Nominees
| Best Edited Feature Film | Best Edited Television Program |
|---|---|
| |
| Best Edited Special (Documentary) | |
| |
| 13th ACE Awards | |
|---|---|
| Presented by | American Cinema Editors |
| Date | March 23, 1963 |
| Site | Beverly Wilshire Hotel, Beverly Hills, California |
| Hosted by | Carl Reiner |
| Highlights | |
| Best Film | The Longest Day |
The 13th American Cinema Editors Awards, which were presented on Wednesday, March 23, 1963, at the Beverly Wilshire Hotel, honored the best editors in films and television. The award was hosted by comedian Carl Reiner while the principal speaker was director Mervyn LeRoy. [1]
| Best Edited Feature Film | Best Edited Television Program |
|---|---|
| |
| Best Edited Special (Documentary) | |
| |
Founded in 1950, American Cinema Editors (ACE) is an honorary society of film editors who are voted in based on the qualities of professional achievements, their education of others, and their dedication to editing. Members use the post-nominal letters "ACE". The organization's "Eddie Awards" are routinely covered in trade magazines such as The Hollywood Reporter and Variety. The society is not an industry union, such as the I.A.T.S.E., to which an editor might also belong. The current president of ACE is Kevin Tent, who was elected in 2020.
Irvine "Cotton" Eugene Warburton was an American college football quarterback (1933) who became a film and television editor with sixty feature film credits. He worked for the Metro-Goldwyn-Mayer Studios and for the Walt Disney Studios, and is probably best known for his Academy Award-winning editing of Mary Poppins (1964).
Edgar Burcksen was a Dutch film editor, who moved to the United States in 1985 after editing over 15 films in the Netherlands. He was a member of the American Cinema Editors and was fluent in English, German, French and Dutch.
Anne Voase Coates was a British film editor with a more than 60-year-long career. She was perhaps best known as the editor of David Lean's epic film Lawrence of Arabia in 1962, for which she won an Oscar. Coates was nominated five times for the Academy Award for Best Film Editing for the films Lawrence of Arabia, Becket (1963), The Elephant Man (1980), In the Line of Fire (1993) and Out of Sight (1998). In an industry where women accounted for only 16 per cent of all editors working on the top 250 films of 2004, and 80 per cent of the films had absolutely no women on their editing teams at all, Coates thrived as a top film editor. She was awarded BAFTA's highest honour, a BAFTA Fellowship, in February 2007 and was given an Academy Honorary Award, which are popularly known as a Lifetime Achievement Oscar, in November 2016 by the Academy of Motion Picture Arts and Sciences.
Gerald Bernard "Jerry" Greenberg was an American film editor with more than 40 feature film credits. Greenberg received both the Academy Award for Best Film Editing and the BAFTA Award for Best Editing for the film The French Connection (1971). In the 1980s, he edited five films with director Brian De Palma.
Michael J. HillACE was an American film editor. He and his editing partner Dan Hanley had a longstanding, notable collaboration with director Ron Howard, having cut all of Howard's films from Night Shift (1982) to In the Heart of the Sea (2015). They won an Academy Award for the film Apollo 13 (1995), and the BAFTA Award for the film Rush (2013). Hill was a member of the American Cinema Editors (ACE).
Ralph Dawson was an American film editor who also did some acting, directing, and screenwriting. He was nominated for the Academy Award for Best Film Editing four times, and won the Award three times. He died on November 15, 1962.
Dana E. Glauberman, ACE, is an American film and television editor. She is known for her work on films such as Juno, Up in the Air, Draft Day and Ghostbusters: Afterlife, as well as TV series such as The Mandalorian and Ahsoka.
The American Cinema Editors Award for Best Edited Feature Film – Dramatic is one of the annual awards given by the American Cinema Editors, awarded to what members of the American Cinema Editors Guild deem as the best edited dramatic film for a given year. Before splitting in 2000, this award included both dramatic and comedy/musical films.
The American Cinema Editors Award for Best Edited Feature Film – Comedy is one of the annual awards given by the American Cinema Editors, awarded to what members of the American Cinema Editors Guild deem as the best edited comedic film for a given year. It was split off from American Cinema Editors Award for Best Edited Feature Film – Dramatic in 2000.
The American Cinema Editors Award for Best Edited Animated Feature Film is one of the annual awards given by the American Cinema Editors. This award was first given out in 2010. As of 2024, both The Lego Movie and Spider-Man: Across the Spider-Verse are the only films which have won the award without also winning the Academy Award for Best Animated Feature.
Marjorie Johnson Fowler was an American film editor. She was nominated for the Academy Award for Best Film Editing in 1968 for Doctor Dolittle.
The American Cinema Editors Award for Best Edited Drama Series for Commercial Television is one of the annual awards given by the American Cinema Editors. It has evolved throughout the history of the American Cinema Editors Awards, narrowing it's eligibility field numerous times.
George E. Boemler was an American film editor. He edited many films in the 1930s-1960s like Hollywood Party, The Bride Goes Wild, The Power and the Prize, Run Silent, Run Deep, and Five Weeks in a Balloon. He was nominated for an Emmy Award in 1963 for his work on Ben Casey.
Eddie Hamilton is a British film editor. He is a member of the American Cinema Editors. He is a frequent collaborator with directors Matthew Vaughn and Christopher McQuarrie.
The 14th American Cinema Editors Awards, which were presented on Saturday, March 21, 1964, at the Beverly Wilshire Hotel, honored the best editors in films and television. The award was hosted by actress and comedian Irene Ryan while the principal speaker was NBC president Pat Weaver.
The 15th American Cinema Editors Eddie Awards, which were presented on Sunday, March 14, 1965, at the Coconut Grove, honored the best editors in films and television. This was the first-ever award ceremony that introduced the concept of the "Eddie Awards", complete with the unveiling of the "Eddie" statuette. The four categories that were introduced were Outstanding Picture of the Year, Best Foreign or Documentary Film, Best Performance by an Actor in a Film Debut, and Best Performance by an Actress in a Film Debut. There were a total of six awards, upped from three in the previous year. The award ceremony was hosted by character actor Pat Buttram.
The 16th American Cinema Editors Eddie Awards, which were presented on Sunday, March 27, 1966, at the Coconut Grove, honored the best editors in films and television. On January 24, 1966, president Gene Fowler announced the nominations. The five categories that were introduced were Best Performance by an Actor, Best Performance by an Actress, Outstanding Television Program of the Year, Best Performance by an Actor in a Television Program, and Best Performance by an Actress in a Television Program. There were a total of ten awards, upped from six in the previous year. The award ceremony was hosted by actor George Jessel.
The 18th American Cinema Editors Awards, which were presented on Saturday, March 16, 1968, at the Crystal Ballroom in the Beverly Hills Hotel, honored the best editors in films and television. The award was hosted by comedian Regis Philbin. "Mini-Eddies" were given out to all of the nominees for the first time in its award history. Director and producer Stanley Kramer won the "ACE Golden Eddie Filmmaker of the Year Award" for "outstanding achievements in filmmaking, climaxing a career which began in film editing."
The 20th American Cinema Editors Awards, which were presented on Saturday, March 14, 1970, at The Century Plaza Hotel, honored the best editors in films and television. The award was hosted by radio and television announcer George Fenneman. Producer and director John Sturges won the "ACE Golden Eddie Filmmaker of the Year Award" for "outstanding achievements in filmmaking, climaxing a career which began in film editing.". Film producer Marvin Mirisch handed the award to Sturges. As with the previous year, clips of all the films and television series were showcased before the winners were announced.