Kapila Vatsyayan was a leading scholar of Indian classical dance, art, architecture, and art history. She served as a member of parliament and bureaucrat in India, and also served as the founding director of the Indira Gandhi National Centre for the Arts.
Sangeet Natak Akademi is the national level academy for performing arts set up by the Government of India.
Kavalam Narayana Panikkar was an Indian dramatist, theatre director, and poet. He has written over 26 Malayalam plays, many adapted from classical Sanskrit drama and Shakespeare, notably Kalidasa's Vikramorvasiyam, Shakuntalam (1982), Bhasa's Madhyamavyayogam (1979), Karnabharam, Uru Bhangam (1988), Swapnavasavadattam, and Dootavakyam (1996). He was the founder – director of theatre troupe, Sopanam, which led to the foundation of Bhashabharati: Centre for Performing Arts, Training and Research, in Trivandrum.
Ebrahim Alkazi was an Indian theatre director and drama teacher. A rigid disciplinarian, he instilled in his acting students an awe and reverence that they still carry with them, with several of them having had the privilege of continuing the practice and training in the NSD Repertory Company, an introduction made to the National School of Drama by Alkazi. His standards later became very influential. He also remained the Director of National School of Drama, New Delhi (1962–1977). He was also a noted art connoisseur, collector and gallery owner, and founded the Art Heritage Gallery in Delhi with his wife, Roshen Alkazi.
Ratan Thiyam is an Indian playwright and theatre director, and the winner of Sangeet Natak Akademi Award in 1987, one of leading figures of the "theatre of roots" movement in Indian theatre, which started in the 1970s. Also known as Thiyam Nemai, Ratan Thiyam is known for writing and staging plays that use ancient Indian theatre traditions and forms in a contemporary context. A former painter, and proficient in direction, design, script and music, Thiyam is often considered one of leading contemporary theatre gurus.
Sudhindra Sircar, also known as Badal Sarkar, was an influential Indian dramatist and theatre director, most known for his anti-establishment plays during the Naxalite movement in the 1970s and taking theatre out of the proscenium and into public arena, when he transformed his own theatre company, Shatabdi as a third theatre group. He wrote more than fifty plays of which Ebong Indrajit, Basi Khabar, and Saari Raat are well known literary pieces. A pioneering figure in street theatre as well as in experimental and contemporary Bengali theatre with his egalitarian "Third Theatre", he prolifically wrote scripts for his Aanganmanch performances, and remains one of the most translated Indian playwrights. Though his early comedies were popular, it was his angst-ridden Evam Indrajit that became a landmark play in Indian theatre. Today, his rise as a prominent playwright in 1960s is seen as the coming of age of Modern Indian playwriting in Bengali, just as Vijay Tendulkar did it in Marathi, Mohan Rakesh in Hindi, and Girish Karnad in Kannada.
The Sangeet Natak Akademi Fellowship, also known as Akademi Ratna Sadasyata, is an Indian honour for the performing arts presented by Sangeet Natak Akademi. It is "the most prestigious and rare honour" conferred by the Akademi and is "restricted to 40 individuals at any given time".
Manohar Singh was an Indian theatre actor-director and character actor in Hindi films. He is best known for his performances in films such as Party (1984) and Daddy (1989). Starting his acting career from theatre, he went on to become a theatre director and later the chief of National School of Drama Repertory Company, 1976 to 1988, before switching to cinema. As a theatre actor his best known performances were in Tughlaq, directed by Ebrahim Alkazi; Himmat Mai and Begum Barve by Nissar and Amal Allana.
Amal Allana is an Indian theatre director, scenic designer and costume designer and presently she is in her second consecutive term as the Chairperson of National School of Drama, India's premier institute of Theatre training, she also runs the Dramatic Art and Design Academy (DADA), New Delhi, with her husband Nissar Allana, which they co-founded in 2000.
Bhabesh Chandra Sanyal commonly known as B. C. Sanyal, the doyen of modernism in Indian art, was an Indian painter and sculptor and an art teacher to three generations of artists. During his lifetime he not just saw the partition of the Indian subcontinent three times, 1905, 1947 and 1971, but also witnessed 20th century Indian art in all its phases. His notable paintings include The flying scarecrow, Cow herd, Despair and Way to peace, which depicts Mahatma Gandhi with a Hindu and a Muslim child.
National Institute of Kathak Dance, also known as Kathak Kendra, is the premier dance institution for the Indian classical dance form of Kathak, and a unit of the Sangeet Natak Akademi, India's National Academy of Music, Dance and Drama, situated in New Delhi. Established in 1964, the institution is primarily dedicated to Kathak, though it also offers courses in Hindustani classical music (Vocal) and Pakhawaj and Tabla.
Sundari K. Shridharani was the founder and director of Triveni Kala Sangam, a multi-arts institution, which she established in 1950.
Sharmila Biswas is a leading dancer, choreographer and Teacher in the field of Indian Classical Dance. She is recognized for her considerable contribution to Odissi Classical Dance which brought many changes in the Content, Technique and Costumes. Tracing the many facades of Traditional Performing and Visual arts of Odisha, and in that context viewing Odissi Dance have been the foundation of most of her Dance productions. A prominent deciple of Guru Kelucharan Mohapatra, a Sangeet Natak Akademi awardee (2012), Sharmila Biswas heads Odissi Vision & Movement Centre (1994), a well-known institution dedicated to Research, Training and Productions. Graded as an ‘Outstanding’ artiste by The Indian Council of Cultural Relations, Ministry of External Affairs, Govt. Of India. Graded as one of the ‘Top’ artists by Doordarshan, India. In 2012, Biswas was awarded Sangeet Natak Akademi Award, conferred by the Sangeet Natak Akademi, India's National Academy for Music, Dance and Drama.
Shanno Khurana is an Indian classical vocalist and composer, from the Rampur-Sahaswan gharana of Hindustani classical music. A disciple of the doyen of the gharana, Ustad Mushtaq Hussain Khan, she is known for performing rare bandish and raag, though her singing style includes genres like khayal, tarana, thumri, dadra, tappa, to chaiti and bhajan. Born and brought up in Jodhpur, she started singing on All India Radio in 1945 in Lahore, later shifted to Delhi, where she continued her singing on All India Radio, Delhi and in concerts and music festivals. She also pursued music education, finally earning her M.Phil. and PhD in music from the Kairagarh University, and has undertakes extensive research on folk music of Rajasthan.
Tapas Sen was a noted Indian stage lighting designer, who was an important figure in 20th-century Indian theatre. He started working with Bengali theatre movement in Kolkata in the late 1940s, along with noted directors, Utpal Dutt and Shambhu Mitra. Later he became a founding member of the Indian People's Theatre Association's (IPTA), Delhi chapter, and worked closely with Hindi theatre. Through his career stretching five decades he worked theatre directors, Ebrahim Alkazi, Vijay Tendulkar, and also dancers Sadhana Bose, Chandralekha, Birju Maharaj and Kelucharan Mahapatra. He was known not only for his creative stage lighting, but also had a significant impact on the work of leading theatre director of the time.
Maya Rao was an Indian classical dancer, choreographer and educator, in Kathak dance. She is known for her pioneering work in Kathak choreography, especially in dance ballets, and is credited for bringing Kathak, a North Indian-dance style to South India, when she opened her dance school, Natya Institute of Kathak and Choreography (NIKC) in Malleswaram, Bangalore in 1987. She was also the founder director of her dance company, "Natya and Stem Dance Kampni", an amalgam of NIKC and the STEM Dance Kampni based in Bangalore. After her early training under Guru Sohanlal of Jaipur Gharana, followed by Guru Sunder Prasad also of the Jaipur Gharana, and went to train under Guru Shambhu Maharaj of Lucknow Gharana at Kathak Kendra in Delhi.
Geeta Mahalik is an Indian Odissi dancer. The Government of India honoured her with the Padma Shri in 2014 for her services to the field of art and culture.
Rita Ganguly is an exponent in the Indian classical arts. An accomplished dancer, musician and vocalist, she was honoured with the Sangeet Natak Akademi Award in 2000 and with the Padma Shri in 2003. She is the mother of actress Meghna Kothari and the younger sister of the famous Ravindra Sangeet singer Gita Ghatak.
Sheila Bhatia (1916-2008) was an Indian poet, playwright, theatre personality and the founder of the Delhi Art Theatre, a forum based in Delhi for the promotion of Indian art forms. She is credited with originating Punjabi opera, an Indian form of dance drama incorporating operatic movements. She was honoured by the Government of India in 1971 with Padma Shri, the fourth highest Indian civilian award. A decade later, she received the Sangeet Natak Akademi Award for theatre direction in 1982 followed by Kalidas Samman in 1997.
Maya Krishna Rao is a solo Indian theatre artist, stand-up comedian and social activist. Her well-known shows include Khol Do', 'A Deep Fried Jam','Ravanama and Heads Are Meant for Walking Into. Her performances cover many genres - dance theatre, comedy, multi-media, and theatre in education.She is a recipient of the Sangeet Natak Akademi Award (2010), which she returned five years later citing growth of intolerance in India.