Roysten Abel

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Roysten Abel is a noted Indian theatre director and playwright, known for devised theatre and plays involving folk performers, and productions like Othello a Play in Black and White, Flowers, The Manganiyar Seduction, and A Hundred Snake Charmers. [1] [2] [3]

Contents

Early life and education

Born in Kerala, he grew up in Palakkad, Kerala and did his schooling from Good Shepherd International School, Ooty. Thereafter he joined Christ College, Bangalore to study commerce, however he was determined to not join his family business. Instead, he left it and joined School of Drama, Thrissur. He left one year before completion, when he received a scholarship to join the National School of Drama, Delhi. He graduated from NSD in direction in 1994, also in the same year, he apprenticed with the Royal Shakespeare Company, England for a year. [4] [5]

Career

After his return from England, Abel started his career by forming Indian Shakespeare Company in 1995, intending to stage works of Shakespeare. Eventually in 1999, he directed his first original production in 1999, Othello – a Play in Black and White, which won a Fringe First Award at Edinburgh before touring internationally. [6] The plays depicts stage actors rehearsing Shakespeare's Othello , and gradually begins to deal with issues like elitism and racism. [7] He later also adapted the play and directed film, In Othello (2003), with Sheeba Chaddha, Adil Hussain, Barry John as leads. [8]

Inspired by the 2002 Gujarat riots, he directed The Spirit of Anna Frank in 2002, which dealt with themes of gender and caste-violence, as five women meet in a compartment on a night train. The ensemble cast included Shabana Azmi, Zohra Sehgal, Nandita Das and Mandakini Goswami. [9] [10] This was followed by Perfect Evening, which premiered in Delhi in 2005. [11] In 2006, he directed Girish Karnad's Flowers. [12]

His next important production was The Manganiyar Seduction, a show which featured over 40 Manganiyar musicians from Rajasthan, the set design was inspired in part by the Hawa Mahal in Jaipur, and also by the red light district of Amsterdam. The play opened in New Delhi in 2006, and thereafter travelled to the UK, US, Germany, Austria and Australia. [13]

The 2013 production The Kitchen, had 12 mizhavu drummers from Kerala playing, with traditional dessert payasam is also cooked on stage, which served amongst the audience after the show. It opened at International Theatre Festival of Kerala in December 2013. [4] [13]

Personal life

He is married to Assamese actress Mandakini Goswami, who he met while studying as National School of Drama. The couple live in Kerala. [5]

Plays

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References

  1. ↑ Datta, Sravasti (26 July 2013). "Payasam for the soul". The Hindu. Retrieved 6 March 2014.
  2. ↑ Jordan Levin (11 January 2013). "Mystical, sexy 'Manganiyar Seduction' plays Miami Nov. 8". Miami Herald. Retrieved 6 March 2014.
  3. ↑ Nirmala Ravindran (7 August 2006). "Roysten Abel to continue theatrical journey with 'Othello'". India Today. Retrieved 6 March 2014.
  4. 1 2 "Roysten Abel's multi-sensory The Kitchen play gets the audience involved". The National. 27 January 2014. Retrieved 7 March 2014.
  5. 1 2 "...Charmed by the stage". The Hindu. 17 December 2011. Retrieved 7 March 2014.
  6. ↑ "Role call". The Hindu. 9 September 2010. Retrieved 7 March 2014.
  7. ↑ Barbara Hodgdon; W. B. Worthen (2008). A Companion to Shakespeare and Performance. John Wiley & Sons. pp. 132–. ISBN   978-1-4051-5023-1.
  8. ↑ Roysten Abel at IMDb
  9. ↑ Clara Nubile (2003). The Danger of Gender: Caste, Class and Gender in Contemporary Indian Women's Writing. Sarup & Sons. pp. 106–. ISBN   978-81-7625-402-1.
  10. ↑ "Interview : For an able act". The Hindu . 14 October 2005. Archived from the original on 4 March 2006. Retrieved 7 March 2014.
  11. ↑ Running Capital. Vol. 45. Outlook. 2005. p. 228.
  12. ↑ "I had to surrender, says director Roysten Abel". DNA, India. 23 March 2007. Retrieved 6 March 2014.
  13. 1 2 "Something's cooking on stage". Livemint. 25 July 2013. Retrieved 6 March 2014.
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