Mack. It was adapted for the screen by June Mathis and directed by John H. Collins. The film stars Viola Dana and Robert Walker, and was distributed by Metro Pictures Corp., a forerunner of Metro-Goldwyn-Mayer. It is not known whether the film currently survives.
The Ancient Mariner is a 1925 American silent fantasy drama film based on the popular 1798 poem, The Rime of the Ancient Mariner by Samuel Taylor Coleridge. The film was directed by Henry Otto and Chester Bennett, and it was adapted for the screen by Eve Unsell. The film stars Clara Bow, Gladys Brockwell, Nigel De Brulier and was distributed by Fox Film Corporation. The film is presumed to be lost.
Double Door is a 1934 American pre-Code thriller film directed by Charles Vidor, written by Jack Cunningham and Gladys Lehman, and starring Evelyn Venable, Mary Morris, Anne Revere, and Kent Taylor. The film follows a young bride who finds herself tormented by her wealthy husband's abusive spinster sister in their New York City mansion. It is based on the 1933 Broadway play of the same name by Elizabeth A. McFadden and was billed in the opening credits as "The play that made Broadway gasp". Both Morris and Revere reprised their Broadway roles in the film. Though Morris had a long stage career, this is her only film performance.
The Wizard is a lost 1927 American mystery film directed by Richard Rosson. The film is based on the 1911 story Balaoo by Gaston Leroux. The film is about Dr. Paul Coriolos who has grafted a human face onto an ape, and sends it out to capture people and bring them back to his home to be tortured and killed. Reporter Stanley Gordon is booked to a write-up on the mystery, and finds that Anne Webster and her father have been mysteriously disappeared from their dinner home. Gordon follows the clues to discover them at Coriolos's home.
The Circular Staircase is a 1915 mystery silent film directed by Edward LeSaint and starring Guy Oliver, Eugenie Besserrer, and Stella Razeto. The film was produced by the Selig Polyscope Company. It is based on the mystery novel of the same name by Mary Roberts Rinehart, which was originally published in five parts starting with the November 1907 issue of All-Story magazine. The film is now lost.
Edna Hunter was an American stage and film actress of the silent film era, who appeared in more than a dozen films between 1915 and 1918.