Amrita Shah

Last updated

Amrita Shah
NationalityIndian
Occupations
  • Journalist
  • writer
Academic background
Education Elphinstone College

Amrita Shah is an Indian journalist, scholar and writer. She was the first female editor of the men's magazine Debonair , and a founding editor of the Indian edition of Elle . Her work includes a pioneering series of articles on Mumbai's organised crime, a biography of the father of the Indian space program Vikram Sarabhai, a study of India's emerging politics through an urban framing in a contemporary history of the city of Ahmedabad, and a book on the impact of television in India.

Contents

Her major works have been supported by several awarded fellowships, including from the New India Foundation, Fulbright, the Nantes Institute for Advanced Study, the Homi Bhabha Fellowships Council, and the Institute for Public Knowledge at New York University.

Shah has been Contributing Editor with the Indian Express , a correspondent for Mumbai's Imprint Magazine and a Stringer for Time-Life .

Career

Amrita Shah graduated in 1983 in English literature from Elphinstone College, Mumbai. [1] She subsequently became a Stringer for the American Time magazine, and authored a series of articles on Mumbai's organised crime in the Illustrated Weekly of India and other publications. [1] [2]

She was the editor of the men's magazine Debonair at the time of the sensational campaign launching KamaSutra condoms in 1991; the magazine sold out in just a few days. [3] According to Shah, the rush to buy the issue was entirely due to the images in the adverts. [3] Unusual for its time, she was the magazine's first female editor. [4] In 1996 she became the founding editor of Elle . [1] [5]

From 1999 to 2009 Shah was a Contributing Editor and Columnist with the Indian Express. [2] She has also worked for Mumbai's Imprint Magazine. [6] Stephen H. Hess noted that journalists like Shah objected to Americentrism in publishing and aspired to writing about a wider range of topics, with an aim to reach larger audiences. [6] Referring to Orientalist expectations in the Western media, Shah writes that stories on burning brides and stampeding elephants were the kind of stories routinely expected of Indian contributors by the Western media. [6]

Fellowships

In 2008 she held a fellowship with the New India Foundation, working on her book about the Indian city of Ahmedabad. [7] Continuing with research on the city and global urbanism, in 2009 she was a Fulbright-Nehru Doctoral and Professional Research fellow. [8] From January to April 2018 she was a writing fellow at the Johannesburg Institute for Advanced Study. [9] In 2019, she was listed as resident fellow at The Nantes Institute for Advanced Study, continuing her work on a project titled "A Personal Journey Into History", in which she roams through Britain's Indian Ocean Empire following the trail of her great grandfather Mohanlal who travelled to Natal at the turn of the twentieth century. [1] She has previously received fellowships from the Homi Bhabha Fellowships Council, the Indian Culture Ministry (2012), the Indian Council for Historical Research (2013), the Stimson Center in Washington DC and the Institute for Public Knowledge at New York University. [2]

Works

Hype, Hypocrisy, and Television in Urban India

Shah's book Hype, Hypocrisy, and Television in Urban India was published in 1997. [10] It was a survey of the socio-cultural and political landscape of post liberalisation India and contained significant findings including on the expansion of the media, [11] on the dramatic transformation in the lives of Indian women, [12] [13] and on the future of journalism. [14] While researching the book she became interested in Vikram Sarabhai, the father of the Indian Space Program and a key proponent of television in India, and his city of birth, Ahmedabad. [15]

Vikram Sarabhai: A Life

She subsequently authored a biography of Vikram Sarabhai, titled Vikram Sarabhai: A Life, published in 2007. [16] [17] In it she wrote that Sarabhai "dreamed of using space technology for applications in agriculture, forestry, oceanography, geology, mineral prospecting and cartography, with a strict focus on peaceful ends". [18] She included relationship difficulties with his wife, Mrinalini Sarabhai. [19] Space historian Asif Azam Siddiqi called the work a "thoughtful examination of his life". [20] In Robert S. Anderson's Nucleus and Nation: Scientists, International Networks, and Power in India, a footnote credits the biography for being one of the best about an Indian scientist. [16]

Ahmedabad: A City in the World

Her book Ahmedabad: A City in the World was published in 2015, and described an emerging national politics through a city developmental frame. [21] Shah details the emergence of a bleak Muslim ghetto, called Bombay Hotel, [22] following Miraj, who lost his home in the attack on the Gulbarg Society. [23] [24] Shah writes that "all signs of life [at Gulbarg].. have been stamped out". [25] The book is described as well written in Thomas Blom Hansen's Saffron Republic: Hindu Nationalism and State Power in India. [26] In 2016, Ahmedabad was shortlisted for the Raymond-Crossword Book Award. [1] In 2017 SAGE awarded Shah the Tejeshwar Singh Memorial Award. [27]

Telly-Guillotined: How Television Changed India

Shah's book Telly-Guillotined: How Television Changed India, published in 2019, is a new, revised, and expanded version of Hype, Hypocrisy, and Television in Urban India (1997), continuing the story of television in India for an additional two decades. [10] [15]

Selected publications

Articles

Books

Related Research Articles

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References

  1. 1 2 3 4 5 "Amrita SHAH - Résidents - Fondation Institut d'Études Avancées de Nantes". www.iea-nantes.fr (in French). Archived from the original on 26 September 2023. Retrieved 25 September 2023.
  2. 1 2 3 Chandran, Ramjee (2 February 2022). "Shakespeare, Joan Didion And Amrita Shah Walk Into A Bar. And, "No Loos In Texas". - The Literary City: Shakespeare, Joan Didion and Amrita Shawalk into a bar". Archived from the original on 22 September 2023. Retrieved 22 September 2023.
  3. 1 2 Mazzarella, William (2003). "3. Citizens have sex, consumers make love; karma Sutra I". Shoveling Smoke: Advertising and Globalization in Contemporary India. Duke University Press. p. 61-76. ISBN   978-0-8223-3145-2. Archived from the original on 9 October 2023. Retrieved 24 September 2023.
  4. ↑ Biblio: A Review of Books. Asia-Pacific Communication Associates. 1998. p. 6.
  5. ↑ Joseph, Ammu (2000). Women in Journalism: Making News. Konark Publishers. p. 288. ISBN   978-81-220-0563-9. Archived from the original on 26 September 2023. Retrieved 19 October 2023.
  6. 1 2 3 Hess, Stephen (1996). "6-Freelancers and foreigners". International News and Foreign Correspondents. Washington: Brookings Institution Press. p. 77. ISBN   978-0-8157-3630-1. Archived from the original on 25 September 2023. Retrieved 25 September 2023.
  7. ↑ "New India Foundation". New India Foundation. Archived from the original on 21 September 2023. Retrieved 21 September 2023.
  8. ↑ "Welcome to USIEF". www.usief.org.in. Archived from the original on 26 September 2023. Retrieved 26 September 2023.
  9. ↑ Bruyn, Retha De. "Writing Fellowships 2018". JIAS. Archived from the original on 26 September 2023. Retrieved 26 September 2023.
  10. 1 2 Lad, Mita (September 2021). "Book Review: Telly-Guillotined: How Television Changed India" . Critical Studies in Television: The International Journal of Television Studies. 16 (3): 328–330. doi:10.1177/17496020211015463a. S2CID   237505278. Archived from the original on 9 October 2023. Retrieved 23 September 2023.
  11. ↑ Sundaram, Ravi (2010). "3. The pirate kingdom". Pirate Modernity: Delhi's Media Urbanism. Abingdon, Oxon: Routledge. p. 115. ISBN   978-1-134-13051-1. Archived from the original on 9 October 2023. Retrieved 24 September 2023.
  12. ↑ Malhotra, Sheena; Crabtree, Robin D. (2002). "3. Gender (Inter)Nation(alization) and culture: Implications for the privatisation of television in India". In Collier, Mary Jane (ed.). Transforming Communication About Culture. SAGE. p. 70. ISBN   978-0-7619-2488-3. Archived from the original on 28 September 2023. Retrieved 24 September 2023.
  13. ↑ Shah’s larger argument about the rise of independent women and the role of television in India is on pp. 182-195 in the updated edition Telly-Guillotined: How Television Changed India (2019).
  14. ↑ Kumar, Shanti (2006). "Conclusion: is there an Indian community of television?". Gandhi Meets Primetime: Globalization and Nationalism in Indian Television. University of Illinois Press. p. 193. ISBN   978-0-252-09166-7. Archived from the original on 28 September 2023. Retrieved 19 October 2023.
  15. 1 2 Najib, Rihan (6 September 2019). "Interview with Amrita Shah, author of 'Telly-Guillotined'". BusinessLine. Archived from the original on 21 September 2023. Retrieved 21 September 2023.
  16. 1 2 Anderson, Robert S. (2010). "Notes". Nucleus and Nation: Scientists, International Networks, and Power in India. University of Chicago Press. ISBN   978-0-226-01975-8. Archived from the original on 9 October 2023. Retrieved 24 September 2023.
  17. ↑ Nilekani, Nandan; Shah, Viral (2016). "Introduction". Rebooting India: Realizing a Billion Aspirations. Penguin UK. p. 22. ISBN   978-0-14-197860-4. Archived from the original on 25 September 2023. Retrieved 25 September 2023.
  18. ↑ "Engineering India's Space Dreams". www.tata.com. Archived from the original on 21 September 2023. Retrieved 21 September 2023.
  19. ↑ Singh, Gurbir (2017). "6. Vikram Sarabhai: leadership by trust". The Indian Space Programme: India's incredible journey from the Third World towards the First. Astrotalkuk Publications. p. 135. ISBN   978-0-9569337-6-8. Archived from the original on 28 September 2023. Retrieved 19 October 2023.
  20. ↑ Siddiqi, Asif (January 2016). "Another global history of science: making space for India and China". BJHS Themes. 1: 115–143. doi: 10.1017/bjt.2016.4 . ISSN   2058-850X. S2CID   131252046.
  21. ↑ Bose, Mihir (30 July 2015). "Ahmedabad: A City in the World by Amrita Shah, book review: Riveting". The Independent. Archived from the original on 21 September 2023. Retrieved 21 September 2023.
  22. ↑ Barua, Rukmini (2022). "7. Security and tenancy at the margins of the city". In the Shadow of the Mill: Workers' Neighbourhoods in Ahmedabad, 1920s to 2000s. Cambridge University Press. p. 263. ISBN   978-1-108-83811-5. Archived from the original on 9 October 2023. Retrieved 24 September 2023.
  23. ↑ Sircar, Oishik (2019). "6. Gujarat 2002". In Juss, Satvinder (ed.). Human Rights in India. Abingdon, Oxon: Routledge. p. 144. ISBN   978-1-000-69097-2. Archived from the original on 9 October 2023. Retrieved 25 September 2023.
  24. ↑ Mathur, Navdeep; Mittal, Harsh (2020). "11. Neoliberal governing as production of fantasy: contemporary transformations in Ahmedabad's landscapes". In Mishra, Deepak K.; Nayak, Pradeep (eds.). Land and Livelihoods in Neoliberal India. Springer. ISBN   978-981-15-3511-6. Archived from the original on 10 October 2023. Retrieved 24 September 2023.
  25. ↑ Ahmed, Heba (2017). "9. The Gulbarg memorial and the problem of memory". In Mahn, Churnjeet; Murphy, Anne (eds.). Partition and the Practice of Memory. Palgrave Macmillan. p. 193-198. ISBN   978-3-319-64516-2. Archived from the original on 9 October 2023. Retrieved 24 September 2023.
  26. ↑ Ghassem-Fachandi, Parvis (2022). "13. Pratikriya, guilt and reactionary violence". In Hansen, Thomas Blom; Roy, Srirupa (eds.). Saffron Republic: Hindu Nationalism and State Power in India. Cambridge University Press. p. 290. ISBN   978-1-009-10048-9. Archived from the original on 9 October 2023. Retrieved 24 September 2023.
  27. ↑ "SAGE announces the "Tejeshwar Singh Memorial Award for Excellence in Writing on the Urban"" . SAGE India. 22 February 2017. Archived from the original on 9 October 2023. Retrieved 25 September 2023.
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