Psychedelic rock is a rock music genre that is inspired, influenced, or representative of psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously.
Rock is a broad genre of popular music that originated in the United States, but also in United Kingdom, in the late 1950s and early 1960s, developing a lot of subgenres, including heavy metal and punk rock. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the genres of blues, rhythm and blues, and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock is centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a 4
4 time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.
Garage rock is a raw and energetic style of rock music that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional.
The Electric Prunes are an American psychedelic rock band, formed in Los Angeles, California, in 1965. Much of the band's music was, as music historian Richie Unterberger described it, possessed of "an eerie and sometimes anguished ambiance." Their most successful material was by songwriters Annette Tucker and Nancie Mantz, though the group also penned their own songs. Incorporating psychedelia and elements of embryonic electronic rock, the band's sound was marked by innovative recording techniques with fuzz-toned guitars and oscillating sound effects. In addition, guitarist Ken Williams' and singer James Lowe's concept of "free-form garage music" provided the band with a richer sonic palette and exploratory lyrical structure than many of their contemporaries.
Power pop is a subgenre of rock music and form of pop rock based on the early music of bands such as the Who, the Beatles, the Beach Boys, and the Byrds. It typically incorporates melodic hooks, vocal harmonies, an energetic performance, and cheerful-sounding music underpinned by a sense of yearning, longing, despair, or self-empowerment. The sound is primarily rooted in pop and rock traditions of the early-to-mid 1960s, although some artists have occasionally drawn from later styles such as punk, new wave, glam rock, pub rock, college rock, and neo-psychedelia.
Reel-to-reel audio tape recording, also called open-reel recording, is magnetic tape audio recording in which the recording tape is spooled between reels. To prepare for use, the supply reel containing the tape is placed on a spindle or hub. The end of the tape is manually pulled from the reel, threaded through mechanical guides and over a tape head assembly, and attached by friction to the hub of the second, initially empty takeup reel. Reel-to-reel systems use tape that is 1⁄4, 1⁄2, 1, or 2 inches wide, which normally moves at 3+3⁄4, 7+1⁄2, 15 or 30 inches per second. Domestic consumer machines almost always used 1⁄4 inch (6.35 mm) or narrower tape and many offered slower speeds such as 1+7⁄8 inches per second (4.762 cm/s). All standard tape speeds are derived as a binary submultiple of 30 inches per second.
Acid rock is a loosely defined type of rock music that evolved out of the mid-1960s garage punk movement and helped launch the psychedelic subculture. While the term has sometimes been used interchangeably with "psychedelic rock", acid rock also specifically refers to a more musically intense, rawer, or heavier subgenre or sibling of psychedelic rock. Named after lysergic acid diethylamide (LSD), the style is generally defined by heavy, distorted guitars and often contains lyrics with drug references and long improvised jams.
Secret Machines are an American alternative rock band, originally from Dallas, Texas, United States, before moving to New York City. The original lineup consisted of two brothers, Brandon and Benjamin Curtis, and Josh Garza (drums). Benjamin left the band in March 2007 to focus on his work with School of Seven Bells, and was replaced on guitar by Phil Karnats. The re-activated band is a two-piece, with the remaining members being Brandon Curtis and Josh Garza.
The Litter was an American psychedelic and garage rock band, formed in 1966 in Minneapolis, Minnesota, United States. They are best remembered for their 1967 debut single, "Action Woman". The group recorded three albums in the late 1960s before disbanding, but they re-united in 1990, 1992, and again in 1998, when they recorded a new studio album consisting of both old and new material. All of their Minneapolis recorded material was produced by Warren Kendrick, who owned the Scotty and Warick and Hexagon labels.
Psychedelic music is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as DMT, LSD, mescaline, and psilocybin mushrooms, to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy.
Hovercraft was an American instrumental experimental rock group that formed in Seattle, Washington in 1993. It was co-founded by its core duo of guitarist/samplist/tape-looper Ryan Shinn and bassist Beth Liebling. Shinn and Liebling would use the pseudonyms "Campbell 2000" and "Sadie 7", respectively, throughout the duration of the band's history. Hovercraft has been cited as one of the most abrasive, non-commercial sounding bands ever to receive major-label distribution for its albums. Though somewhat overlooked and sometimes heavily criticized because of the band's early association with Pearl Jam singer Eddie Vedder, the group was largely well respected and well received by critics and developed a cult following.
The Last is a Los Angeles–based band formed in 1976 by Joe Nolte with high school bandmates Vitus Mataré and Dave Harbison. By 1978 the band included three brothers: Joe, Mike (vocals), and David Nolte. They released several albums on SST Records, Bomp! Records and End Sounds.
The Casbah Recording Studio or simply Casbah is a recording studio in the Orange County suburb of Fullerton, California that helped to spawn several highly successful acts, including Berlin, Stacey Q, and Social Distortion.
SSM are an American garage punk band from Detroit, Michigan, United States, who are signed to Alive Records and feature members of The Hentchmen, The Sights, and The Cyril Lords.
Journey to the Center of the Mind is the second studio album released by The Amboy Dukes. Released in April 1968 on Mainstream Records, the album is best remembered for its hit single title track, which charted at No.16 on the Billboard singles chart.
The Bonniwell Music Machine is the second and final album by the American garage rock band The Music Machine, recorded under the renamed moniker The Bonniwell Music Machine, and released on Warner Bros. Records on February 10, 1968. As with their debut LP, the album again saw the band blending garage and psychedelic rock influences, albeit with a greater emphasis on psychedelia than on their previous album release. Prior to completing its recording, all of the group's original members, except for its creative force, Sean Bonniwell, departed, though they would still appear on some of the album's tracks.
Teenage Shutdown! Teen Jangler Blowout!, sometimes referred to as "Volume 9," is the ninth installment in the Teenage Shutdown! series of garage rock compilations put out by Tim Warren of Crypt Records, which is available on both LP and compact disc formats. This volume was released on December 29, 1998 and consists of primarily rocking and upbeat songs, as indicated by the sub-heading which reads "Cool Teen Clang n' Jangle Lowdown." Like all of the entries in the series, the collection was compiled and mastered by Warren, using original 45 rpm records selected from the collection of noted garage rock archivist, Mike Markesich.
The Kings Ransom were an American garage rock band from Allentown, Pennsylvania who were active from 1965 to 1968 and were a popular act in the Lehigh Valley area, as well as around Philadelphia. Their record "Shame" became a hit in Milton, Pennsylvania and received airplay in Michigan. In the intervening years the Kings Ransom's music has come to the attention of garage rock enthusiasts with the release of several of their songs on compilations such as Allentown Anglophile and Teenage Shutdown! Teen Jangler Blowout!
Last of the Garage Punk Unknowns, Volumes 7 & 8: Heartbroken American Garage Jangle Misery 1965–1967 is a compilation album of 1960s garage rock available on compact disc and is part of the Last of the Garage Punk Unknowns series created and compiled by Tim Warren for Crypt Records. It was released and 2015 and combines volumes 7 and 8 of the LP counterparts in the series. Most of the set focuses on downcast and moody rock songs and ballads. Several of the tracks display folk rock influence. Packaging includes detailed liner notes that include basic information about each song and group, such as origin and recording date. The album also includes photographs of musical groups, and cover artwork reflects the mid-1960s style graphic art popular on record sleeves of the time.
