Author | John Conway, C. M. Kosemen, and Darren Naish |
---|---|
Country | United Kingdom |
Language | English |
Subject | Palaeoart |
Publisher | Irregular Books |
Publication date | 2012 |
Media type | Print, digital |
Pages | 100 pp. |
ISBN | 978-1291177121 |
All Yesterdays: Unique and Speculative Views of Dinosaurs and Other Prehistoric Animals is a 2012 art book on the palaeoartistic reconstruction of dinosaurs and other extinct animals by John Conway, C. M. Kosemen and Darren Naish. A central tenet of the book concerns the fact that many dinosaur reconstructions are outdated, overly conservative, and inconsistent with the variation observed in modern animals. [1] This focus is communicated through an exploration of views of dinosaurs and related animals that are unusual and sometimes even confusing to viewers, but which are well within the bounds of behaviour, anatomy and soft tissue that we see in living animals. [2]
The book first recounts the history of changing perceptions of dinosaurs as expressed in artwork. It begins with the sluggish and slow dinosaurs seen in the works of Charles R. Knight, and then continues into analyzing reconstructions after the dinosaur renaissance. It points out that these reconstructions do not take the often bizarre integumentary coverings of living animals into account, and that dinosaurs should be portrayed as natural animals that aren't 'shrink-wrapped' with many of the individual bones visible.
The remainder of the book consists of pictures with accompanying explanatory texts. Each picture displays a hypothetical adaptation that an extinct animal could have possessed, such as a plesiosaur disguised on the seafloor like a wobbegong or something that dinosaurs aren't usually shown doing, such as a sleeping Tyrannosaurus . The texts describe the adaptations or habits and explain why they are plausible. Some of the entries are deliberately made to break a paleoartistic cliché, such as a Tenontosaurus walking alone without a predatory Deinonychus in sight (Tenontosaurus is almost exclusively depicted in dinosaur art as the prey of Deinonychus).
The second and last major section of the book is titled "All Todays", and depicts animals from the present day as if non-human paleontologists from the future were reconstructing them from fossilized skeletons. Some of the creatures are somewhat recognizable, like a vulture depicted with pterosaur-like wings; others are completely unrecognizable, like a rhinoceros reconstructed with no nose horn and a sail instead of a hump. By showing how completely extant animals might be misunderstood if known only from skeletal remains, All Yesterdays shows that our own conceptions of extinct animals are likely equally mistaken.
Subsequent to its publication, All Yesterdays has proven influential on the modern culture of palaeoart. [1] The book and its associated concepts have sometimes appeared in publications covering the nature, history, and 'best practices' of palaeoart, particularly in the context of emphasizing the need for modern depictions of dinosaurs to be consistent with how living animals look and behave. [3] This 'post modern' approach to palaeoart is thought to be seminal in the modern culture of identifying and subverting overused palaeoart memes and tropes, and may be an accurate reflection of the "contemporary mood of palaeoartists more than any other project." [1]
All Yesterdays has received mostly very enthusiastic reviews from palaeontologists, and is perceived as introducing or popularising a new "third wave" approach to palaeoart after the classical period of Knight, Zallinger, Burian and others, and the more modern work of Bakker, Paul, Henderson and others. For example, John Hutchinson of the Royal Veterinary College wrote "This is a thinking person’s book ... for rumination, to challenge your preconceptions, not to have a flashy coffee table book. It’s not eye candy — it’s more like brain jerky." [4] And Mike Taylor wrote "All Yesterdays is not only the most beautiful but also the most important palaeoart book of the last four decades". [5] Writing for The Guardian, palaeontologist David Hone notes that "... the key point is that they are in many ways no more extreme or unlikely that what we see in living species of birds, mammals and reptiles, and no less plausible than many more 'traditional' views of dinosaurs." [2]
In 2013, an All Your Yesterdays "crowdsourced" sequel was released, also focusing on speculative aspects of paleoart, which invited "fan works" in the style of All Yesterdays, by various invited hobbyist to professional artists, including established paleoartists. [6]
A creature dubbed "Bearded Ceticaris", conceived by artist John Meszaros as a filter-feeding anomalocarid, was published in All Your Yesterdays as a speculative art concept. In 2014, during a taxonomic study, the actual Cambrian anomalocarid Tamisiocaris was discovered to have been a filter-feeder. In honor of Meszaros's prediction, Tamisiocaris was included in a new clade named the Cetiocaridae. [7] [8] [9] Though, Cetiocaridae would later be renamed Tamisiocarididae in 2019. [10]
Walking with Dinosaurs is a 1999 six-part nature documentary television miniseries created by Tim Haines and produced by the BBC Studios Science Unit, the Discovery Channel and BBC Worldwide, in association with TV Asahi, ProSieben and France 3. Envisioned as the first "Natural History of Dinosaurs", Walking with Dinosaurs depicts dinosaurs and other Mesozoic animals as living animals in the style of a traditional nature documentary. The series first aired on the BBC in the United Kingdom in 1999 with narration by Kenneth Branagh. The series was subsequently aired in North America on the Discovery Channel in 2000, with Avery Brooks replacing Branagh.
Zdeněk Michael František Burian was a Czech painter, book illustrator and palaeoartist. Burian's artwork played a central role in the development of palaeontological reconstruction and he is regarded as one of the most influential palaeoartists of all time.
The New Dinosaurs: An Alternative Evolution is a 1988 speculative evolution book written by Scottish geologist and palaeontologist Dougal Dixon and illustrated by several illustrators including Amanda Barlow, Peter Barrett, John Butler, Jeane Colville, Anthony Duke, Andy Farmer, Lee Gibbons, Steve Holden, Philip Hood, Martin Knowelden, Sean Milne, Denys Ovenden and Joyce Tuhill. The book also features a foreword by Desmond Morris. The New Dinosaurs explores a hypothetical alternate Earth, complete with animals and ecosystems, where the Cretaceous-Paleogene extinction event never occurred, leaving non-avian dinosaurs and other Mesozoic animals an additional 65 million years to evolve and adapt over the course of the Cenozoic to the present day.
Sea Monsters, marketed as Chased by Sea Monsters in the United States, is a 2003 three-part nature documentary television miniseries created by Impossible Pictures and produced by the BBC Studios Science Unit, the Discovery Channel and ProSieben. Following in the footsteps of The Giant Claw (2002) and Land of Giants (2003), special episodes of the nature documentary series Walking with Dinosaurs, Sea Monsters stars British wildlife presenter Nigel Marven as a "time-travelling zoologist" who travels to seven different periods of time in prehistory, diving in the "seven deadliest seas of all time" and encountering and interacting with the prehistoric creatures who inhabit them. The series is narrated by Karen Hayley.
Darren William Naish is a British vertebrate palaeontologist, author and science communicator.
Palorchestes is an extinct genus of large terrestrial, herbivorous Australian marsupial of the family Palorchestidae, living from the Miocene through to the Late Pleistocene. Like other palorchestids, it had highly retracted nasal region suggesting that it had a prehensile lip, as well as highly unusual clawed forelimbs that were used to grasp vegetation.
Cultural depictions of dinosaurs have been numerous since the word dinosaur was coined in 1842. The non-avian dinosaurs featured in books, films, television programs, artwork, and other media have been used for both education and entertainment. The depictions range from the realistic, as in the television documentaries from the 1990s into the first decades of the 21st century, or the fantastic, as in the monster movies of the 1950s and 1960s.
The dinosaur renaissance was a highly specified scientific revolution that began in the late 1960s and led to renewed academic and popular interest in dinosaurs. It was initially spurred on by research indicating that dinosaurs may have been active warm-blooded animals, rather than sluggish cold-blooded lizard-like reptilians as had been the prevailing view and description during the first half of the twentieth century.
The Crystal Palace Dinosaurs are a series of sculptures of dinosaurs and other extinct animals, inaccurate by modern standards, in the London borough of Bromley's Crystal Palace Park. Commissioned in 1852 to accompany the Crystal Palace after its move from the Great Exhibition in Hyde Park, they were unveiled in 1854 as the first dinosaur sculptures in the world. The models were designed and sculpted by Benjamin Waterhouse Hawkins under the scientific direction of Sir Richard Owen, representing the latest scientific knowledge at the time. The models, also known as the Geological Court or Dinosaur Court, were classed as Grade II listed buildings from 1973, extensively restored in 2002, and upgraded to Grade I listed in 2007.
John Sibbick is a British freelance illustrator and palaeoartist, known for his depictions of prehistoric life and for his fantasy art.
Paleoart is any original artistic work that attempts to depict prehistoric life according to scientific evidence. Works of paleoart may be representations of fossil remains or imagined depictions of the living creatures and their ecosystems. While paleoart is typically defined as being scientifically informed, it is often the basis of depictions of prehistoric animals in popular culture, which in turn influences public perception of and fuels interest in these animals. The word paleoart is also used in an informal sense, as a name for prehistoric art, most often cave paintings.
Tamisiocarididae is a family of radiodonts, extinct marine animals related to arthropods, that bore finely-spined appendages that were presumably used in filter-feeding. When first discovered, the clade was named Cetiocaridae after a speculative evolution artwork, Bearded Ceticaris by John Meszaros, that depicted a hypothetical filter-feeding radiodont at a time before any were known to exist. However, the family name was not valid according to the International Code of Zoological Nomenclature, as no real genus named "Cetiocaris" exists, and in 2019 it was formally replaced by the name Tamisiocarididae, after the only valid genus of the clade at the time. The family is only known from Series 2 of the Cambrian, unlike other radiodont families, which persisted longer into the Cambrian. All known species would have lived in tropical or subtropical waters, suggesting a preference for warmer waters.
Speculative evolution is a subgenre of science fiction and an artistic movement focused on hypothetical scenarios in the evolution of life, and a significant form of fictional biology. It is also known as speculative biology and it is referred to as speculative zoology in regards to hypothetical animals. Works incorporating speculative evolution may have entirely conceptual species that evolve on a planet other than Earth, or they may be an alternate history focused on an alternate evolution of terrestrial life. Speculative evolution is often considered hard science fiction because of its strong connection to and basis in science, particularly biology.
All Tomorrows: A Billion Year Chronicle of the Myriad Species and Mixed Fortunes of Man is a 2006 work of science fiction and speculative evolution written and illustrated by the Turkish artist C. M. Kosemen under the pen name Nemo Ramjet. It explores a hypothetical future path of human evolution set from the near future to a billion years from the present. Several future human species evolve through natural means and through genetic engineering, conducted by both humans themselves and by a mysterious and superior alien species called the Qu.
Eleanor Kish, also known as Ely Kish, was an American-Canadian artist, best known for her paleoart depicting dinosaurs and other prehistoric life.
Mark Paul Witton is a British vertebrate palaeontologist, author, and palaeoartist best known for his research and illustrations concerning pterosaurs, the extinct flying reptiles that lived alongside dinosaurs. He has worked with museums and universities around the world to reconstruct extinct animals, including as consultant to the BBC's Walking with Dinosaurs franchise, Planet Dinosaur, and Prehistoric Planet, and has published several critically acclaimed books on palaeontology and palaeoart.
John Conway is an Australian palaeoartist and illustrator who specializes primarily in Mesozoic reptiles and pterosaurs in particular. His works include the 2012 book All Yesterdays in collaboration with C. M. Kosemen, Darren Naish and Scott Hartman.
Cevdet MehmetKösemen, also known by his former pen name Nemo Ramjet, is a Turkish researcher, artist, and author. Kosemen is known for his artwork, depicting living and extinct animals as well as surrealist scenes, and his writings on paleoart, speculative evolution, and history and culture in Turkey.
The dinosauroid is a hypothetical species created by Dale A. Russell in 1982. Russell theorized that if a dinosaur such as Stenonychosaurus had not perished in the Cretaceous–Paleogene extinction event, its descendants might have evolved to fill the same ecological niche as humans. While the theory has been met with criticism from other scientists, the dinosauroid has been featured widely in books and documentaries since the theory's inception.
Prehistoric Planet is a British–American nature documentary streaming television series about dinosaurs, that premiered on Apple TV+ beginning May 23, 2022. It is produced by the BBC Studios Natural History Unit, with Jon Favreau as showrunner, visual effects by MPC, and narration by natural historian Sir David Attenborough. The documentary follows dinosaurs and other prehistoric animals recreated with computer-generated imagery, living around the globe in the Late Cretaceous period 66 million years ago (Maastrichtian), just before the dinosaurs' extinction. It set out to depict prehistoric life using current palaeontological research by including accurately feathered dinosaurs, and speculative animal behaviour.