Selig Polyscope Company

Last updated
Selig Polyscope Company
IndustryEntertainment
Founded1896
Defunct1918
Headquarters,
United States
Products Motion pictures
Owner William Selig

The Selig Polyscope Company was an American motion picture company that was founded in 1896 by William Selig in Chicago, Illinois. [1] The company produced hundreds of early, widely distributed commercial moving pictures, including the first films starring Tom Mix, Harold Lloyd, Colleen Moore, and Roscoe "Fatty" Arbuckle. Selig Polyscope also established Southern California's first permanent movie studio, in the historic Edendale district of Los Angeles. [2]

Contents

Ending film production in 1918, the business, which had become known for its film production animals, became an animal and prop supplier to other studios and a zoo and amusement park attraction in East Los Angeles. The amusement park and zoo went into decline during the Great Depression in the 1930s. [3]

In 1947, William Selig and several other early movie producers and directors shared a special Academy Honorary Award to acknowledge their role in building the film industry. [4]

History

Surviving hand-tinted still from The Fairylogue and Radio-Plays (1908), based on L. Frank Baum's Oz books Fairylogue-Color-Process-Still.jpg
Surviving hand-tinted still from The Fairylogue and Radio-Plays (1908), based on L. Frank Baum's Oz books
Selig studio facilities and extensive backlot in Chicago, 1911 General view of Selig Polyscope Company, studio and backlot, 1911.jpeg
Selig studio facilities and extensive backlot in Chicago, 1911

William Selig initially worked as a Vaudeville magician in the Midwest and then a minstrel show operator on the west coast in California. [5] Returning to Chicago, Chicago, he entered the film business using his own photographic equipment, free from the patent restrictions that were imposed through companies controlled by Thomas Edison. In 1896, with help from Union Metal Works and Andrew Schustek, he shot his first film, The Tramp and the Dog .

He then went on to successfully produce local actualities, slapstick comedies, early travelogues and industrial films (a major client was Armour and Company). In 1908, Selig Polyscope was involved in the production of The Fairylogue and Radio-Plays , a touring "multimedia" attempt to bring L. Frank Baum's Oz books to a wider public (which played to full houses but was nonetheless a financial disaster for Baum).

By 1909, Selig had studios making short features in Chicago and the Edendale district of Los Angeles. The company also distributed stock film footage and titles from other studios. That year, Roscoe Arbuckle's first movie was a Selig comedy short.

The company's early existence was fraught with legal turmoil over disputes with lawyers representing Thomas Edison's interests. In 1909, Selig and several other studio heads settled with Edison by creating an alliance with the inventor. Effectively a cartel, Motion Picture Patents Company dominated the industry for a few years until the Supreme Court (in 1913 and 1915) ruled the firm was an illegal monopoly.

In 1910, Selig Polyscope produced a wholly new filmed version of The Wonderful Wizard of Oz . The company produced the first commercial two-reel film, Damon and Pythias , successfully distributed its pictures in Great Britain, and maintained an office in London for several years before the outbreak of World War I. Although Selig Polyscope produced a wide variety of moving pictures, the company was most widely known for its wild animal shorts, historical subjects and early westerns. [6] [7]

In 1916, Selig Polyscope was hired by the Indiana Historical Commission to research, plan and film "the centennial historical picture of Indiana." Estimated to be a seven-reel production that would require the use of seven thousand feet of film, two reels were to be devoted to a prologue that detailed the state's early history, with the remainder of the reels to address the period of 1816 to 1916. Company location scouts reportedly searched for three hundred sites for actors and actresses to "re-enact the [historical] scenes on the identical grounds where they occurred." Gillson Willetts wrote the screenplay. [8]

Edendale

Attracted by Southern California's mild, dry climate, varied geography for location shooting and isolation from Edison's legal representatives on the east coast, Selig set up his studio in Edendale in 1909 with director Francis Boggs, who began the facility in a rented bungalow and quickly expanded, designing the studio's front entrance after Mission San Gabriel. [9]

Street view of Selig's studio in Edendale, c. 1910 Selig Polyscope Company studio ca. 1910.jpg
Street view of Selig's studio in Edendale, c. 1910

Between 1910 and 1913, when it released the film to audiences nationwide, Selig Polyscope filmed The Coming of Columbus . Described as "the sensation of the moving picture world" and "the most expensive, the most elaborate and most wonderful graphic moving picture film ever made," the three-reel movie portrayed "the vital events in the life and discoveries of Christopher Columbus" that were "with historic exactness." The film took three years to develop at a cost of more than $50,000. [10]

An early production there was The Count of Monte Cristo . Edendale soon became Selig Polyscope's headquarters, but in 1911 Boggs was murdered by a Japanese gardener who also wounded Selig. The company produced hundreds of short features at Edendale, including many early westerns featuring Tom Mix (which were also shot at Las Vegas, New Mexico).

Selig Polyscope also made dozens of highly successful short movies involving wild animals in exotic settings, including a popular re-creation of an African safari hunt by Teddy Roosevelt. In 1914, Selig made fourteen short experimental "talking pictures" with Scottish actor Harry Lauder. [11]

The "cliffhanger"

In 1913, through a collaborative partnership with the Chicago Tribune , Selig produced The Adventures of Kathlyn , introducing a dramatic serial plot device which came to be known as the cliffhanger. [12] Each chapter's story was simultaneously published in the newspaper. A combination of wild animals, clever dramatic action and Kathlyn Williams' screen presence resulted in significant success. The Tribune’s circulation reportedly increased by ten percent and a dance and a cocktail were named after Williams, whose likeness was reportedly sold on more than 50,000 postcards.

Hearst-Selig News Pictorial

Hearst-Selig News Pictorial was established in 1914 by the Selig Polyscope Company and the Hearst Corporation. Hearst-Selig News Pictorial, No. 104 was released in U.S. theaters by the General Film Company on December 30, 1915. After this release, the partnership between Hearst and Selig broke up. Selig continued to produce newsreels in collaboration with the Chicago Tribune while Hearst made use of Vitagraph to produce the Hearst-Vitagraph News Pictorial series. [13] [14]

V-L-S-E, Incorporated

In 1915, Selig entered into an agreement with Vitagraph Studios, Lubin Manufacturing Company, and Essanay Studios to form a film distribution partnership known as V-L-S-E, Incorporated. [15]

Selig Zoo

Selig created a zoo in east Los Angeles to serve as a home for the company's performing animals. The Selig Zoo was founded in about 1913 and persisted for several decades under a variety of names. [16]

Legacy

Academy library

In the late 1940s, Selig made a large donation of business records to the Academy of Motion Picture Arts and Sciences Library. The William Selig papers, together with the donation, include Selig's correspondence, scripts, scrapbooks, production files and six feet of photographs that include production stills from over 500 films that are otherwise lost (only about 225 of the over 3,500 films released by Selig between 1896 and 1938 have survived into the present day). This collection still requires further study. [17]

Lost films

1914 Selig-Polyscope trade ad in Motography Selig-Polyscope 1914 Motography.jpg
1914 Selig-Polyscope trade ad in Motography

The potential of movies as long term sources of revenue was unknown to early movie industry executives. Films were made quickly, sent into distribution channels and mostly forgotten soon after their first runs. Surviving prints were typically stored haphazardly, if at all. Nitrate film stock, in common use until the mid-20th Century, is chemically volatile and many prints were lost in fires or decomposed in storage. Some were recycled for their silver content or simply thrown away to save space. Out of Selig Polyscope's hundreds of films, only a few copies and scattered photographic elements are known to survive.

Partial filmography

Flier for Lost in the Arctic, 1911 Release flier for LOST IN THE ARCTIC, 1911.jpg
Flier for Lost in the Arctic , 1911
Flier for The Devil and Tom Walker, 1913 Release flier for THE DEVIL AND TOM WALKER, 1913.jpg
Flier for The Devil and Tom Walker, 1913
Poster for Wamba Child of The Jungle, 1913. Exotic animals were a staple of Selig Productions Selig Wamba Child of The Jungle movie poster (1913).jpg
Poster for Wamba Child of The Jungle, 1913. Exotic animals were a staple of Selig Productions

See also

Related Research Articles

The Fox Film Corporation was an American independent company that produced motion pictures and was formed in 1915 by the theater "chain" pioneer William Fox. It was the corporate successor to his earlier Greater New York Film Rental Company and Box Office Attraction Company.

<span class="mw-page-title-main">Motion Picture Patents Company</span> American films company

The Motion Picture Patents Company, founded in December 1908 and effectively terminated in 1915 after it lost a federal antitrust suit, was a trust of all the major US film companies and local foreign-branches, the leading film distributor and the biggest supplier of raw film stock, Eastman Kodak. The MPPC ended the domination of foreign films on US screens, standardized the manner in which films were distributed and exhibited within the US, and improved the quality of US motion pictures by internal competition. It also discouraged its members' entry into feature film production, and the use of outside financing, both to its members' eventual detriment.

The year 1909 in film involved some significant events.

<span class="mw-page-title-main">Vitagraph Studios</span> American film studio

Vitagraph Studios, also known as the Vitagraph Company of America, was a United States motion picture studio. It was founded by J. Stuart Blackton and Albert E. Smith in 1897 in Brooklyn, New York, as the American Vitagraph Company. By 1907, it was the most prolific American film production company, producing many famous silent films. It was bought by Warner Bros. in 1925.

<span class="mw-page-title-main">Biograph Company</span> Defunct American film studio

The Biograph Company, also known as the American Mutoscope and Biograph Company, was a motion picture company founded in 1895 and active until 1916. It was the first company in the United States devoted entirely to film production and exhibition, and for two decades was one of the most prolific, releasing over 3000 short films and 12 feature films. During the height of silent film as a medium, Biograph was the most prominent U.S. film studio and one of the most respected and influential studios worldwide, only rivaled by Germany's UFA, Sweden's Svensk Filmindustri and France's Pathé. The company was home to pioneering director D. W. Griffith and such actors as Mary Pickford, Lillian Gish, and Lionel Barrymore.

<span class="mw-page-title-main">Francis Boggs</span> American film actor and director (1870–1911)

Francis Winter Boggs was an American stage actor and pioneer silent film director. He was one of the first to direct a film in Hollywood.

<span class="mw-page-title-main">William Selig</span> American film producer (1864–1948)

William Nicholas Selig was a vaudeville performer and pioneer of the American motion picture industry. His stage billing as Colonel Selig would be used for the rest of his career, even as he moved into film production.

<span class="mw-page-title-main">Edison Studios</span> Defunct American film production organization (1894–1918)

Edison Studios was an American film production organization, owned by companies controlled by inventor and entrepreneur, Thomas Edison. The studio made close to 1,200 films, as part of the Edison Manufacturing Company (1894–1911) and then Thomas A. Edison, Inc. (1911–1918), until the studio's closing in 1918. Of that number, 54 were feature length, and the remainder were shorts. All of the company's films have fallen into the public domain because they were released before 1928.

<span class="mw-page-title-main">Lubin Manufacturing Company</span> American silent motion picture production company

The Lubin Manufacturing Company was an American motion picture production company that produced silent films from 1896 to 1916. Lubin films were distributed with a Liberty Bell trademark.

<i>The Adventures of Kathlyn</i> 1913 film

The Adventures of Kathlyn (1913) is an American motion picture serial released on December 29, 1913, by the Selig Polyscope Company. An adventure serial filmed in Chicago, Illinois, its thirteen episodes were directed by Francis J. Grandon from a story by Harold MacGrath and Gilson Willets and starred Kathlyn Williams as the heroine. Harold MacGrath's novel of the same title was released a few days later in January 1914, so as to be in book stores at the same time as the serial was playing in theaters.

<span class="mw-page-title-main">Kathlyn Williams</span> American actress

Kathlyn Williams was an American actress, known for her blonde beauty and daring antics, who performed on stage as well as in early silent film. She began her career onstage in her hometown of Butte, Montana, where she was sponsored by local copper magnate William A. Clark to study acting in New York City. She later appeared in numerous films between 1910 and 1932 before retiring from acting. Williams died of a heart attack in Los Angeles at age 81.

Edendale is a historical name for a district in Los Angeles, California, northwest of Downtown Los Angeles, in what is known today as Echo Park, Los Feliz and Silver Lake. In the opening decades of the 20th century, in the era of silent movies, Edendale was known as the home of most major movie studios on the West Coast. Among its many claims, it was home to the Keystone Cops, and the site of many movie firsts, including Charlie Chaplin's first movie, the first feature-length comedy, and one of the first pies-in-the-face. The Edendale movie studios were mostly concentrated in a four-block stretch of Allesandro Street, between Berkeley Avenue and Duane Street. Allesandro Street was later renamed Glendale Boulevard.

<span class="mw-page-title-main">Chicago film industry</span> Film industry in the US city of Chicago

The Chicago film industry is a central hub for motion picture production and exhibition that was established before Hollywood became the undisputed capital of film making. In the early 1900s, Chicago boasted the greatest number of production companies and filmmakers. Essanay Studios founded by George K. Spoor was one of the earliest successful studios to produce movies in Chicago, employing stars such as Charlie Chaplin and Gloria Swanson. Actor and co-founder of Essanay Studios, Broncho Billy Anderson gave birth to the western genre. Early film companies such as Essanay Studios produced multiple silent films every week and rented viewing equipment to showcase the latest cinematography to the public. This rental culture gave birth to the popularity of Nickelodeons up until the Great Depression. However, due to the high demand for motion pictures during this time, a black market for films and equipment developed. The Motion Picture Patents Company, established in 1909 as a conglomerate of the major studios, sought to eliminate all illegal use of patented film equipment. As a result, independent ventures entered the film scene. Independents drove the film industry to the west to avoid legal trouble with the trust of major film companies united under the Motion Picture Patents Company. The west offered fairer weather and scenery that better accommodated film making. Not until the 1980s and early 21st century has Chicago experienced a film production revival. Blockbusters, such as Blues Brothers, Sixteen Candles, and The Dark Knight, have rejuvenated the Chicago film scene.

<span class="mw-page-title-main">Selig Zoo</span> Animal collection in Los Angeles (~1911–~1940)

The Selig Zoo in Los Angeles, California was an early 20th century animal collection managed by Col. W.N. Selig for use in Selig Polyscope Company films and as a tourist attraction. Over the years the zoo was also known as the Luna Park Zoo, California Zoological Gardens, Zoopark, and, eventually, Lincoln Amusement Park. After Westerns, "animal pictures" were Selig's second-most popular genre of film product.

<span class="mw-page-title-main">Betty Harte</span> American actress (1882–1965)

Betty Harte (1882–1965) was a leading lady during the heyday of the silent film era, starring in nine feature films and 108 short films. She is credited with writing four screenplays. She chose Betty Harte as her professional name in honor of her favorite author, Bret Harte.

<span class="mw-page-title-main">Hearst-Vitagraph News Pictorial</span>

The Hearst-Vitagraph News Pictorial or Hearst-Vita graph was a short-lived company producing newsreels which were coupled with animated cartoons. It was established on 29 October 1915 by the Brooklyn-based Vitagraph Studios and the Hearst Corporation, and produced its first reel in February 1916, but folded in 1916. Previously, Hearst had produced newsreels together with the Selig Polyscope Company from 1914 on, and after the deal with Vitagraph ended Hearst teamed up with Pathé.

<i>The Carpet from Bagdad</i> 1915 film

The Carpet from Bagdad is a 1915 American silent adventure film directed by Colin Campbell and based on Harold MacGrath's 1911 eponymous novel. In the story, Horace Wadsworth, one of a gang of criminals planning a bank robbery in New York, steals the titular prayer rug from its Baghdad mosque. He sells the carpet to antique dealer George Jones to fund the robbery scheme. But the theft places both men and Fortune Chedsoye, the innocent daughter of another conspirator, in danger from the carpet's guardian.

<span class="mw-page-title-main">Dawson Film Find</span> 1978 discovery of 533 silent-era films

The Dawson Film Find (DFF) was the accidental discovery in 1978 of 372 film titles preserved in 533 reels of silent-era nitrate films in the Klondike Gold Rush town of Dawson City, Yukon, Canada. The reels had been buried under an abandoned hockey rink in 1929 and included lost films of feature movies and newsreels. A construction excavation inadvertently uncovered the forgotten cache of discarded films, which were unintentionally preserved by the permafrost.

<i>The Way of the Eskimo</i> 1911 film

The Way of the Eskimo is a lost 1911 American silent drama film that portrayed the Inuit or "Eskimo" culture of northeastern Canada along the coast of Labrador. Directed by William V. Mong and produced by Selig Polyscope Company, this "photoplay" was based on a love story written by Columbia Eneutseak, a young Inuit woman who was born in the United States in 1893, in the "Esquimaux Village" exhibition at the World's Columbian Exposition in Chicago. She, fellow Inuit performer Zacharias Zad, and William Mong costarred in the film with a supporting cast that included members of Columbia's immediate family and other Inuit players. While this production was promoted in 1911 as being filmed on location in northern Canada, it was actually shot that year at the snow-covered port town of Escanaba, Michigan, along a frozen stretch of shoreline of Little Bay de Noc, which connects to Lake Michigan.

<span class="mw-page-title-main">Big Otto</span> American circus owner, film producer (1866–1928)

Otto F. Breitkreutz, universally known as Big Otto, was an American circus man and film producer during the early 20th century. He was called Big Otto because he weighed somewhere between 350–480 lb (160–220 kg) and was "big in heart and policy."

References

  1. "Editorial Association in the Limelight: Newspapermen of Sioux Falls Feature Film Taken at Famous Selig Works, Chicago." Sioux Falls, South Dakota: The Daily Argus-Leader, August 17, 1912, p. 6 (subscription required).
  2. "Frontier Sports Full of Thrills Clever Exhibitions by Horsemen in Varied Feats Keep Crowd of Five Thousand Excited" and "Prescott a Fine Place for Film Making." Prescott, Arizona: Weekly Journal-Miner, July 9, 1913, p. 2 (subscription required).
  3. "Lincolnheightsla.com". lincolnheightsla.com. Retrieved 9 September 2018.
  4. "The 20th Academy Awards Memorable Moments". Oscars.org | Academy of Motion Picture Arts and Sciences. 27 August 2014. Retrieved 4 August 2021.
  5. Davis, Robert Murray (2005). "Shooting Cowboys and Indians: Silent Western Films, American Culture, and the Birth of Hollywood by Andrew Brodie Smith (review)". Western American Literature. 39 (4): 465–466. doi:10.1353/wal.2005.0061. S2CID   165425332.
  6. "Gary Scene of Realism Galore Today." Munster, Indiana: The Times, June 14, 1910, p. 5 (subscription required).
  7. "Latest Selig Western." Mount Carmel, Pennsylvania: Mount Carmel Item, March 10, 1910, p. 4 (subscription required).
  8. "Historical Films Approved and Work Has Begun." Brook, Indiana: The Brook Reporter, March 31, 1916, p. 7 (subscription required).
  9. "How the Picture Films Are Made." Red Lodge, Montana: The Republican Picket, December 15, 1910, p. 6 (subscription required).
  10. "Coming of Columbus in Motion Pictures." Montpelier, Vermont: Montpelier Morning Journal, February 3, 1913, p. 8 (subscription required).
  11. "Silent Era : Progressive Silent Film List". www.silentera.com. Retrieved 9 September 2018.
  12. Lupack, Barbara Tepa. "A...is for The Adventures of Kathlyn." Jacksonville, Florida: Norman Studios, retrieved online July 3, 2023.
  13. "Hearst-Selig News Pictorial, No. 104 (1915)". IMDb. Retrieved 15 February 2021.
  14. "Somewhere" (advertisement announcing Selig Polyscope's collaboration with The Chicago Tribune). Chicago, Illinois: The Chicago Tribune, December 26, 1915, p. 50 (subscription required).
  15. Wagenknecht, Edward (13 October 2014). The Movies in the Age of Innocence, 3d ed. McFarland. ISBN   9780786494620 . Retrieved 9 September 2018 via Google Books.
  16. "In the Photoplay World." Fort Worth, Texas: Fort Worth Star-Telegram, November 7, 1915, p. 33 (subscription required).
  17. Erish, Andrew A. (2012). Col. William N. Selig: The Man Who Invented Hollywood. University of Texas Press. p. 2. ISBN   978-0292728707 . Retrieved 8 August 2019.