The concerto grosso is a form of baroque music in which the musical material is passed between a small group of soloists and full orchestra. This is in contrast to the solo concerto which features a single solo instrument with the melody line, accompanied by the orchestra.
Niccolò Jommelli was an Italian composer of the Neapolitan School. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic reforms including reducing ornateness of style and the primacy of star singers somewhat.
José António Carlos de Seixas was a pre-eminent Portuguese composer of the 18th century. An accomplished virtuoso of both the organ and the harpsichord, Seixas succeeded his father as the organist for Coimbra Cathedral at the age of fourteen. In 1720, he departed for the capital, Lisbon, where he was to serve as the organist for the royal chapel, one of the highest offices for a musician in Portugal, a position which earned him a knighthood. Much of Seixas' music rests in an ambiguous transitional period from the learned style of the 17th century to the galant style of the 18th century.
The year 1714 in music involved some significant events.
The Grand Orient of Portugal is a symbolic Masonic Obedience founded in 1802, thus being the oldest Portuguese Masonic Obedience. Its first Grand Master was Sebastião José de São Paio de Melo e Castro Lusignan, grandson of the first Marquis of Pombal, and his symbolic name was Egas Moniz.
Nunes is a common Portuguese surname, originally a patronymic meaning "son of Nuno". The Spanish variant is Núñez.
Caterina Gabrielli, born Caterina Fatta, was an Italian coloratura singer. She was the most important soprano of her age. A woman of great personal charm and dynamism, Charles Burney referred to her as "the most intelligent and best-bred virtuosa" that he had ever encountered. The excellence of her vocal artistry is reflected in the fact that she was able to secure long-term engagements in three of the most prestigious operatic centers in her day outside of Italy.
Pedro António Avondano was a Portuguese composer of Italian parentage.
António Leal Moreira was a Portuguese Classical composer and organist. He composed a large number of operas, most of which were premiered in Lisbon; much of the rest of his output is sacred, though he composed a handful of symphonies as well. One of his works, Sinfonia para a Real Basílica de Mafra, is an organ symphony composed specifically for the 6 organs of Mafra National Palace's Basilica.
Events in the year 1907 in Brazil.
Events in the year 1912 in Brazil.
Events in the year 1915 in Brazil.
Events in the year 1946 in Brazil.
Events in the year 2005 in Brazil.
Events in the year 1975 in Brazil.
The Constituent Cortes of 1820, formal title The General and Extraordinary Cortes of the Portuguese Nation, also frequently known as the Sovereign Congress or the Cortes Constituintes Vintistas, was the first modern Portuguese parliament. Created after the Liberal Revolution of 1820 to prepare a constitution for Portugal and its overseas territories, it used a different system from the traditional General Cortes for choosing representatives, and the three traditional feudal estates no longer sat separately. The Cortes sat between January 24, 1821 and November 4, 1822 at the Palácio das Necessidades in Lisbon. The work of the Constitutional Cortes culminated in the approval of the Portuguese Constitution of 1822.
