America Eats was a project under the Federal Writers' Project (FWP) during the 1930s in the United States. The FWP was one of the many projects contained within the Works Progress Administration, which was a New Deal program created during the Great Depression.
America Eats was created in the late 1930s with the intention of producing a book regarding regional foodways. The project was divided into five regions: the Northeast, the South, the Middle West, the Far West and the Southwest. Each region had a team of writers producing short essays discussing the foods and collecting interviews particular to a state. The America Eats project was the brainchild of the FWP's main editor, Katherine Kellock. Her goal was to highlight the "ethnic traditions, as well as the regional and local customs" of foodways in the United States. [1] As a result of Pearl Harbor and the United States' entry into World War II, funding for the project was pulled and funneled into the war effort. [2] Subsequently, the materials for the America Eats project have remained in relative obscurity, scattered around the country in archives and libraries. The majority of the remaining America Eats materials can be found in the Library of Congress and the Montana State University Archives and Special Collections.
The Federal Writers' Project was created in 1935 as part of the Works Progress Administration as a source of employment for teachers, writers, historians, and other white-collar workers. [3] By the 1940s, administrators of the FWP were actively looking for new projects after the completion of the popular American Guide Series. Katherine Kellock presented the idea of a similar type of publication as the Guide Series but focusing on regional foodways. By creating a series of essays—each focusing on a different region of the United States—the editors of the project wanted to demonstrate how regional tastes and foods contributed to a distinct and unique American cuisine. [4] The America Eats project was set up with federal editors and a central federal office in Washington, D.C., with a series of state-based writers operating the individual State Writers' Projects. For each region, one State Project would be designated as the head office for that region. The head offices were assigned as follows.
Each of these head offices was in charge of receiving field notes, correspondence, and essay drafts for the states in their region. The America Eats project was never intended to be a cookbook, but rather a series of essays demonstrating the unique foods and cultures in the five regions of the United States. By winter 1941 and spring 1942, most states had submitted materials to the project's headquarters in Washington, D.C., where the intention was to compile the regional essays, interviews, notes, and photographs into a cohesive book format. However, with the entry of the United States into World War II the America Eats! book was never completed and published, and the materials gathered from across the country were sent to various locations for storage. The majority of America Eats materials are housed at the Library of Congress, but several archives around the country also have retained collections of materials related to the project. This includes physical collections at the Kentucky Department for Libraries and Archives, Michigan State University Libraries Special Collections, Montana State University Library, New York State Archives, State Historical Society of North Dakota, and University of Michigan Archive.
The largest digital compilation of materials from all five regions of the America Eats project are held by What America Ate, a site created and run by the Department of History at Michigan State University. The site has a variety of additional digitized culinary ephemera, including advertisements and community cookbooks. The majority of America Eats materials have been digitized and placed on What America Ate, searchable through an interactive map, by region, or by format. [10] To date, this remains the largest digital collection of America Eats materials.
Soul food is the ethnic cuisine of African Americans. It originated in the American South from the cuisines of enslaved Africans trafficked to the North American colonies through the Atlantic slave trade during the Antebellum period and is closely associated the cuisine of the American South. The expression "soul food" originated in the mid-1960s when "soul" was a common word used to describe African-American culture. Soul food uses cooking techniques and ingredients from West African, Central African, Western European, and Indigenous cuisine of the Americas.
The Works Progress Administration was an American New Deal agency that employed millions of jobseekers to carry out public works projects, including the construction of public buildings and roads. It was set up on May 6, 1935, by presidential order, as a key part of the Second New Deal.
Wallace Earle Stegner was an American novelist, writer, environmentalist, and historian. He was often called "The Dean of Western Writers". He won the Pulitzer Prize in 1972 and the U.S. National Book Award in 1977.
The Federal Writers' Project (FWP) was a federal government project in the United States created to provide jobs for out-of-work writers and to develop a history and overview of the United States, by state, cities and other jurisdictions. It was launched in 1935 during the Great Depression. It was part of the Works Progress Administration (WPA), a New Deal program. It was one of a group of New Deal arts programs known collectively as Federal Project Number One or Federal One.
Federal Project Number One, also referred to as Federal One, is the collective name for a group of projects under the Works Progress Administration, a New Deal program in the United States. Of the $4.88 billion allocated by the Emergency Relief Appropriation Act of 1935, $27 million was approved for the employment of artists, musicians, actors and writers under the WPA's Federal Project Number One. In its prime, Federal Project Number One employed up to 40,000 writers, musicians, artists and actors because, as Secretary of Commerce Harry Hopkins put it, "Hell, they’ve got to eat, too". This project had two main principles: 1) that in time of need the artist, no less than the manual worker, is entitled to employment as an artist at the public expense and 2) that the arts, no less than business, agriculture, and labor, are and should be the immediate concern of the ideal commonwealth.
The Historical Records Survey (HRS) was a project of the Works Progress Administration New Deal program in the United States. Originally part of the Federal Writers' Project, it was devoted to surveying and indexing historically significant records in state, county and local archives. The official mission statement was the "discovery, preservation, and listing of basic materials for research in the history of the United States". The creation of the Historical Records Survey was one of the signal events "in what Solon Buck called the 'archival awakening' of the 1930s".
The Federal Art Project (1935–1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects. It was created not as a cultural activity, but as a relief measure to employ artists and artisans to create murals, easel paintings, sculpture, graphic art, posters, photography, theatre scenic design, and arts and crafts. The WPA Federal Art Project established more than 100 community art centers throughout the country, researched and documented American design, commissioned a significant body of public art without restriction to content or subject matter, and sustained some 10,000 artists and craft workers during the Great Depression. According to American Heritage, “Something like 400,000 easel paintings, murals, prints, posters, and renderings were produced by WPA artists during the eight years of the project’s existence, virtually free of government pressure to control subject matter, interpretation, or style.”
The Black Cabinet was an unofficial group of African-American advisors to President Franklin D. Roosevelt. African-American federal employees in the executive branch formed an unofficial Federal Council of Negro Affairs to try to influence federal policy on race issues. In his twelve years as president, Roosevelt did not appoint or nominate a single African American to be either a secretary or undersecretary in his presidential cabinet, but by mid-1935, there were 45 African Americans working in federal executive departments and New Deal agencies. Roosevelt gave no formal recognition to the group, although First Lady Eleanor Roosevelt encouraged it. Although many have ascribed the term to Mary McLeod Bethune, African American newspapers had earlier used it to describe key black advisors of Theodore Roosevelt, Taft, Harding, Coolidge, and Hoover.
Paradise Valley is a census-designated place (CDP) in Humboldt County, Nevada, United States, near the Santa Rosa Ranger District of Humboldt National Forest. It is located at the northern terminus of Nevada State Route 290, about 19 miles (31 km) northeast of U.S. Highway 95 and a total of 40 miles (64 km) north of Winnemucca. The town is located in a broad valley, with the Santa Rosa Range of mountains just to the northwest. At the 2010 census, the population of the CDP was 109.
In social science, foodways are the cultural, social, and economic practices relating to the production and consumption of food. Foodways often refers to the intersection of food in culture, traditions, and history.
The American Guide Series includes books and pamphlets published from 1937 to 1941 under the auspices of the Federal Writers' Project (FWP), a Depression-era program that was part of the larger Works Progress Administration in the United States. The American Guide Series books were compiled by the FWP, but printed by individual states, and contained detailed histories of each of the then 48 states of the Union with descriptions of every major city and town. The series not only detailed the histories of the 48 states, but provided insight to their cultures as well. In total, the project employed over 6,000 writers. The format was uniform, comprising essays on the state's history and culture, descriptions of its major cities, automobile tours of important attractions, and a portfolio of photographs.
The Detroit Naval Armory is located at 7600 East Jefferson Avenue in Detroit, Michigan. It is also known as the R. Thornton Brodhead Armory. The armory was designated a Michigan State Historic Site in 1980 and listed on the National Register of Historic Places in 1994.
Grace Stone Coates (1881–1976) wrote short stories, poetry, and news articles. She did most of her writing out of her home in Martinsdale, Montana. Coates published her first poem, "The Intruder", in 1921 and her first series of linked stories, Black Cherries, in 1931. She co-edited and wrote for Frontier, a literary magazine edited by Harold G. Merriam, a creative writing professor at the University of Montana.
Todros Geller was a Jewish American artist and teacher best known as a master printmaker and a leading artist among Chicago's art community.
The Montana State University Library (MSU Library) is the academic library of Montana State University, Montana's land-grant university, in Bozeman, Montana, United States. It is the flagship library for all of the Montana State University System's campuses. In 1978, the library was named the Roland R. Renne Library to honor the sixth president of the university. The library supports the research and information needs of Montana's students, faculty, and the Montana Extension Service.
Slave Narratives: A Folk History of Slavery in the United States is a collection of histories by formerly enslaved people undertaken by the Federal Writers' Project of the Works Progress Administration from 1936 to 1938. It was the simultaneous effort of state-level branches of FWP in seventeen states, working largely separately from each other. FWP administrators sought to develop a new appreciation for the elements of American life from different backgrounds, including that from the last generation of formerly enslaved individuals. The collections of life histories and materials on African American life that resulted gave impetus to the collection.
Ruby Pickens Tartt was an American folklorist, writer, and painter who is known for her work helping to preserve Southern black culture by collecting the life histories, stories, lore, and songs of former slaves for the Works Progress Administration and the Library of Congress. In 1980 she was inducted into the Alabama Women's Hall of Fame.
Henry Garfield Alsberg was an American journalist and writer who served as the founding director of the Federal Writers' Project.
Cavalcade of the American Negro is a grouping of related artworks collaboratively created by employees of the WPA-funded Illinois Writers' Project and the Federal Art Project for the 1940 American Negro Exposition, a world's fair-style event celebrating the 75th anniversary of the Emancipation of enslaved people in the United States.