Andi Campognone (born 1965 in Los Angeles County) is California-based curator, author, and film producer, known for championing contemporary Southern California artists.
Campognone attended Georgia State University, where she studied business, and Woodbury University and Chaffey College where she focused on art. In 2005, as associate director and exhibitions curator at Riverside Art Museum, she co-curated, with Peter Frank, "Driven to Abstraction: Southern California and the Non-Objective World, 1950–1980," the first museum exhibition that exclusively focused on abstract painting contributions from Southern California from 1950 to 1980. [1]
In 2007, she opened her first gallery, dba256, in Pomona, followed by Andi Campognone Projects, which showed artists such as Roland Reiss, Lita Albuquerque, Thomas McGovern and Sant Khalsa. A past President of the Pomona Arts Colony Association, she also served on the City of Pomona Cultural Arts Commission, where she contributed to the writing of the Cultural Master Plan and the Arts in Public Places Policy. [2]
In 2011, Campognone became the Museum Manager/Curator for the Museum of Art and History in Lancaster, CA (MOAH), and began an ambitious program focusing on contemporary California artists that included exhibition and acquisition. She co-curated MOAH's opening show, "Smooth Operations: Substance and Surface in Southern California Art" with Peter Frank. The exhibition looked at the use of new and non-traditional materials in the fabrication of art objects, many of which came directly from the aerospace industry, leading to the emergence of artistic movements such as Finish Fetish and Light and Space. Among the artists featured in Smooth Operations were Larry Bell, DeWain Valentine, Ronald Davis, Craig Kauffman, Judy Chicago, Roland Reiss, Norman Zammitt, Fred Eversley, VASA, Doug Edge, Terry O’Shea and Jerome Mahoney. [3]
Since then, Campognone has helped launched the museum's green initiative, [4] created community programs, [5] and curated shows featuring artists Ed Moses, Kim Abeles, Lita Albuquerque, Gary Baseman, Karl Benjamin, Charles Dickson, Nancy Macko, Catherine Opie, Kim Stringfellow, Phillip K. Smith III, Shepard Fairey, Banksy, Barry McGee, Keith Haring, Robbie Conal, Gary Lang, Ruth Pastine, Linda Vallejo, Justin Bower and Andrew Frieder. [6]
Campognone wrote Circles and Words, which explored the career of artist Gary Lang. [7] She also executive produced the 2014 documentary Mana, directed by Eric Minh Swenson, which explores the studio practice of 10 Los Angeles artists and their relationship to surfing and the ocean. [8] [9]
She currently serves on granting committees for Los Angeles County Arts Commission and the California Community Foundation and is a member of the advisory board for the Los Angeles Art Association.
Rob Clayton and Christian Clayton are painters based in California.
Located in Hollywood, Los Angeles Contemporary Exhibitions (LACE) is a nonprofit exhibition space and archive of the visual arts for the city of Los Angeles, California, United States, currently under the leadership of Sarah Russin.
Helene Winer is an American art gallery owner and curator. She co-owned Metro Pictures Gallery in New York City with Janelle Reiring. Metro Pictures closed in late 2021. Her career deeply involved the postmodern artists of the 1970s and 1980s known as the Pictures Generation. She lives in Tribeca.
Merion Estes is a Los Angeles-based painter. She earned a B.F.A. at the University of New Mexico, in Albuquerque, and an M.F.A. at the University of Colorado, in Boulder. Estes was raised in San Diego from the age of four. She moved to Los Angeles in 1972 and first showed her work at the Woman's Building in Los Angeles. As a founding member of Grandview 1 & 2, she was involved in the beginnings of Los Angeles feminist art organizations including Womanspace, and the feminist arts group "Double X," along with artists Judy Chicago, Nancy Buchanan, Faith Wilding, and Nancy Youdelman. In 2014, Un-Natural, which was shown at the Los Angeles Municipal Art Gallery in Los Angeles and included Estes' work, was named one of the best shows in a non-profit institution in the United States by the International Association of Art Critics.
Dora De Larios was an American ceramist and sculptor working in Los Angeles. She was known for her work's clean lines and distinctive glazes, as well as for her line of tableware created under her family-run company Irving Place Studio. Also a muralist working with tile, De Larios was noted for her style, which reflects mythological and pan-cultural themes.
Eric Minh Swenson, also known as EMS, is an American photographer, photojournalist and filmmaker, born in Honolulu, Hawaii, best known for his films on artists and exhibition. He has also focused on Southern California fine artists.
Coleen Sterritt is an American sculptor known for abstracted, hybrid works made from a myriad of everyday objects and materials, combined in unexpected ways. Writers root her work in the tradition of post-minimalists Jackie Winsor, Eva Hesse and Nancy Graves, and assemblage artists such as Louise Nevelson, Robert Rauschenberg and Marisa Merz; she is sometimes associated with contemporaries Jessica Stockholder, Nancy Rubins, and Tony Cragg. Sculpture critic Kay Whitney suggests Sterritt's work "expands and reinterprets three of the most important artistic inventions of the 20th Century—collage, abstraction and the readymade"— in play with the traditions of Arte Povera bricolage and Surrealist psychological displacement. Curator Andi Campognone considers Sterritt one of the most influential post-1970s artists in establishing "the Los Angeles aesthetic" in contemporary sculpture, while others identify her as an inspiration for later West Coast artists creating hand-made, free-standing sculpture counter to trends toward interventions, public art and environmental works. Constance Mallinson writes that Sterritt's work "walks a line between charm and threat, the natural, the industrial and the hand fabricated, rejecting easy associations for complex reads." Los Angeles Times critic David Pagel calls it smart, funky and "subtly rebellious" in its refashioning of discarded material, dumpster finds, and art-historical lineages.
Sonia Amalia Romero is an American artist, she is known for her printmaking, mixed media linocut prints, murals, and public art based in Los Angeles. She is known for depicting Los Angeles, Latin American imagery, and Chicano themes in her work.
The Lancaster Museum of Art and History (MOAH), is located in Lancaster, California. The museum's exhibits focus on post-war American art with an emphasis on California art. MOAH also preserves and exhibits historical artifacts from the Antelope Valley and offers exhibitions of local artists. At its current location, MOAH is an anchor of the BLVD, the community-focused development of Lancaster Blvd. Opened in 2012, the Museum consists of three floors and 20,000 square feet of programmable space. Special focus is given to exhibitions and engagement that connect relevant arts to the region's history, ranging from Native Americans and pioneers to aerospace.
Jack Hooper was an American painter, muralist, sculptor, printmaker and art educator. Hooper was a major figure on the Southern California art scene, belonging to that generation of Los Angeles painters who matured during the late 1950s and the 1960s, painters such as John Altoon, Sam Amato, Robert Irwin, Lee Mullican, William Brice and Billy Al Bengston. He was an innovator in the use of new materials, most importantly plastic in art. He is known for abstract expressionist, mural and figurative painting. Hooper has exhibited in art museums and galleries nationally and internationally including solo shows in Europe, Mexico and the United States. Modeling renown UCLA art professor and figurative artist, Jan Stussy, the last 20 years of his life were spent in rural Mexico, where he drew and painted every single day until his death.
Abel Alejandre is a Mexican-born, United States-based hyperrealist artist, best known for his explorations of masculinity and vulnerability. Working primarily in pencil, Alejandre creates cross-hatched drawings which can sometimes take months to complete. Alejandre's series of twelve panels, "Panoramas," is featured at the Los Angeles Metro Rancho Park/Westwood station.
Alma Ruiz is a curator, best known as a longtime, former senior curator at the Museum of Contemporary Art, Los Angeles (MOCA).
Selene Preciado is an art curator and expert in Latin American art who is based out of the Greater Los Angeles area.
Jim DeFrance was a West Coast artist known for his abstract, shaped panel paintings and meticulous constructions. He utilized a reductive process while incorporating architectural references, geometric foundations, and fine carpentry into his work. He was most known for his “Slot” paintings, where he developed a surface structure of trapezoids on top of a bold color field.
Michael Leslie Brewster was an American artist, recognized for coining the term “acoustic sculpture.” He worked with sound to create sonic environments beginning in the 1970s until 2016. His works were shown across the United States and Europe, and are in permanent collections, notably the Solomon Guggenheim Museum, the Fondo per Arte Italiano, Museum of Contemporary Art Los Angeles, and the Giuseppe Panza Collection.
Hirokazu Kosaka is a Japanese-born American artist, ordained Shingon Buddhist priest, and the Visual Arts Director at the Japanese American Cultural & Community Center in Little Tokyo, Los Angeles. In 1966 Kosaka moved from Kyoto to Los Angeles where he attended Chouinard Art Institute and received his Bachelor of Fine Arts. While at Chouinard he became influenced by conceptual art, leading to his participation in L.A.’s emerging conceptual art scene during the 1970s. Eventually moving back to Japan, he then traveled to Europe and South America before returning to Los Angeles to live in 1976. In addition to his B.F.A. he also holds a Master of Arts in Theology from Columbia University. His multi-disciplinary practice spans performance art, sculpture, calligraphy, conceptual art and Kyūdō. In 2004, Kosaka performed “In Between The Heartbeat” at the Indianapolis Museum of Art, using Kyūdō, electric blankets, and copier machines to comment critically on technology.
Elizabeth Armstrong is an American curator of contemporary and modern art. Beginning in the late 1980s, she served in chief curatorial and leadership roles at the Walker Art Center, Museum of Contemporary Art, San Diego, Orange County Museum of Art (OCMA), Minneapolis Institute of Arts and Palm Springs Art Museum. She has organized numerous touring exhibitions and catalogues that gained national and international attention; among the best known are: "In the Spirit of Fluxus", "Ultrabaroque: Aspects of Post-Latin American Art", and "Birth of the Cool: California Art, Design, and Culture at Midcentury". She is also known for organizing three California Biennials (2002–6) and notable exhibitions of David Reed and Mary Heilmann. Armstrong's curatorial work and publications have been recognized by the Andy Warhol Foundation, the Center for Curatorial Leadership, the Getty Foundation Pacific Standard Time project and the National Endowment for the Arts, among other organizations.
Margaret Garcia is a Chicana muralist, educator, and arts-advocate based in Los Angeles.
Courtney M. Leonard is a multimedia artist, filmmaker, and activist from the Shinnecock Nation in Long Island, New York. Her work revolves around issues of ecology and Native identity, specifically their intersection with water, which is essential to the Shinnecock. Leonard primarily uses clay and her ceramic artwork has been inspired by the whaling coastal culture of the Shinnecock Nation. She has contributed to the Offshore Art Movement and now focuses on her work, BREACH, which is centered on environmental sustainability.
Ruth Pastine is an American artist known for abstract minimalist paintings that explore the phenomenological experience of color, light and space. Critics relate her art to the Southern California Light and Space movement, while identifying key differences, such as its focus on metaphysical aspects of consciousness and its reliance on basic, traditional means rather than synthetic-industrial materials. In these regards, writers trace her artistic lineage to Monet and Malevich—who sought to capture light's ineffability—and to Abstract Expressionist and Color field painters such as Barnett Newman, Ad Reinhardt and Mark Rothko, who probed the chromatic and tonal nuances of oil paint. Pastine's paintings typically consist of seamless gradating bands or fields of color built in layers with countless brushstrokes, which optically coalesce and appear to pulse, float, dissolve, or glow as if backlit. Peter Frank has written that she "paints as purely optical a kind of painting as it is possible to paint … nothing but color and its presentation, with myriad, closely shifted color modulations."