Author | Chimamanda Ngozi Adichie |
---|---|
Language | English |
Series | Ala Notable Books for Adults |
Genre | Fiction novel |
Publisher | Alfred A. Knopf |
Publication date | May 2013 |
Publication place | Nigeria |
Media type | Print (Hardback) |
Pages | 608 pp. |
ISBN | 978-0-307-96212-6 |
Americanah is a 2013 novel by the Nigerian author Chimamanda Ngozi Adichie, for which Adichie won the 2013 U.S. National Book Critics Circle Award for fiction. [1] Americanah tells the story of a young Nigerian woman, Ifemelu, who immigrates to the United States to attend university. The novel traces Ifemelu's life in both countries, threaded by her love story with high school classmate Obinze. It was Adichie's third novel, published on May 14, 2013, by Alfred A. Knopf.
Americanah is about Ifemelu and Obinze who, as teenagers in a Lagos secondary school, fall in love. Nigeria at the time is under military dictatorship, and people are seeking to leave the country. Ifemelu moves to the United States to study, where she struggles for the first time with racism and the many varieties of racial distinctions: for the first time, Ifemelu discovers what it means to be a "Black Person". [2] Obinze had hoped to join her in the U.S. but he is denied a visa after 9/11. He goes to London, eventually becoming an undocumented immigrant after his visa expires. [3] [4]
Years later, Obinze returns to Nigeria and becomes a wealthy man as a property developer in the newly democratic country. Ifemelu gains success in the United States, where she becomes known for her blog about race in America, entitled "Raceteenth or Various Observations About American Blacks (Those Formerly Known as Negroes) by a Non-American Black". [4] When Ifemelu returns to Nigeria, the two consider reviving a relationship in light of their diverging experiences and identities during their many years apart.
This section possibly contains original research .(January 2019) |
Americanization is one of the most prominent themes in Americanah. In the context of the novel, America itself is a symbol of hope, wealth, social and economic mobility, and, ultimately, disappointment, as Ifemelu learns that the American Dream is a lie and that the advantages she enjoys there often come at a great price. Her Americanization is slow but distinct, and she gradually picks up the slang, adapts to her surroundings (for better or worse), and adopts American politics. Her views on gender and race change because of this, and her blog is devoted to exploring the issue of race as a non-American black in America. She's called Americanah when she returns to Nigeria, having picked up a blunt, American way of speaking and addressing problems. She resists this label, but it's evident to the reader that Ifemelu's years in America have changed her.
According to Idowu Faith, “no valid statement can be made on Americanah without deconstructing the term “Americanah” which, more or less, reveals the thesis of the narrative as well as the preoccupation of Adichie in the text.” In Nigerian parlance, the term “Americanah” is an identity term based on a person's previous experience of living in America. In an interview, Adichie defines Americanah as describing those who have been to the US and return with American affectations, pretend not to understand their mother tongues any longer, and refuse to eat Nigerian food, making constant reference to their life in America.
From this understanding, it is clear that Ifemelu's decision to return home without worrying about being identified as an “Americanah” establishes that Adichie is proposing and charting a path for a new kind of migration story whose quintessence is return migration.
Adichie's explorations of sexual education and the perception of sex among youngsters in Nigeria plays a fundamental role in the journey of Ifemelu exploring her sexuality as an adolescent in a puritan post-colonial society.
While many of the migratory experiences in the novel work within migration theory, Adichie simultaneously transcends the borders of international migration theories by introducing a new factor that both influences migration and projects a new perspective on return migration. According to Dustmann and Weiss (2007:237), lack of economic opportunity and escape from natural disaster/persecution are two main reasons individuals migrate throughout history. While identifying the need to flee “choicelessness” as the main reason for much of the migration in the twenty-first century Nigerian setting of the novel, Adichie uses literary dimensions to shake up the foundations of theory. Consequently, the direction of this type of migration, how it affects the bonds of love, how it changes personalities and cultural views, and how it reinterprets identity become the novelist's major theoretical engagements. In addition, Adichie is concerned with how migration debases and elevates, how it barters and fulfills and, most significantly, how it reinvents.
Critics praised the novel, especially noting its range across different societies and reflection of global tensions. According to Book Marks, the book received "positive" reviews based on 16 critic reviews with 8 being "rave" and 3 being "positive" and 4 being "mixed" and 1 being "pan". [5] On The Omnivore, an aggregator of British press reviews, the book received an "omniscore" of 4 out of 5. [6] In an aggregation of British and American press on Culture Critic, the book received a score of 76%. [7] On Bookmarks July/August 2013 issue, a magazine that aggregates critic reviews of books, the book received a (4.0 out of 5) based on critic reviews with a critical summary saying, "Chimamanda Ngozi Adichie has never been afraid to address the difficult subjects of race and class. Americanah, though perhaps limned on a smaller scale than that of her previous fiction, masterfully tackles the nuances of these elephants in the room." [8] [9]
Writing for The New York Times , Mike Peed said, "'Americanah' examines blackness in America, Nigeria and Britain, but it's also a steady-handed dissection of the universal human experience—a platitude made fresh by the accuracy of Adichie's observations." [4] Peed concluded: "'Americanah' is witheringly trenchant and hugely empathetic, both worldly and geographically precise, a novel that holds the discomfiting realities of our times fearlessly before us. It never feels false." [4] Reviewing the novel for The Washington Post , Emily Raboteau called Adichie "a hawkeyed observer of manners and distinctions in class," and said Adichie brings a "ruthless honesty about the ugly and beautiful sides of both" the United States and Nigeria. [10] In the Chicago Tribune , Laura Pearson wrote, "Sprawling, ambitious and gorgeously written, 'Americanah' covers race, identity, relationships, community, politics, privilege, language, hair, ethnocentrism, migration, intimacy, estrangement, blogging, books and Barack Obama. It covers three continents, spans decades, leaps gracefully, from chapter to chapter, to different cities and other lives...[Adichie] weaves them assuredly into a thoughtfully structured epic. The result is a timeless love story steeped in our times." [11] Tshilidzi Marwala links the Americanah to the rise of nationalism. In this regard, he thinks the story of Americanah evokes the image that the 21st century will be defined by the dialectical tension between the globalization, which is brought by technology, and the "othering" which is brought by the alienating characteristic of globalization. Accordingly, Marwala on reviewing Americanah states that "it seems that in the 21st century, the strangeness of othering, of enhancing difference rather than embracing our commonalities and the wedging of deep fissures in society continues unabated." [12]
The book was selected as one of the 10 Best Books of 2013 by the editors of the New York Times Book Review . [13] It won the 2013 National Book Critics Circle Award (Fiction), [1] and was shortlisted for the 2014 Baileys Women's Prize for Fiction [14] of the United Kingdom. The Chicago Tribune awarded Adichie its 2013 Heartland Award for Fiction, "recogniz[ing Americanah as] a novel that engages with important ideas about race, and does so with style, wit and insight." [15]
In March 2017, Americanah was picked as the winner for the "One Book, One New York" program, [16] [17] part of a community reading initiative encouraging all city residents to read the same book. [18]
In 2024, Americanah was ranked #27 in the list of 100 best books of the 21st century by the New York Times. [19]
Americanah spent 78 weeks on NPR's Paperback Best-Seller list. [20] Days after The New York Times named Americanah to its best books of 2013 list, Beyoncé also signaled her admiration of Adichie, sampling Adichie's TED Talk "We should all be feminists" on the song "***Flawless"; sales of Americanah soared and as of December 23, 2013, the book climbed to the number 179 spot on Amazon.com's list of its 10,000 best-selling books. [21]
In 2022, Americanah was banned in the Clay County School District in Florida. [22]
In 2014, it was announced that David Oyelowo and Lupita Nyong'o would star in a film adaptation of the novel, [23] to be produced by Brad Pitt and his production company Plan B. [24] In 2018, Nyong'o told The Hollywood Reporter that she was developing a television miniseries based on the book, which she would produce and star in. [25] It was announced on September 13, 2019, that HBO Max would air the miniseries in ten episodes, with actor and playwright Danai Gurira as writer and showrunner. [26] On October 15, 2020, it was reported that the miniseries would not move forward due to scheduling conflicts. [27]
Chimamanda Ngozi Adichie is a Nigerian novelist, short-story writer and activist. Regarded as a central figure in postcolonial feminist literature, she is the author of the novels Purple Hibiscus (2003), Half of a Yellow Sun (2006) and Americanah (2013). Her other works include the book essays We Should All Be Feminists (2014); Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions (2017); a memoir, Notes on Grief (2021); and a children's book, Mama's Sleeping Scarf (2023).
Americana may refer to:
Kachifo Limited is an independent publishing house based in Lagos, Nigeria. It was founded in 2004 by Muhtar Bakare. Its imprints include Farafina Books, Farafina Educational, and Prestige Books. From 2004 to 2009, it published the influential Farafina Magazine.
Purple Hibiscus is a novel by Nigerian writer Chimamanda Ngozi Adichie, published on 30 October 2003 by Algonquin Books. Narrated in the first person, Kambili Achike, the central character struggles to find her voice as the daughter of a wealthy, devout Catholic businessman, Eugene who violently abuses his family. Her brother, Jaja, eventually rebels against their father, choosing to live with Aunty Ifeoma, Papa Nnukwu, and Father Amadi, all of whom influence his—and as a result, Kambili's—beliefs and cultural knowledge. Kambili's mother, Beatrice, poisons Eugene, but Jaja takes the blame to protect her, leading to his imprisonment. Purple Hibiscus, Adichie's debut novel, is set in post-colonial Nigeria and explores themes of religion, family, and colonisation.
Half of a Yellow Sun is a novel by Nigerian writer Chimamanda Ngozi Adichie. It was published in 2006 by 4th Estate. The novel, set in Nigeria, tells the story of the Biafran War through the perspective of the characters Olanna, Ugwu, and Richard.
The Thing Around Your Neck is a short-story collection by Nigerian author Chimamanda Ngozi Adichie, first published in April 2009 by Fourth Estate in the UK and by Knopf in the US. It received many positive reviews, including: "She makes storytelling seem as easy as birdsong" ; "Stunning. Like all fine storytellers, she leaves us wanting more".
Gabriela Babnik is a Slovene writer, literary critic and translator. She has published three novels and her journalistic literary and film criticism regularly appears in national newspapers and magazines in Slovenia.
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Half of a Yellow Sun is a 2013 Anglo-Nigerian drama film directed by Biyi Bandele and based on the novel of the same name by Chimamanda Ngozi Adichie. This film explores the profound themes of identity, love, and resilience in the face of war. It confronts the complexities of personal relationships set against the backdrop of political chaos, while also addressing the lingering effects of colonialism on Nigerian society. The narrative portrays the struggle for personal identity and the quest for love amidst the horrors of war, offering a poignant reflection on the human condition during one of Africa's most challenging historical periods.
We Should All Be Feminists is a book-length essay by the Nigerian author Chimamanda Ngozi Adichie. First published in 2014 by Fourth Estate, it talks about the definition of feminism for the 21st century.
Jagua Nana is a 1961 novel by Nigerian novelist Cyprian Ekwensi. The novel was later republished in 1975 as part of the influential Heinemann African Writers Series.
Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions is an epistolary form manifesto written by Nigerian author Chimamanda Ngozi Adichie. Dear Ijeawele was posted on her official Facebook page on October 12, 2016, was subsequently adapted into a book, and published in print on March 7, 2017.
Kiru Taye is a Nigerian writer, who specializes in romance novels.
A Promised Land is a memoir by Barack Obama, the 44th president of the United States from 2009 to 2017. Published on November 17, 2020, it is the first of a planned two-volume series. Remaining focused on his political career, the presidential memoir documents Obama's life from his early years through to the events surrounding the killing of Osama bin Laden in May 2011. The book is 768 pages long and available in digital, paperback, and hardcover formats and has been translated into two dozen languages. There is also a 29-hour audiobook edition that is read by Obama himself.
Freshwater is a 2018 autobiographical fiction novel by Nigerian writer Akwaeke Emezi. Emezi's debut novel, it tells the story of Ada, a girl with multiple ogbanje dwelling inside her. A TV series based on the novel is under development by FX.
Notes on Grief is a 2021 memoir written by the Nigerian author Chimamanda Ngozi Adichie. Presented in 30 short sections, Notes on Grief was written following the death of her father James Nwoye Adichie in June 2020, during the early days of the COVID-19 pandemic, and is expanded from an essay first published in The New Yorker. As The New York Times notes: "What she narrates is not only father loss, but the ways Mr. Adichie endures in having made of her a writer."
Carolyn Kellogg is an American author and book critic. She worked at the Los Angeles Times as a staff writer covering books from 2010 to 2016. She was named the L.A. Times' Books Editor in 2016 and left at the end of 2018.
Mama's Sleeping Scarf is a 2023 children's picture book written by Nigerian writer Chimamanda Ngozi Adichie under the pseudonym Nwa Grace-James and illustrated by Congolese-Angolan illustrator Joelle Avelino. The narrative centers on Chino, a young child who finds solace in her mother's scarf while awaiting her return.
"Zikora" is a short story (2020) written by Chimamanda Ngozi Adichie, Nigerian author of various other literary works, including Purple Hibiscus, Half of a Yellow Sun, and Americanah. "Zikora" is an engaging story about a woman who reflects on the current state of her life as she is about to have a baby without a spouse.