Nominees
| Best Edited Feature Film | Best Edited Television Program |
|---|---|
| |
| Best Edited Special | |
| |
| 14th ACE Awards | |
|---|---|
| Presented by | American Cinema Editors |
| Date | March 21, 1964 |
| Site | Beverly Wilshire Hotel, Beverly Hills, California |
| Hosted by | Irene Ryan |
| Highlights | |
| Best Film | The Longest Day |
The 14th American Cinema Editors Awards, which were presented on Saturday, March 21, 1964, at the Beverly Wilshire Hotel, honored the best editors in films and television. The award was hosted by actress and comedian Irene Ryan while the principal speaker was NBC president Pat Weaver. [1]
| Best Edited Feature Film | Best Edited Television Program |
|---|---|
| |
| Best Edited Special | |
| |
Founded in 1950, American Cinema Editors (ACE) is an honorary society of film editors who are voted in based on the qualities of professional achievements, their education of others, and their dedication to editing. Members use the post-nominal letters "ACE". The organization's "Eddie Awards" are routinely covered in trade magazines such as The Hollywood Reporter and Variety. The society is not an industry union, such as the I.A.T.S.E., to which an editor might also belong. The current president of ACE is Kevin Tent, who was elected in 2020.
Irvine "Cotton" Eugene Warburton was an American college football quarterback (1933) who became a film and television editor with sixty feature film credits. He worked for the Metro-Goldwyn-Mayer Studios and for the Walt Disney Studios, and is probably best known for his Academy Award-winning editing of Mary Poppins (1964).
Gene Fowler Jr., the eldest son of journalist and author Gene Fowler, was a prominent Hollywood film editor. His work included films of Fritz Lang and Samuel Fuller and movies like Stanley Kramer's It's a Mad, Mad, Mad, Mad World (1963), John Cassavetes' A Child Is Waiting (1963) and Hang 'Em High (1968).
The American Cinema Editors Award for Best Edited Feature Film – Dramatic is one of the annual awards given by the American Cinema Editors, awarded to what members of the American Cinema Editors Guild deem as the best edited dramatic film for a given year. Before splitting in 2000, this award included both dramatic and comedy/musical films.
Richard Franklin Chew is an American film editor, best known for his Academy Award-winning work on Star Wars (1977), alongside Paul Hirsch and Marcia Lucas. Other notable films include One Flew Over the Cuckoo's Nest (1975), Risky Business (1983), Waiting to Exhale (1995), That Thing You Do! (1996), and I Am Sam (2001). His career over a variety of films spans more than four decades.
James R. Sweeney was an American film editor.
Samuel Fields was an American film editor. He worked in the film industry since 1937 and became a realtor during the 1940s. He eventually worked as a film editor from 1951 until his death in 1954.
Marjorie Johnson Fowler was an American film editor. She was nominated for the Academy Award for Best Film Editing in 1968 for Doctor Dolittle.
The American Cinema Editors Award for Best Edited Drama Series for Commercial Television is one of the annual awards given by the American Cinema Editors. It has evolved throughout the history of the American Cinema Editors Awards, narrowing it's eligibility field numerous times.
The 72nd American Cinema Editors Eddie Awards were presented on March 5, 2022, at the Ace Hotel in Downtown Los Angeles, honoring the best editors in films and television of 2021. The nominees were announced on January 27, 2022.
The 12th American Cinema Editors Awards, which were presented on Wednesday, February 21, 1962, at The Beverly Hills Hotel, honored the best editors in films and television. The layout of the awards were announced on September 18, 1961. The ACE Second Decade Anniversary Book writes "Henceforth A.C.E. sponsored its own editing awards." This was the first ceremony that handed out unique awards; the previous ceremonies celebrated the editors who were nominated Academy Awards. The award was hosted by comedian Louis Nye.
The 13th American Cinema Editors Awards, which were presented on Wednesday, March 23, 1963, at the Beverly Wilshire Hotel, honored the best editors in films and television. The award was hosted by comedian Carl Reiner while the principal speaker was director Mervyn LeRoy.
The 15th American Cinema Editors Eddie Awards, which were presented on Sunday, March 14, 1965, at the Coconut Grove, honored the best editors in films and television. This was the first-ever award ceremony that introduced the concept of the "Eddie Awards", complete with the unveiling of the "Eddie" statuette. The four categories that were introduced were Outstanding Picture of the Year, Best Foreign or Documentary Film, Best Performance by an Actor in a Film Debut, and Best Performance by an Actress in a Film Debut. There were a total of six awards, upped from three in the previous year. The award ceremony was hosted by character actor Pat Buttram.
The 16th American Cinema Editors Eddie Awards, which were presented on Sunday, March 27, 1966, at the Coconut Grove, honored the best editors in films and television. On January 24, 1966, president Gene Fowler announced the nominations. The five categories that were introduced were Best Performance by an Actor, Best Performance by an Actress, Outstanding Television Program of the Year, Best Performance by an Actor in a Television Program, and Best Performance by an Actress in a Television Program. There were a total of ten awards, upped from six in the previous year. The award ceremony was hosted by actor George Jessel.
The 17th American Cinema Editors Awards, which were presented on Saturday, April 1, 1967, at The Century Plaza Hotel, honored the best editors in films and television. The awards categories were narrowed to two categories, focusing more on the film editors than the last two ceremonies. The award was also not televised. The award was hosted by comedian Rose Marie. This ceremony was also the introduction of the "ACE Golden Eddie Filmmaker of the Year Award" award, which was won by Acadaemy-winning director and former editor Robert Wise. Julie Andrews, who previously won "Best Actress" awards in the last two ceremonies, presented the award to Wise.
The 18th American Cinema Editors Awards, which were presented on Saturday, March 16, 1968, at the Crystal Ballroom in the Beverly Hills Hotel, honored the best editors in films and television. The award was hosted by comedian Regis Philbin. "Mini-Eddies" were given out to all of the nominees for the first time in its award history. Director and producer Stanley Kramer won the "ACE Golden Eddie Filmmaker of the Year Award" for "outstanding achievements in filmmaking, climaxing a career which began in film editing."
The 18th American Cinema Editors Awards, which were presented on Saturday, March 15, 1969, at The Century Plaza Hotel, honored the best editors in films and television. The award was hosted by comedian Jan Murray. For the first time in the ceremony's history, clips of each of the nominated films and television series were shown. No special awards were given out during the award ceremony.
The 20th American Cinema Editors Awards, which were presented on Saturday, March 14, 1970, at The Century Plaza Hotel, honored the best editors in films and television. The award was hosted by radio and television announcer George Fenneman. Producer and director John Sturges won the "ACE Golden Eddie Filmmaker of the Year Award" for "outstanding achievements in filmmaking, climaxing a career which began in film editing.". Film producer Marvin Mirisch handed the award to Sturges. As with the previous year, clips of all the films and television series were showcased before the winners were announced.
The 21st American Cinema Editors Awards, which were presented on Saturday, March 13, 1971, at The Century Plaza Hotel, honored the best editors in films and television. The award was hosted by actress Martha Raye. Editor and director Elmo Williams won the "ACE Golden Eddie Filmmaker of the Year Award" for "outstanding achievements in filmmaking, climaxing a career which began in film editing." Actor Lee J. Cobb handed the award to Williams.