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Founded in 1950, American Cinema Editors (ACE) is an honorary society of film editors who are voted in based on the qualities of professional achievements, their education of others, and their dedication to editing. Members use the post-nominal letters "ACE". The organization's "Eddie Awards" are routinely covered in trade magazines such as The Hollywood Reporter and Variety. The society is not an industry union, such as the I.A.T.S.E., to which an editor might also belong. The current president of ACE is Kevin Tent, who was elected in 2020.
The Primetime Emmy Awards, or Primetime Emmys, are part of the extensive range of Emmy Awards for artistic and technical merit for the American television industry. Bestowed by the Academy of Television Arts & Sciences (ATAS), the Primetime Emmys are presented in recognition of excellence in American primetime television programming. The award categories are divided into three classes: the regular Primetime Emmy Awards, the Primetime Creative Arts Emmy Awards to honor technical and other similar behind-the-scenes achievements, and the Primetime Engineering Emmy Awards for recognizing significant contributions to the engineering and technological aspects of television. First given out in 1949, the award was originally referred to as simply the "Emmy Award" until the International Emmy Award and the Daytime Emmy Award were created in the early 1970s to expand the Emmy to other sectors of the television industry.
Zach S. Staenberg, A.C.E. is an American film editor best known for his work on action films and the Matrix Trilogy. Staenberg won an Academy Award and two ACE Eddie Award for the editing of The Matrix (1999) and for HBO's Gotti (1996) for which he was also nominated for an Emmy. The Matrix films were written and directed by the Wachowskis, with whom Staenberg has had an extended collaboration dating from 1996. He is a frequent collaborator of director Andrew Niccol.
Joe Hutshing is an American film editor who grew up in San Diego, California and is best known for working multiple times with film director, Oliver Stone and well as with film director Cameron Crowe. Hutshing graduated from the University of Oregon in 1980.
Sarah Flack is an American film editor. She frequently worked with American independent film directors Steven Soderbergh and Sofia Coppola. Flack's work on Lost in Translation won her the BAFTA Award for Best Editing. The film went on to win numerous other awards, including a Golden Globe Award for Best Motion Picture – Musical or Comedy and the Independent Spirit Award for Best Film. She won a Primetime Emmy Award and an American Cinema Editors Eddie award with Robert Pulcini for co-editing the HBO film "Cinema Verite".
Alan Heim, ACE is an American film editor. He won an Academy Award for editing All That Jazz.
The American Cinema Editors Award for Best Edited Feature Film – Comedy is one of the annual awards given by the American Cinema Editors, awarded to what members of the American Cinema Editors Guild deem as the best edited comedic film for a given year. It was split off from American Cinema Editors Award for Best Edited Feature Film – Dramatic in 2000.
The Canadian Screen Awards are awards given for artistic and technical merit in the film industry recognizing excellence in Canadian film, English-language television, and digital media productions. Given annually by the Academy of Canadian Cinema & Television, the awards recognize excellence in cinematic achievements, as assessed by the Academy's voting membership.
Tim Porter is a British film editor, best known for his work on the HBO series, Game of Thrones, as well as several other notable British television series. He worked as an editor and co-producer on the Game of Thrones prequel, House of the Dragon.
The American Cinema Editors Award for Best Edited Drama Series for Commercial Television is one of the annual awards given by the American Cinema Editors. It has evolved throughout the history of the American Cinema Editors Awards, narrowing it's eligibility field numerous times.
The American Cinema Editors Award for Best Edited Single-Camera Comedy Series is one of the annual awards given by the American Cinema Editors. It was created in 2021, when the comedy series categories were re-arranged into Best Edited Single-Camera Comedy Series and Best Edited Multi-Camera Comedy Series.
The 70th American Cinema Editors Eddie Awards were presented on January 17, 2020, at The Beverly Hilton, honoring the best editors in film and television of 2019. The nominees were announced on December 11, 2019.
The American Cinema Editors Award for Best Edited Documentary – (Non-Theatrical) is one of the annual awards given by the American Cinema Editors. The award was first presented at the 2013 ceremony, prior to that year both film and television documentaries competed in the same category, the Best Edited Documentary – Feature award.
The American Cinema Editors Award for Best Edited Miniseries or Motion Picture for Television is one of the annual awards given by the American Cinema Editors. It has evolved throughout the history of the American Cinema Editors Awards, narrowing it's eligibility field numerous times.
Stuart Bass, ACE, is an American film and television editor and director. He is best known for his work on the television series The Wonder Years, MacGyver, The Office, Arrested Development, Pushing Daisies, and A Series of Unfortunate Events.
The American Cinema Editors Award for Best Edited Comedy Series for Commercial Television is a former award given by the American Cinema Editors. In 2018, it was split from Best Edited Half-Hour Series for Television alongside Best Edited Comedy Series for Commercial Television.
The American Cinema Editors Award for Best Edited Multi-Camera Comedy Series is a former award given by the American Cinema Editors, awarded from 2018-2020. In 2021, the comedy series categories were re-arranged into American Cinema Editors Award for Best Edited Single-Camera Comedy Series and Best Edited Multi-Camera Comedy Series.
The American Cinema Editors Award for Best Edited Half-Hour Series for Television is a former award, broadly awarding a variety of comedic shows. In 2018, the category dropped running time distinctions, as well as adding distinctions between viewing types, and became Best Edited Comedy Series for Commercial Television and Best Edited Comedy Series for Non-Commercial Television respectively. In 2021, the comedy series categories were re-arranged into Best Edited Single-Camera Comedy Series and Best Edited Multi-Camera Comedy Series.
References
- ↑ Giardina, Carolyn (January 27, 2022). "'Belfast,' 'King Richard,' No Time To Die' Among American Cinema Editors Eddie Awards Nominees". The Hollywood Reporter . Retrieved January 27, 2022.