| An Hysteric Return: P.D.Q. Bach at Carnegie Hall | ||||
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| Live album by | ||||
| Released | 1966 | |||
| Label | Vanguard Records | |||
| P. D. Q. Bach chronology | ||||
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An Hysteric Return: P.D.Q. Bach at Carnegie Hall is live recording of a P. D. Q. Bach concert in Carnegie Hall and was released on Vanguard Records in 1966.
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"Professor" Peter Schickele is an American composer, musical educator, and parodist, best known for comedy albums featuring his music, but which he presents as being composed by the fictional P. D. Q. Bach. He also hosted a long-running weekly radio program called Schickele Mix.
The Abduction of Figaro is a comic opera in three acts, described as "A Simply Grand Opera by P. D. Q. Bach", by Peter Schickele. It is a parody of opera in general, and the title is a play on two operas by Wolfgang Amadeus Mozart: The Abduction from the Seraglio, K. 384, and The Marriage of Figaro, K. 492. Those two operas, as well as Così fan tutte and Don Giovanni, and Gilbert and Sullivan's The Pirates of Penzance are among the core inspirations for the piece. The Abduction of Figaro is numbered S. 384, 492 in Schickele's catalogue of works.
P. D. Q. Bach is a fictional composer invented by the American musical satirist Peter Schickele, who developed a five-decade-long career performing the "discovered" works of the "only forgotten son" of the Bach family. Schickele's music combines parodies of musicological scholarship, the conventions of Baroque and Classical music, and slapstick comedy. The name "P. D. Q." is a parody of the three-part names given to some members of the Bach family that are commonly reduced to initials, such as C. P. E., for Carl Philipp Emanuel Bach; PDQ is an initialism for "pretty damned quick".
Ach Gott, wie manches Herzeleid, BWV 3, is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig for the Second Sunday after Epiphany and first performed it on 14 January 1725. It is based on the hymn published by Martin Moller in 1587.
Johann Sebastian Bach composed the church cantata Es ist das Heil uns kommen her, BWV 9 in Leipzig for the sixth Sunday after Trinity between 1732 and 1735. It is a chorale cantata, based on the hymn "Es ist das Heil uns kommen her" by Paul Speratus. Bach composed the cantata to fill a gap in his chorale cantata cycle written for performances in Leipzig from 1724.
The Baroque Beatles Book is a record album by the American keyboardist and conductor Joshua Rifkin. Released by Elektra/Nonesuch in 1965, it takes musical themes of The Beatles and reworks them into Baroque style. The artwork on the cover, signed by illustrator Roger Hane, depicts classical composers reviewing the music to "I Want to Hold Your Hand," one of whom sports a Beatles t-shirt.
Oedipus Tex is a satirical Western-themed oratorio by P. D. Q. Bach that follows the adventures of Oedipus Tex in Thebes Gulch. It was released on the album, Oedipus Tex and Other Choral Calamities in 1990.
Portrait of P. D. Q. Bach was released in 1977 on Vanguard Records. The album features mostly the work of Peter Schickele writing as P. D. Q. Bach, with one contribution under his own name.
The Ill-Conceived P. D. Q. Bach Anthology is a collection of works by Peter Schickele writing as P. D. Q. Bach originally recorded on the Telarc label by the composer.
Peter Schickele Presents an Evening with P. D. Q. Bach (1807–1742)? was the first concert of and the first release of the music of Peter Schickele under his comical pseudonym of P. D. Q. Bach by Vanguard Records. The chamber orchestra was conducted by Jorge Mester. The album consists of musical parodies with commentaries by the composer.
The Stoned Guest is "the premiere recording of the Half-Act Opera by P. D. Q. Bach", the pseudonym used by Peter Schickele for parodic works. It was released on Vanguard Records in 1970. The title is a play on Dargomyzhsky's opera The Stone Guest. The record is a pseudo-radio broadcast hosted by "Milton Host" including an appearance by "Paul Henry Lung" as a contestant on the intermission game "Opera Whiz" hosted by Schickele.
The Intimate P. D. Q. Bach is "a live recording of The Intimate P.D.Q. Bach stage show, featuring Professor Peter Schickele and the Semi-Pro Musica Antiqua" and was released on Vanguard Records in 1974. Many of the performer credits are humorous, and as with all P.D.Q. Bach recordings, the "S" numbers are fictitious and humorous. The cover art is a parody of the painting Kreutzer Sonata.
Black Forest Bluegrass is a recording of the music of Peter Schickele under his comic pseudonym of P. D. Q. Bach, featuring the composer and "a bluegrass band with a Baroque orchestra, a wind octet with toys, a commercial with a snake — this album has it all!" The album was released on Vanguard Records in 1979.
Oedipus Tex and Other Choral Calamities was released in 1990 by Telarc Records. The album contains works by Peter Schickele under his alter-ego of P. D. Q. Bach and won a 1990 Grammy Award for 'Best Comedy Performance'.
The Wurst of P. D. Q. Bach is a collection of works by Peter Schickele under his comic pseudonym of P. D. Q. Bach originally recorded on the Vanguard Records label by the composer. It includes "lowlights" from four different Vanguard albums: An Evening with P. D. Q. Bach (1807–1742)?, An Hysteric Return: P.D.Q. Bach at Carnegie Hall, Report from Hoople: P. D. Q. Bach on the Air, and P. D. Q. Bach's half-act opera The Stoned Guest. Wurst is the German word for sausage, with the album cover photograph set in a sausage shop.
The Dreaded P. D. Q. Bach Collection is a collection of works by Peter Schickele under the pseudonym of P. D. Q. Bach originally recorded on the Vanguard Records label by the composer. It includes the complete contents of the first five P. D. Q. Bach albums, plus the never-before-released "Sanka" Cantata.
P.D.Q. Bach in Houston: We Have a Problem! is a live performance celebrating 40 years of P. D. Q. Bach. This performance features Professor Peter Schickele with Orchestra X conducted by Peter Jacoby. It includes never-before-recorded performances of "Trumpet Involuntary" movement of Iphigenia in Brooklyn, and also the rounds Odden und Enden.
Pervertimento for Bagpipes, Bicycle and Balloons is a satirical work authored by Peter Schickele under the pseudonym P.D.Q. Bach, whose works and life Schickele purports to study. It is a concerto featuring the aforementioned bagpipes, bicycle and balloons as solo musical instruments accompanied by a string orchestra.
Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: