Angelique Rockas as Miss Julie, and Garry Cooper as Jean in Strindberg's Miss Julie, Internationalist Theatre
Angelique Rockas is an actress, producer and activist. Rockas founded the theatre company Internationalist Theatre in the UK with her patron Athol Fugard. The theatre featured multi-racial casts in classical plays."a historic example of theatre work addressing representation in the most valuable manner"[1] As an actress Rockas`s work has been characterized by "her strong interpretation of roles".[2]
Rockas was born and raised in Boksburg, South Africa, to Greek parents who had emigrated from Greece with hopes of finding a better life. She had three siblings, followed Greek Orthodox Christian traditions, and was taught to honour her Greek cultural heritage.[3] She received her early education at St Dominic's Catholic School for Girls, Boksburg,[4] and later earned a bachelor's degree in English literature with a major in philosophy at the University of the Witwatersrand in Johannesburg. After earning her degree, Rockas went on to complete an acting course at the Drama School of the University of Cape Town under the direction of Robert Mohr.[5][6]
A young activist, Rockas appeared on the June 1970 front page of the Star with a group of debutantes raising funds for Saheti School, a Greek school located in Germiston, South Africa.[7] She also participated in a 25 March Greek War of Independence Poetry Celebration with George Bizos.[8] Bizos nicknamed her "l'enfant terrible" for her resistance to the status quo,[9] and became her role model leading up to her founding of the Internationalist Theatre.[10]
Her activities as an anti-apartheid and feminist activist in “the then underdeveloped and extremely conservative” South Africa eventually motivated her move to the UK.[3] While residing in North London, she worked for Theatro Technis, a Greek Cypriot theatre company that focused on sociopolitical issues affecting Greek Cypriots, and also helped to promote Greek tragedies and comedies to London audiences.[3]
Acting career
In London, Rockas began acting under the direction of George Eugeniou at Theatro Technis[11] where she participated in Greek classical productions.
Rockas also played Io in a production of Prometheus Bound.[12][13] She also performed under the name of Angeliki in dual language productions (Greek/English) based on improvisations about issues that touched the Greek Cypriot community, and the tragedy of the Turkish invasion of Cyprus, Attilas '74.[14] The plays included Dowry with Two White Doves,[15]Afrodite Unbound, A Revolutionary Nicknamed Roosevelt, Ethnikos Aravonas.[16][17][18] In 1982, she played the lead role in Medea by Euripides as a barefooted refugee,[19] directed by George Eugeniou at Theatro Technis.[20]
In 1984 Rockas challenged casting cliches when as a "short, Latin-looking actress" [33] she took on the role of Strindberg`s aristocratic Miss Julie.[34]
In November 1980, Rockas set up the performance of 'Tis Pity She's a Whore[40] by John Ford in which she played the lead part of Annabella. She financed the production herself and enlisted the then unknown Declan Donnellan to direct the play to be performed at London's Half Moon Theatre and Theatre Space. The production was designed by Nick Ormerod.[41]
Angelique Rockas as Miriam, In the Bar of a Tokyo Hotel
In April 1981, Rockas founded Internationalist Theatre to create a multi-racial and multi-national theatre company for actors living in London of any racial or national background, of any accent, performing drama classics as well as contemporary works not especially written for multi-racial and multi-national casts.[42][43] It was first announced on 9 April 1981 in the Theatre News, page (2), by the editor of The Stage, describing the company's formation "to assert a multi-racial drama policy",[44] with their performance of the revival of The Balcony by Jean Genet.
Internationalist Theatre staged productions by dramatists including Pirandello, Genet, and Tennessee Williams who belong to "the continental, non-realistic, symbolically orientated drama of this century (20th) and..proved most uncongenial to the tunnel visioned repertoire builders" of British theatre of that period.[45]
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
